Sentences with phrase «dialogue scene into»

The screenwriter has worked overtime to make a two character dialogue scene into a cinematic feast, placing the characters at various locales and telling the story in montage.

Not exact matches

Even when the director takes it too far — unceasingly pushing his camera through hallways and into ringing phones, or tilting up to the ceiling and spinning around a morally conflicted Graham — his curiosity is never less than winning, and his direction has rarely felt so energetic, giddy with scenes of overlapping dialogue and deftly orchestrated, impromptu conference calls.

Uprising is long, has yawn - inducing action scenes, terrible dialogue, a contrived plot that makes ZERO sense, and commits that most hated crime of horror movie sequels - returning beloved characters from the original only to kill them or turn them into forgettable villains.

Some of the dialogue scenes, in fact, can be hard to track, precisely because Favreau apparently coached Downey to say whatever came into his head, no matter who was speaking or what was being talked about.

A bit of impromptu (and sloppy) cosmetic surgery was also performed on this film by its U.S. distributor, with additional English dialogue scenes haphazardly edited into the already confusing original.

This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.

Deliberately awkward moments which are funny at first, are allowed to drag into eternity; dialogue scenes run on; and it takes far too long to get to the punch - line.

with optional LaBute commentary are, with the exception of a fairly hot intro - into - sex scene, essentially buffers and / or extended dialogue sequences LaBute generally explains away as impediments to the flow of the piece or redundant to the story.

Its dialogue is repetitive, its characters are underdeveloped, and there are moments in which the film steers into the surreal only to lazily abandon this journey in favor of a more easily presentable resolution to a scene.

If the choreographed sex scenes break into the pedestrian plot and dialogue of Body of Evidence like numbers in a musical comedy, that's because they appear to be the only scenes the filmmakers really care about; otherwise the characters and story can go straight to hell, one feels, as they eventually do.

It usually involves a ridiculous plot, some cheesy dialogue and a cool action scene or two, but the real draw continues to be seeing how many former action stars Sylvester Stallone can cram into a single film.

Much has been written about Andromeda's sorry technical state, and it's no exaggeration to say that this is one of the buggiest and broken high - profile games released in the past several years, with an impressive laundry list of issues, from broken quests to disembodied heads appearing in scenes, from characters randomly spawning into other characters to dialogue that has no relation to the situation.

This is a common trait with Lady Bird, where the shots compliment the dialogue into making it more than just a scene between two characters.

While punchy and full of giddy flourishes of dialogue, as ever with McDonagh it paints itself into a corner in the closing scenes where a convenient entrance stage - right in the second act is exploited.

The standout scene of the brothers» semi-affectionate riff on 1950s Hollywood throws the brunt of their combined talent for writing and deadpan timing into a two - man vaudeville routine of words and manners, in which a sophisticated director (Ralph Fiennes) and a bumpkin - ish actor (Alden Ehrenreich) struggle to get through a single line of dialogue: «Would that it were so simple.»

Although he mostly shows it with snippy dialogue and rigidly controlled schedules, Daniel Day - Lewis» Reynolds Woodcock is a fussy little dude, something made especially clear in a deleted scene that Anderson recently released to promote the film's upcoming home release, showing the Woodcock siblings descend from prodding at each other into a full - on food fight.

Like Smokey and the Bandit, The Concrete Cowboys works when it does because of the down home country dialogue and spirit, with Selleck and Reed riffing off each other energetically for a few yuks, while the country music scene plays prominently into the entertainment.

The pace plods with uninteresting sidebars and the banal scenes of dialogue and storytelling outnumber the fascinating or interesting ones that could have offered a richer and more absorbing look into the man's method or the historical art period itself.

Restoring a few of these cut - scenes would put much - needed flesh back on this skeletal film, though it's worth noting that many of them still suffer from Haythe's insecure shoehorning of subtext into the dialogue, as in a moment where Frank tells a story to guests Shep and Millie they've obviously heard before, only to have April come right out and confirm it.

The main extra on Warner's New Year's Eve Blu - ray is a running commentary by Marshall, who not only falls into the trap of simply describing either the action or dialogue of a scene instead of imparting much background information and stories about the production (going unaddressed, disappointingly so, is the widely reported last - minute Heigl - for - Berry recast, with the latter rejoining the project in a smaller capacity once her schedule cleared), he does so in a sing - song fashion that presumably is supposed to come off folksy - friendly but quickly becomes more than a little obnoxiously self - amused.

