Sentences with phrase «dialogue on contemporary art»

American Paintings, 1975 - 1985, Selections from the Collection of Aaron and Phyllis Katz, Aspen Art Museum, CO, USA American Painting and Sculpture: Selections from the Permanent Collection, Museum of ContemporaryArt, Chicago, IL, USA Pop Art, 1955 - 70, Museum of Modern Art, New York, NY, USA, travelled to Art Gallery of New South Wales, Sydney, Australia; Queensland Art Museum, Queensland, Australia; National Gallery of Victoria, Melbourne, Victoria, Australia The First Exhibition - Dialogue on Contemporary Art in Europa, Lisbon, Portugal Carnegie International, The Carnegie Museum of Art, Pittsburgh, PA, USA

The works will create an expanded dialogue on contemporary art and space, approaching this central theme through a range of tactile, visual and conceptual means.

We believe EXPO CHICAGO will bring new opportunities to generate dialogues on contemporary art between the US and Asia.

A catalyst for new ideas and dialogues on contemporary art in print and paper, the STPI collaborates with emerging and established artists to push the frontiers of printmaking and papermaking.

Not exact matches

Though there is this collective aspect to The Can (n) on, each artist produces unique work in diverse media, styles and conceptual frameworks that engage in the contemporary art dialogue.

An unrivaled talks program for both public and VIP audiences on two stages, / Dialogues and Exchange by Northern Trust continue to feature the most established and respected voices in contemporary art and culture.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Anderson Ranch celebrated their 50th anniversary just last year and continues to grow as a leader in the creation and development of and dialogue on contemporary visual arts in America.

Dialogue is a keyword, and with the main focus on the audience, Kunsthal NORD functions as a platform for debate, communication and conversation about the current contemporary art.

While we choose to focus on works from Leap Before You Look, the tour can just as often place a work from the Armand Hammer Collection in dialogue with a piece of contemporary art.

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

Jordan's emphasis on the intersection of art and politics in the twentieth century informs much of her academic research, and she is currently working on a book that places the aesthetic and political conflicts of Picabia's era in dialogue with more contemporary political debates.

Presented on the occasion of the Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines is a six - part exhibition series conceived as an evolving dialogue on contemporary Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines is a six - part exhibition series conceived as an evolving dialogue on contemporary contemporary abstraction.

Selected group exhibitions include Art through the Eye of the Needle, Henie Ondtad Kunstsenter, Oslo (2001); ARS 01, KIASMA, Helsinki (2001); Sharing Exaustism, 5th Biennial de Lyon (2000); Human Being and Gender, 3rd Kwiangju Biennial (2000); The Sky is the Limit, 2nd Taipei Biennale (2000); Hypermental, Kunsthaus Zürich (2000); ArtWorld in Dialogue, Museum Ludwig, Cologne (1999); d'APERTutto, 48th Venice Biennial (1999); Echolot, Museum Fridericianum, Kassel (1998); 5th Istanbul Biennale (1997); Manifesta 1 (1996); Traditions / Tensions, Queens Museum; Cities on the Move, Secession, Vienna; P.S. 1 Contemporary Art Center, New York, 1997 - 2000.

2017 Magnetic Fields: Expanding American Abstraction, 1960s to Today, Kemper Museum of Contemporary Art, Kansas City, MO Power, Sprueth Magers, Los Angeles, CA Magnetic Fields: Expanding American Abstraction, 1960s to Today, The National Museum for Women in the Arts, Washington, D.C. Dialogues in Drawing, Jenkins Johnson Gallery, San Francisco, CA No burden as heavy, David Castillo Gallery, Miami Beach, FL Women Painting, Martin and Pat Fine Center for the Arts, Miami - Dade College, Miami, FL American African American, Phillips Auctioneers, London, UK Innovators and Activists: Celebrating Three Decades of New York State Council on the Arts / New York Foundation for the Arts Fellowships, Traveling Exhibition 2017 - 2020: SUNY New Paltz, New Paltz, NY; SUNY Cortland, Cortland, NY; Alfred University, Alfred, NY; SUNY Fredonia, Fredonia, NY; SUNY Plattsburg, Plattsburg, NY; Stony Brook University, Stony Brook, NY; Westchester Community College Center for the Arts, Valhalla, NY Soldary & Solitary: The Pamela J. Joyner & Alfred Gieffrida Collection, Traveling Exhibition 2017 - 2020: Ogden Museum of Southern Art, New Orleans, LA; Nasher Museum of Art, Durham, NC; Snite Museum of Art, Notre Dame, IN; Smart Museum of Art, Chicago, IL; Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum, Berkeley, CA; Perez Art Museum Miami, Miami, FL

Meanwhile, embedded in the dialogue are about 20 important contemporary art exhibition titles, aesthetic philosophical quotes, as well as titles of books on economic theory.

