Sentences with phrase «dialogue between photography»

This expanded documentary is a dialogue between photography and video.

My larger practice is a continuous dialogue between photography and sculpture.

One element of the conversation that Williams opens up through his works is a dialogue between photography and filmmaking, which has lead Marcoci to call him a «cinephilic» photographer.

Her work represents a kind of dialogue between photography and the painting itself.

That dialogue between photography and painting turns out to be important in my work right now, mainly because I love realism.

Why not show one of Ruscha's pared - down paintings of buildings and signs, or establish an intelligent dialogue between photography and sculpture by including sculptors like Richard Long and Hamish Fulton in whose work photography plays a vital role?

Dunnett has been experimenting with converting the digital photographs of her walks into contact negatives, creating and then toning cyanotypes, opening up a dialogue between photography, painting and etching.

We strongly encourage experimentation, the use of traditional and contemporary approaches, innovation, and the dialogue between photography and other artistic mediums.

Offering dialogues between photography and abstract art, Shape of Light pulls together images from 1910 to the present day.

Not exact matches

The exhibition, developed in collaboration with the San Francisco photography specialist Fraenkel Gallery, will attempt to explore the possible dialogues that may exist between photographs and drawings.

The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

A range of techniques including painting, sculpture, graphic arts and photography will be showcased thematically rather than chronologically, aiming to highlight dialogue between eras, revealing how certain artists have been prompted to reinterpret earlier works.

A unique fusion of photography and painting, Isca Greenfield - Sanders» work creates a rich dialogue between abstraction and figuration, mechanical reproduction and handcraft, and narration and formalist visuality.

The breakdown and distortment of one's relfection is an eloquent metaphor and opens a provoking dialogue to the perhaps at times tenuous relationship in aerial cartography and photography between the categorization of the surfaces of objects and its true properties.

Emerging as two major new art forms in the 1960s, these movements are seen through a dialogue between painting, architecture, sculpture, and photography.

A unique fusion of photography and painting, Isca Greenfield - Sanders's work creates a rich dialogue between abstraction and figuration, mechanical reproduction and handcraft, and narration and formalist visuality.

FORM is presented as a meeting of painting, sculpture, digital art, photography and mixed media works, examined through a dialogue between formal geometric structures and organic compositions.

In this way, the work hints at questions of vision and reality that, for Richter, lay at the core of the relationship between photography and painting — a dialogue that was to drive his work over the following decades.

By bringing a collection of painting, sculpture, photography, digital art and installations into this space, curator Vito Abba initiates a dialogue between the Renaissance and contemporary art, connecting works created half a century apart.

CONNECTED brings together multidisciplinary work in the fields of painting, printmaking, drawing, and photography with the aim to create a dialogue between the practices of emerging artists on opposing coasts.

Through a dialogue between drawing and photography, artists Tom Baskeyfield and Mario Popham continue their exploration into how...

The symposium coincided with the O'Keeffe Museum's presentation of «Shared Intelligence: American Painting and the Photograph,» an exhibition that developed from our 2006 symposium, which addressed the dialogue between painting and photography that has been constant and ongoing since the invention of the latter in the early decades of the nineteenth century.

Jacir's approach opens up a dialogue between diverse cultures, questions borders and truths, through a diverse range of media including film, photography, public interventions, installation, performance and video.

Creating a dialogue between painting and photography, Montreal artist François Vaillancourt explores the relationship between the images produced by -LSB-...]

St Ives paintings from the Collection are hung side by side with large scale Roger Mayne works from the 1960s to allow a dialogue between the two, showing him questioning early on the distinction between painting and photography.

The exhibition is an extended dialogue between curator Lynda Morris and artists, critics and writers, concerning the relationship between painting, photography and film.»

This exhibition brings together the work of several Chicago artists who take the evolving dialogue between history and photography as their subject.

Occupying all of The Drawing Room's gallery spaces, the exhibition is curated to reveal a palatable dialogue between eight artists working in painting, sculpture or photography, each with a distinct sources of inspiration.

Tate Britain, London, 11 May — 25 September This exhibition at Tate Britain is the first major one of its kind to consider the significant dialogue between early photography and British art over the course of a 75 - year period.

Showing a number of contemporary artists, as well as representing several estates of historically significant artists, the gallery confronts the canonical dialogue between modern and contemporary art through exhibitions that feature artists working in multiple disciplines including painting, photography and sculpture.

Creating a dialogue between painting and photography, Montreal artist François Vaillancourt explores the relationship between the images produced by these two media, and their respective attributes.

Printed on highly textured watercolour paper, the images offer dialogues between contemporary photography and early Japanese artwork, creating an aesthetic narrative that spans centuries and across continents.

Her early work was initially in dialogue with minimalism but quickly spiraled out into ideas about hybridity and what has come to be known as the «post-medium» condition, a blurring of traditional distinctions between media such as painting, sculpture, and photography.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Loeb, using primarily painting and photography, creates meticulously specific images that subverts the language of reproduction and memories to codify a dialogue between relativism and our formative experiences....

He returned to Amsterdam, incorporated land - art based theories into his work and began to use photography as a «dialogue between nature and cool geometrical design by rotating the camera on its axis» with his «perspective corrections».

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; and Contemporary And.

The PIPA nominated artists, Rodrigo Braga (2011/2012), Marcelo Amorim (2010), Gisela Motta and Leandro Lima (2012) participate in the exhibition that brings dialogue between performance and photography.

The following is excerpted from a tape - recorded dialogue between Misha and Trisha about dance, life, photography and golf.