Early on, in a scene of dialogue that may as well have been delivered directly into the camera, a character explains that there aren't any original ideas these days and so we're stuck rehashing old concepts from the 80s to make a quick buck.

The handful of scenes shared between Garabedian and reporter Michael Rezendes (Mark Ruffalo) are dialogue heavy duels at their best, while still integrating ideally into the overarching plotline.

The main characters have terrible chemistry, the dialogue is ultra cheesy, and if you're going into this movie for the steamy sex scenes, you're better off watching PornHub or Cinemax, because this movie is softer than soft - core porn.

His dialogue is often smart and literate, but he can't seem to stage a scene without working it into a full - throated argument.

Every scene is an exercise in drawn - out affectation, with the characters» silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges — all set to meaningful piano twinkles and drum beats — so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie.

William Goldman, one of the best screenwriters in the biz, turns King's pulpy novel into an incredibly tight screenplay, where every scene, every nuance, every bit of dialogue coalesces into something remarkable.

It changes volume in the middle of a scene, displays audible hiss for all looped dialogue, and, in one priceless, incongruous encounter, makes it seem as though Buffy and Merrick are talking into buckets in the Sistine Chapel.

Like all Berkeley musicals, the aesthetic split between the work of the credited director, in this case Lloyd Bacon, and the choreographer's takeover of the dance scenes is so vast as make the film seem like two movies stitched together.The final 20 minutes belong to Berkeley, who takes the blunt visual comedy and racy dialogue of the rest of the film and transforms it into visual poetry.

With the help of Hollywood, over the course of just four years, more than 160 popular movies and shows like Cheers and L.A. Law added designated drivers into scenes and drunk driving prevention into dialogue.

Students will: - Visualize the world of a story and given circumstances - Create characters with the body and voice - Conceptualize a story, using the body to convey meaning - Develop, share and reflect on movement - Communicate ideas using the body and movement - Explore various characters from stories - Adapt a piece of literature using drama techniques into a scene with improvised dialogue - Devise, rehearse and present scenes using drama techniques - Use drama vocabulary - Explore non-naturalistic performance and representational drama ---------------------------------------------------------------------------------------- LOOKING FOR MORE DRAMA RESOURCES?

Why aren't we analyzing what goes into great writing, great scenes, great characters, great plots, great dialogue.

From the headline - style title to the fast - paced dialogue and action packed scenes, Ms. Stewart had me holding my breath and reading into the wee small hours of morning.

I grew up on some TV, but mostly movies, and finally decided in my 30s that the books l loved to get lost in were those of Michael Crichton, where it seemed like I barely had to construct visuals, and the dialogue was just enough to propel me into the next scene...

It's a world away from Maniac Mansion where we are treated to a brief scene of a meteor crashing before being thrown into the game and forced to assume from the dialogue both that our girlfriend has been kidnapped and we are here to rescue her, which is about as much guidance as we can hope to receive.

I like the structure in God of war 3 were if there was any dialogue there is a cut scene The cut scene would lead you into the next place you need to be at..

It seems to me like the length of the cut scenes was determined by the Japanese dialogue, so it almost seems like they are trying to cram as many words into each scene as they possibly can, that's why it seems like there are such short breaks.

In the more manic battles you sometimes have to work the camera furiously (particularly when seeking a Warp - point), and occasionally the cut - scenes and dialogue lapse into tweeness (a common failing of Japanese games).

But every once in a while we felt a dialogue tree would really bring you more into the scene.»

Disney and Star Wars have made a point of adding in extra scenes and dialogue into their international trailers, so there is plenty of new material to see.

She re-settled permanently in France in 1963, where her continued exploration of new materials such as polyester and polyurethane brought her into dialogue with the contemporary art scene of her time.

With a nod to the long lost divide between abstraction and figuration their divergent works take positions of figure, foreground, background, and architecture as a scene of unrelated moments forced into dialogue.

Peering into these private landscapes gives one the impression of a voyeur; but as the glass is tinted, abstracted, we're not entirely sure what scene we've encountered or what dialogue we're interrupting.

Together with the gallery that, as its publisher, shared offices with it until 1998, the magazine established a significant dialogue with the international art scene, thanks to a focus expanded from photography into other artistic practices, including film and video.

CIRCLE1 is an initiative born out of a will to integrate emerging artists into Berlin's art scene while promoting intercultural and multidisciplinary dialogue.

Kjartan Sveinsson, composer and a former member of the Icelandic band Sigur Rós, transformed the scene's dialogue into a ten - part polyphony played by ten musicians, who sing and play guitar in the tradition of the troubadour to accompany a projection of the original film scene.