Sentences with phrase «dialogue scenes in»

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

This won't be to everyone's taste, but very quickly became like candy to me — because, of course, by giving each scene and sequence its full weight and measure (there are rich, trenchant dialogue scenes in this movie, several of them; never better than Jesper Christensen's Mr. White having a quiet word with Bond, or Seydoux's Madeleine passing angrily, drunkenly out, muttering to herself in French), Spectre begins to feel like something no Bond movie has ever felt like before: an actual movie.

Oh, and it doesn't help that the scene before, he and Padme shared one of the worst dialogue scenes in all of Star Wars.

The supposedly cunning protagonist registers as a cipher, and the directors» tendency to shoot dialogue scenes in close - up blunts any understanding of the social milieu he's trying to conquer.

The race sequences are well - staged and interesting, but a lot of the dialogue scenes in between are forgettable, and the running jokes don't really work.

Jeremy Renner has quite a few extended dialogue scenes in Wind River.

Not exact matches

«There's a scene in Breaking Bad «s first season in which Walter White's hoodrat lab assistant Jesse Pinkman (Aaron Paul) tells Walter he just can't «break bad,» and — when you first hear this snippet of dialogue — you assume what Jesse means is that you can't go from being a law - abiding chemistry teacher to an underground meth cooker... But this, it turns out, was not Jesse's point at all.

He frankly discusses the dangers and demands that Pentecostalism presently faces, and examines possible future scenarios in the Brazilian religious scene, calling for dialogue and relations between the historic Protestant and Pentecostal churches.

One scene shows the CIA setting up a meeting to «have a dialogue» with a high ranking radical Muslim terrorist and who shows up on a forward base in Afghanistan and simply detonates his vehicle when the CIA officers approach the vehicle to «welcome him» to their base where he has arranged to meet and «have a dialogue».

The present political situation in Latin America has generated so much heated debate about the Church, the «sects,» and religious freedom that it has become necessary to take a closer look at the existing religious scene, including Pentecostalism, if we are to build a coherent theological overview of the region capable of generating serious ecumenical dialogue.

The secret is in the script, which balances spine - tingling scenes with ones that tickle the funny bone with quick - witted dialogue and a touch of melodrama.

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

That being said, the dialogue stands out as super strong — loved the Lloyd scenes — and the themes at play here get full range in terms of execution.

In a scene with parallel editing and overlapping, voice - over dialogue, gadabout Schindler entertains - and seduces - SS German officers with rich food, caviar and drink in his apartmenIn a scene with parallel editing and overlapping, voice - over dialogue, gadabout Schindler entertains - and seduces - SS German officers with rich food, caviar and drink in his apartmenin his apartment.

Kevin Spacey is unbelievably creepy in all scenes he's in and nails all of his dialogue.

Nevertheless, even being able to understand only 60 % of the dialogue in some scenes, it pretty much works.

In the end, the movie is still a musical, entirely sung through with little or no spoken dialogue scenes, filmed on a big theatrical set.

No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.

also, some of the dialogue is a little headache - inducing, especially in scenes that are particularily difficult and that have to be replayed a half - dozen times.

There's a naked, drunken stumble through woods and Violet suffers a few painful slapstick moments, but there are also long scenes of dialogue while the couple gently argues in bed, moments of domesticity that feel quite real despite the glossy romcom surroundings.

Some of the acting is pretty bad, mainly with the brother / preacher and the first wife (but her problem is the corny «gangster» dialogue she spouts off), but Paul Muni is quite good, especially in the scene that closes the movie.

The repetitive, insincere, and ultimately pointless dialogue in this crucial scene thoroughly tinges one's impression of the whole film.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

The dialogue as a whole is very cheesy, to the point of being comedic in some scenes and the fact that the robots have different human accents is ridiculous.

Dornan fought so valiantly with his dialogue in parts one and two, but in this one he just looks spent, playing his scenes with a thousand - yard stare that reminded me of Cillian Murphy's PTSD - stricken soldier in Dunkirk.

