Not exact matches
During an early screening
of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience
near the
end of the
film thanks to corny
dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).
References to older
films of the genre, witty
dialogue (including a monologue delivered by Carradine
near the
end that is probably the best thing Tarantino has ever written), extreme violence, a soundtrack filled with all kinds
of extraordinary pop songs; even an entire backstory sequence completely done in Anime.
It's all on the page in terms
of dialogue, but the deer scene, for instance, or the scene on the phone
near the
end, were the moments where I felt she's allowed to be more emotional than anywhere else in the
film.