Sentences with phrase «dialogue scenes at»

The characters share a believable chemistry, although they remain static aside from dialogue scenes at inns.

Not exact matches

«There's a scene in Breaking Bad «s first season in which Walter White's hoodrat lab assistant Jesse Pinkman (Aaron Paul) tells Walter he just can't «break bad,» and — when you first hear this snippet of dialogue — you assume what Jesse means is that you can't go from being a law - abiding chemistry teacher to an underground meth cooker... But this, it turns out, was not Jesse's point at all.
The present political situation in Latin America has generated so much heated debate about the Church, the «sects,» and religious freedom that it has become necessary to take a closer look at the existing religious scene, including Pentecostalism, if we are to build a coherent theological overview of the region capable of generating serious ecumenical dialogue.
That being said, the dialogue stands out as super strong — loved the Lloyd scenes — and the themes at play here get full range in terms of execution.
There are a couple scenes of good dialogue, but the movie fails at anything beyond that.
At times, the dialogue is borderline cringe - worthy and most of the characters don't appear believably to be a part of the hardcore scene, which is distracting.
I hope Oldman and Ford will get some great scenes of dialogue to really have a go at one another.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.
The two most powerful scenes in Love Actually had no dialogue in them at all.
Deliberately awkward moments which are funny at first, are allowed to drag into eternity; dialogue scenes run on; and it takes far too long to get to the punch - line.
As it is, there were no extraneous scenes or dialogue, and it does kind of come off feeling rushed, even at 142 minutes running time.
It demands that you watch it again and again, memorizing dialogue, laughing at the imaginatively ludicrous scenes, and just generally loving it, warts and all.
Playing the younger version of Michael B. Jordan's nuanced villain for only a few minutes, the young lad was only on screen briefly at the start of the movie, in a flashback scene and for a longer - speaking part in a poignant dialogue in the ancestral plain (trust us, it makes sense in the movie).
Clunky moments in dialogue and transparent narrative mechanics seem mere quibbles when set against several genuinely moving scenes, leaving the audience with a contented smile at the end.
And he's skilled at writing dialogue and creating smart, striking action scenes and keeping up the pace.
His snappy dialogue and shocking scenes were omitted too but overall I think it was a bold move and it's QT at his most restrained.
He expertly synthesizes influences (he writes dialogue like Cassavetes, shoots like Scorsese, and embodies Altman's generous compassion for human life) without getting smug or derivative, blends humor with nerve - shredding tension (the scene at Rahad Jackson's is virtuosic) and plumbs the depths of the darkness of which men are capable.
In the script, the scene is similar to the one onscreen but contains more dialogue where Freddie confesses that he wants to fuck all the girls at the house.
His entry, Planet Terror, is the sort of shoddily plotted excuse for madcap violence, gore, and carnage that should be expected, while Tarantino strangely tries for the high road, making the focus of his Death Proof its laborious dialogue scenes, which are at least fortunately topped with a nerve - wracking car chase.
The dialogue is filled with adult language and there are plenty of sex jokes and references, including some lengthy scenes at a fertility clinic.
Although he mostly shows it with snippy dialogue and rigidly controlled schedules, Daniel Day - Lewis» Reynolds Woodcock is a fussy little dude, something made especially clear in a deleted scene that Anderson recently released to promote the film's upcoming home release, showing the Woodcock siblings descend from prodding at each other into a full - on food fight.
If you watch the film, look at each scene, and listen to the dialogue, Fantastic Four was terrible from Trank's awful script on.
I looked at the TV and loved the details and vibrant colors of the game, but something about the dialogue scenes caught my attention:
The screenwriter has worked overtime to make a two character dialogue scene into a cinematic feast, placing the characters at various locales and telling the story in montage.
8:00 pm — IFC — Clerks Kevin Smith burst onto the indie scene with Clerks, a low - budget dialogue - heavy film about clerks at a convenience store.
The duo shine in scenes together but they are forever interrupted by groups of people looking at monitors dishing out expositional dialogue.
It's good at making tiny things floating about the screen look pretty and come to life, but lacked any real relevance in scenes driven by dialogue and story.
The jokes land harder at 3 a.m., it's a great movie to watch with friends, and there are scenes and even lines of dialogue meant for repeat viewing.