One of many interesting stylistic choices by director Irvin Kershner and cinematographer Haskell Wexler, who shot the film in gorgeous high contrast black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.

Watching «The Room» on your own, and struggling through the banal dialogue and non sequiturs, the dreary sets, the elevator Muzak score, and the long, cringe - inducing sex scenes in which Wiseau bares his all for our appreciation isn't funny but sad.

It is one of the many powerful scenes that uses the space in between dialogue to have the power.

All scenes in the film have either dialogue or music (or silence), but never both together.

There's no dialogue in Julian Rosenfeldt's Manifesto, just recitations of manifestos about art — plus the excerpt from Karl Marx and Friedrich Engels's Communist Manifesto that kicks off the first scene.

A drippy romance, spending the vast majority of its time in private, two - hander scenes imagining inane dialogue between a dead Princess and a famously reclusive, private surgeon; it only exists because it knows neither of them is going to complain.

It feels like every script - reader in the Italian - Swiss - German - Albanian - Kosovo coproduction cut out a line of dialogue in each scene, leaving behind an irritating silence and an enigmatic puzzle for the audience to second - guess.

Likewise, offbeat choices in the film's look and sound add edge from time to time: In a scene set in a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian Americanin the film's look and sound add edge from time to time: In a scene set in a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian AmericanIn a scene set in a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian Americanin a cramped turkey barn, a cacophony of bird noise eerily eclipses the dialogue, suggesting the animal chaos behind the veneer of agrarian Americana.

Some of the dialogue scenes, in fact, can be hard to track, precisely because Favreau apparently coached Downey to say whatever came into his head, no matter who was speaking or what was being talked about.

Picking up for the late Sally Menke, editor Fred Raskin replicates the precise in - and - out - rhythms she managed in Basterds» dialogue scenes; the cutting never feels rushed, even when we're ping - ponging between multiple perspectives in a dinner - table showdown that employs DiCaprio to deliver one of Tarantino's signature extended soliloquies (complete with a faux Yorick skull).

In the scene showing Eleanor's home life, source music is played too loudly over the dialogue, adding to the feeling of oppression.

Two films came out this year that had brilliant cinematography and very little dialogue, the difference is mad max didn't put me to sleep and it had action scenes that pushed the story forward rather than happen in the background and force the audience to squint to even make out what's happening.

My only quibble is that the dialogue could have been better in a few scenes.

His hand gestures, perfectly timed pauses between dialogues and even his impatient attitude does not allow you take your eyes away from him, even though the cinematography in these scenes by Javier Aguirresarobe, is beyond stunning.

It may be just me, but some of the dialogue and scenes in the trailer seem very similar to ones in Penn's Bonnie and Clyde.

So much of the picture has dated poorly (the noble scientist / hero and the dialogue, in particular, have become self - parodies), but its third - act scenes of absolute civil collapse still evoke dread and, sadly, no small amount of recognition.

Worthington tries, and fails, to overcome terrible dialogue by scowling in every scene.

Also, why cut the most important dialogue in that scene — the bit about Dragon Army's poor record and the superstition involved?

As Crowe confronts one of the Vietnamese kids and pushes him up against the wall, he delivers the following lines of dialogue, filled with the sort of pent up racist aggression that serves as a harrowingly believable prelude to the blunt violence in which the scene climaxes.

Criterion, of course, provides the latter, which according to Wikipedia runs 30 seconds longer and contains more blood in the elevator scene, more pubic hair in the shower opening, and some racier dialogue in a later doctor's office scene.

As those scenes progressed, the dialogue and situations between them felt far more fictionalized than his work with the CIA, NSA, or the scenes taking place in Hong Kong.

One of David O. Russell's trademarks is his ability to create chaotic scenes full of firing dialogue from multiple characters in a masterful manner, making memorable moments out this seemingly improvised, but artfully scripted sequences.

If there is a disconcerting aspect for some audiences, it's in Condon's decision to include a few scenes where the dialogue is sung instead of spoken.

This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.