The director has always leaned towards dense
dialogue over visual flourishes making him sort of a socialite, yuppie - focused Kevin Smith (I probably just lost the «criterion collector crowd» with that comparison and in all fairness, Stillman was there first.)
Not exact matches
Given that this film is
over 50 years old, I can forgive many aspects of it (such as
dialogue, special effects,
visual effects, etc) that would cause many people to regard this as a complete turkey in the vein of Edward D. Wood, Jr..
There are subplots that drag, such as one about the president's eldest son wanting to enlist in the Union army; in the role, the typically charismatic Gordon - Levitt struggles unsuccessfully to hold the frame opposite Day - Lewis (though the scene in which he follows a bleeding wheelbarrow culminates in the movie's most graphic and striking
visual, a rare example of an assertion of image
over dialogue).
West's signature is all
over the film, from his
dialogue - driven interactions and blood - soaked gore to his trademark humor and
visual style.
Setting out to convey «the interior feeling of a woman,» Tang favours expressive
visuals over dialogue, utilising montages, jump cuts and dissolves — as well as Subrata Mitra's vivid cinematography — to craft a subjective portrait of Madame Tung's emotional torment.
A triumph of painstaking technical prowess and stunning
visuals over storytelling and
dialogue.
They can be genuinely funny, but, like all the best parts of Fortnite, the
dialogue feels like a low priority, often playing
over the menu's distracting
visual noise and the post-match ritual of watching chests spill out, pinatas explode, and XP meters fill themselves several times
over to accompanying carnival ambience.
The game's
visuals,
dialogue and its gameplay have all been improved on significantly
over its predecessor.
Visual AIDS utilizes art to fight AIDS by provoking
dialogue, supporting HIV + artists, and preserving the legacy — because AIDS IS NOT
OVER!
Visual AIDS utilizes art to fight AIDS by provoking
dialogue, supporting HIV + artists and preserving a legacy - because AIDS IS NOT
OVER
Designed to enhance classroom activities of various disciplines in the
Visual Arts and to stimulate campus
dialogue around topical issues of contemporary art, these thematically connected presentations will build on each other, offering students the opportunity to explore ideas from multiple perspectives
over the course of the term.
A:
Visual AIDS utilizes art to fight AIDS by provoking
dialogue, supporting HIV + artists and preserving the legacy, because AIDS IS NOT
OVER!
She is a former intern and continued supporter and volunteer for
Visual AIDS, using art to fight AIDS through initiating
dialogue and supporting HIV + artists to remind us that AIDS is not
over.
In Caracas, a digitized pattern of marigold paint weaves its way
over the canvas, bringing the
visual language of the future into
dialogue with traditional forms of representation.
Visual AIDS utilizes art to fight AIDS by provoking
dialogue, supporting HIV + artists, and preserving a legacy, because AIDS IS NOT
OVER.
Nonetheless both artists share varying similarities in
visual dialogue and a friendship that has lasted
over 20 years.»
Visual AIDS utilizes art to fight AIDS by provoking
dialogue, supporting HIV + artists, and preserving a legacy, because AIDS is not
over.