Portfolio Review Sessions were a chance for attendees to get face to face feedback on their work, stimulating further dialogues about contemporary art and its wider impact, as well as producing valuable networking opportunities, connecting organisations from all over the UK.

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art icontemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art iContemporary Art in collaboration with five other UK art institutioArt in collaboration with five other UK art institutioart institutions.

Drawing on EAI's extraordinary archive, and building upon ICA's history of engagement with media art since 1975, Broadcasting will foster a dialogue between early innovators and contemporary practitioners, such as Ulysses Jenkins, Shigeko Kubota, Tony Cokes, and Kristin Lucas.

Pearl Lam Galleries «inaugural exhibition in Singapore aims to explore and refute the myth that contemporary art from Asia is dependent on Western art, while revealing and celebrating the complex and ongoing dialogue between Western and Asian abstract art.

«Honoring him dovetails with our mission at the Ranch to be a leading platform for art - making and dialogue on issues in contemporary art.»

[1] In a piece on Mikkel Carl's recent works, curator and art critic Toke Lykkeberg discusses the artist's desire to set up dialogue concerning the muteness so predominant on the contemporary art scene.

Moderated by Andrew Shiue (founder of the contemporary culture site Beyond Chinatown), the discussion inaugurated Klein Sun Gallery's panel talk series, which aims to provide a platform for engaging, critical and inclusive dialogue on contemporary Chinese art and culture.

It is our mission to continue to lead as a hub that brings creatives together with culture consumers, elevating the Southwest's contemporary arts and culture market with an emphasis on critical perspectives and informed dialogue.

A Space for Dialogue 63, Okeanos, International + Contemporary Reflections on the Sea, Maria Fillas, Class of 2011, Levinson Intern, Main Lobby, Hood Museum of Art Dartmouth College, Hanover, New Hampshire, March 12 - May 6, 2011.

Maria Fillas, Class of 2011, Levinson Intern, A Space for Dialogue 63, Okeanos, International + Contemporary Reflections on the Sea, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2011, cover ill.

Such an approach is built on a belief that contemporary art can be used as an active hub for local society, as a form of critique, investigation and celebration where artists are at the center of these dialogues playing a primary and fundamental role.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

Such an approach is built on a belief that contemporary art can be a form of critique, investigation and celebration where artists are at the center of these dialogues playing a primary and fundamental role.

Conceived and curated by Maria Brito, the show opened on July 29 and runs through August 28 on the island of Mykonos at Dio Horia; a new contemporary art platform dedicated to exploring the dialogue between contemporary art and culture in Greece and around world.

With 5 studio buildings in Santa Monica, 18th Street provides a hub for contemporary art through two program areas that reflect its mission: 1) A Residency Program that fosters inter-cultural collaboration and dialogue and 2) A Public Events and Presenting Program that focuses on engaging the public and revealing the art - making process to them through exhibitions, events, publications and other opportunities.

Jenny Holzer, Talking Politics, 2008, Pigment print, ed 1/5, 60 x 75 in., Given by the artist, UM 2014.32 40 Years / 40 Artists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and society.

Work that contributes to the ongoing dialogue about contemporary art practices within lens based arts or puts a new perspective on historical work.

I'll be heading out to Chicago next Thursday to check out Expo and participate in «Dialogues», a series of panel discussions on contemporary art launched in partnership with The School of The Art Institute of Chicaart launched in partnership with The School of The Art Institute of ChicaArt Institute of Chicago.

Returning exhibitors including Acquavella (New York), Hauser & Wirth (New York), Lévy Gorvy (New York) and Skarstedt (New York) will curate cross-generational dialogues between modern works and new contemporary art, shedding light on the evolution of artistic practice.

Toomer, a former gallerist and curator, has made some noticeable changes to the fair, opening a dialogue between emerging and consolidated artists and putting emphasis on the fair's commitment to present a cohesive overview of the contemporary art market today.

Francisco Vidal Art Specializing in a Figurative Paintings and Works on Paper Visual Dialogue with Series about The Artist, The Music and more works also with Classic Genre like Nude, Figures, Still life and Landscape on Contemporary way I live and work on New York

Through the facilitation of the platform, organizer Siddhartha Arts Foundation (SAF) employs the arts to present multiple perspectives on contemporary themes in order to educate audiences and engage society in critical dialoArts Foundation (SAF) employs the arts to present multiple perspectives on contemporary themes in order to educate audiences and engage society in critical dialoarts to present multiple perspectives on contemporary themes in order to educate audiences and engage society in critical dialogue.