Chris Terrio's solid screenplay delivers many dialogue driven scenes but Affleck keeps things moving at a frantic pace and not for a second, does the film ever get dull or drawn out.
The movie gets off to a somewhat sluggish start, at a party scene that's overstuffed with arch dialogue and almost as many pop - culture allusions as a Seth MacFarlane show, but the underlying humanism in Baumbach's worldview ultimately wins out, and we actually come to care about this quippy group of chums and their endlessly referential, often very amusing conversations.
Carell's comic timing and sense of the absurd often carry him through lifeless scenes, but it's not enough to overcome the lazily written dialogue no matter how much velvet and glitter he throws at it.
Just like the first film, Before Sunset is driven by its dialogue and locales, and for those with little tolerance for films that don't showcase a chase scene or an explosion at five minute intervals, you may find it talky and inconsequential, but at least it's only 80 minutes in length.
The show is full of killingly well - executed action scenes, sharp acting, ironic dialogue and ultra-snazzy visuals — all of which won Nicolas Winding Refn the Best Director prize at the last Cannes Film Festival.
A disclaimer at the start of the movie informs that two songs have been changed for copyright reasons, which you'll only notice because dialogue is also muted (but still translated) in those scenes.
A speech that Cranston's stray Chief gives about literally biting the hand that fed him when he muffed a chance at a good home is among the most perfectly written, staged and played scenes in recent cinema — it would be a surefire Oscar clip if awards had categories that could encompass achievements in this byway of cinema, where great acting is as much down to the hands of animators as the dialogue delivery.
The usually reliable Melanie Lynskey is stuck squeaking stray lines of dialogue in the direction of her feet, while actor - director Swanberg spends most scenes sitting on the floor making goo - goo eyes at his own two - year - old son Jude, whose cuteness has been severely overestimated by the filmmaker.
The handful of scenes shared between Garabedian and reporter Michael Rezendes (Mark Ruffalo) are dialogue heavy duels at their best, while still integrating ideally into the overarching plotline.
«Big Hero 6: Battle in the Bay» features no spoken dialogue or cut scenes at all along with bland and repetitive sound design.
On the not - so - good side of the fence, the writing was sub-par at best — with some terribly written scenes as well as some bad dialogue.
Every scene is an exercise in drawn - out affectation, with the characters» silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges — all set to meaningful piano twinkles and drum beats — so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie.
I did consider giving a readers discretion warning at the beginning as the dialogue is hugely offensive but that's also what makes the scene so intense.
A spiraling volley of dialogue gradually whips up as all of the characters (plus a few random outliers) engage in a dizzying scene that sees all of the story's dramatic threads escalate at once, in one room.
With such earnest attention to detail, and so much detail to attend to, the script gets clunky at points, and the exposition isn't always handled elegantly, particularly in dialogue scenes.
In the third film, At World's End, there is a lot of exposition in the scenes driven by dialogue - as - interrogation and it barrels at the viewer without pause, leading many to think the film is incomprehensible, and dismissiblAt World's End, there is a lot of exposition in the scenes driven by dialogue - as - interrogation and it barrels at the viewer without pause, leading many to think the film is incomprehensible, and dismissiblat the viewer without pause, leading many to think the film is incomprehensible, and dismissible.
What he excels at here is making his dialogue sound and feel natural — though there are arguably a couple moments and scenes that feel a little forced.
I get up at eight, spend eight hours working on outlining each scene, drafting realistic, believable dialogue, write it all down, and then get up the following morning and do it all over again.
Dialect and dialogue made me feel as though I, too, were there at the scene.
Bridget McKenna presents Self - Editing for Everyone Part 8: Dialogue Tags posted at Points of View, saying, «Well - written dialogue spoken by well - drawn characters is the heart of any scene, and scenes are the building blocks of your Dialogue Tags posted at Points of View, saying, «Well - written dialogue spoken by well - drawn characters is the heart of any scene, and scenes are the building blocks of your dialogue spoken by well - drawn characters is the heart of any scene, and scenes are the building blocks of your fiction.
I'm willing to try her one or two more times, but I want to know if she ever improved beyond cliched dialogue and scenes that make no sense (I'm still marveling at her idea of making a balloon float with oxygen but no helium).
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