«Emancipating the Past: Kara Walker's Tales of Slavery and Power» will be on display at University Museum of Contemporary Art from Feb. 2 through April 30, bringing together 60 different works by artist Kara Walker designed to challenge viewers to create a dialogue around race and gender politics.

Curated by Joe Amrhein and Petur Arason 2004 «Nothing Compared to This,» CAC Museum, Cincinnati, OH 2003 «One on One,» Pierogi, Brooklyn, NY «Mine,» Lombard Fried Fine arts, New York, NY 2002 «Meiosis,» Sol Gallery, Providence RI «Perspectives,» Woods Gerrry Gallery, Providence RI «Caribbean Biennial,» Museum of Modern Art, Santa Domingo 2001 «Synergism,» Pro Gallery, Nassau, Bahamas 2000 Glass Triennial, Woods Gerrry Gallery, Providence, RI «Shattered Fractions,» College Gallery, Nassau, Bahamas «On The Edge of Time,» Contemporary Art from the Carribbean, Washington DC 1999 «Visual Dialogue,» Group of works traveling through the Bahamas «Post Independent Art,» Central Bank Gallery, Nassau Bahamas 1998 «Floyd's Fury,» Pro Gallery, Nassau Bahamon One,» Pierogi, Brooklyn, NY «Mine,» Lombard Fried Fine arts, New York, NY 2002 «Meiosis,» Sol Gallery, Providence RI «Perspectives,» Woods Gerrry Gallery, Providence RI «Caribbean Biennial,» Museum of Modern Art, Santa Domingo 2001 «Synergism,» Pro Gallery, Nassau, Bahamas 2000 Glass Triennial, Woods Gerrry Gallery, Providence, RI «Shattered Fractions,» College Gallery, Nassau, Bahamas «On The Edge of Time,» Contemporary Art from the Carribbean, Washington DC 1999 «Visual Dialogue,» Group of works traveling through the Bahamas «Post Independent Art,» Central Bank Gallery, Nassau Bahamas 1998 «Floyd's Fury,» Pro Gallery, Nassau BahamOn The Edge of Time,» Contemporary Art from the Carribbean, Washington DC 1999 «Visual Dialogue,» Group of works traveling through the Bahamas «Post Independent Art,» Central Bank Gallery, Nassau Bahamas 1998 «Floyd's Fury,» Pro Gallery, Nassau Bahamas

From its inception, The Alternative Museum presented ground - breaking thematic exhibitions focusing on the pressing issues of American society, creating an ongoing dialogue which examined the definitions and boundaries of art and contemporary society.

About: Nka focuses on publishing critical work that examines the newly developing field of contemporary African and African Diaspora art within the modernist and postmodernist experience and therefore contributes significantly to the intellectual dialogue on world art and the discourse on internationalism and multiculturalism in the arts.

His multidisciplinary practice utilises a variety of mediums, drawing focus to forms of collaboration in contemporary art based on dialogue and exchange.

Designed to enhance classroom activities of various disciplines in the Visual Arts and to stimulate campus dialogue around topical issues of contemporary art, these thematically connected presentations will build on each other, offering students the opportunity to explore ideas from multiple perspectives over the course of the term.

This collaboration has focused on the exchanges and dialogues between contemporary art practice and ceramics.

Solo exhibitions include; On Invasive Species and Infidelity, Art Gallery of Alberta (2015), The Enemies of The Novel, Back Gallery Project, Vancouver, CA (2015), Negative Exposure, Katzman Contemporary / CONTACT 2015 Toronto, CA (2015), Painted Shut, Dialogues at The London Art Fair: Projects (2015), Please Boss Remember Me, VITRINE, London, UK, (2014).

The exhibition Deutschland 8 will be on view in Beijing from September 16th until October 31st, 2017 at the Imperial Ancestral Temple Art Museum (Traces of Memory — Masterworks of Contemporary German Painting from September 17th until October 20th), CAFA Art Museum (Paradigms of Art — Contemporary Art from Germany from September 16 until October 29th), Today Art Museum (Arrested Time — New Media Art from Germany from September 17th November 12th), Whitebox Art Center (Next Generation — Young German Art from September 15th until October 31st), Beijing Minsheng Museum (Language of Photography and the Duesseldorf School from September 16th until October 22nd), Red Brick Museum (Prologue — German Informel Art from September 16th until October 22th), Yuan Art Museum (Dialogue — The Spatial Dimension of Colour from September 16th until October 31st).

Including film, wall paintings, ceramics, silkscreens (on mylar, plexiglass, steel, and canvas), Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories,» states the Contemporary Arts Center.

Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.

In bringing a number of artists together, the showcase develops a dialogue between the individual concerns of each artist, reflecting on the nature of contemporary art today.