Sentences with phrase «dialogue scenes taken»

Not exact matches

The present political situation in Latin America has generated so much heated debate about the Church, the «sects,» and religious freedom that it has become necessary to take a closer look at the existing religious scene, including Pentecostalism, if we are to build a coherent theological overview of the region capable of generating serious ecumenical dialogue.
When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.
Even when the director takes it too far — unceasingly pushing his camera through hallways and into ringing phones, or tilting up to the ceiling and spinning around a morally conflicted Graham — his curiosity is never less than winning, and his direction has rarely felt so energetic, giddy with scenes of overlapping dialogue and deftly orchestrated, impromptu conference calls.
His hand gestures, perfectly timed pauses between dialogues and even his impatient attitude does not allow you take your eyes away from him, even though the cinematography in these scenes by Javier Aguirresarobe, is beyond stunning.
As those scenes progressed, the dialogue and situations between them felt far more fictionalized than his work with the CIA, NSA, or the scenes taking place in Hong Kong.
This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.
Deliberately awkward moments which are funny at first, are allowed to drag into eternity; dialogue scenes run on; and it takes far too long to get to the punch - line.
Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.
From the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalogue.
Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.
«The Hateful Eight» has the things audiences expect from a Quentin Tarantino movie - long scenes, superb dialogue, an imaginative take on a classic genre (this time it's the Western) and the casting of neglected actors worthy of rediscovery.
Each character gets an opening vignette, a couple of milestone fights, and an ending scene, but they take the form of mostly - silent dialogue exchanges and grainy pans over the usually crisp artwork.
The only scenes that work happen to involve a good actor, Mekhi Phifer (8 Mile, Clockers), who actually manages to take trite dialogue and silly romantic elements and make them work to his advantage.
Consequently, I found myself growing restless from boredom, as scene after scene took place, and only casting changes and some dialogue have changed.
The negative (and variant takes of dialogue scenes) and original soundtrack recordings are long lost and the surviving prints are slightly different from one another (not just because of language differences, but censorship, damage, and even Dreyer's own recutting after the disastrous premiere) and incomplete, not to mention well worn and scratched and faded.
In such scenes, Preminger emphasises the terror and loneliness of the secret emptinesses that surround the fora where dialogue and understanding take place.
Like all Berkeley musicals, the aesthetic split between the work of the credited director, in this case Lloyd Bacon, and the choreographer's takeover of the dance scenes is so vast as make the film seem like two movies stitched together.The final 20 minutes belong to Berkeley, who takes the blunt visual comedy and racy dialogue of the rest of the film and transforms it into visual poetry.
The sound of violence is prevalent with gunfire, the use of a samurai sword, knife work, and glass shattering taking over scenes instead of dialogue.
It includes three scenes of the film that take place in very different settings than their final versions but retain most of the same dialogue.
Those scene - setters, coupled with a screenplay that includes some verbatim dialogue from taped events, lend the film its documentarylike texture as Alvarez takes us through the 1971 study Zimbardo and his small team embarked on when they hired 24 male students out of 75 applicants, paying them $ 15 a day to participate.
Coates» dialogue in this scene is particularly strong, and it's nice to see T'Challa take forefront in the conversation.
Scenes and dialogue were taken directly from the script.
The omniscient narration includes a lot of reportage, descriptions, psychoanalyzing and rhetorical questions, which together take up some of the space that in other novels would be given over to dialogue and scenes.
on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing
Because I can write these words and you can read them without anybody else getting in the way or taking a cut or telling me I need to spice up my dialogue or throw in a torture scene or a vampire.
From a story and lore standpoint, it all works rather well, even when the game takes itself more serious than it probably should, given how some of the scenes and dialogue goes throughout the campaign.
I never played The Walking Dead's dialogue - free scavenging scene at the beginning of season three, or the scene in Dawn of the Dead when they consider that the mall is the perfect place to hole up, or the scene in 28 Days Later when Christopher Eccleston takes away the omelet because the eggs have spoiled.
With a nod to the long lost divide between abstraction and figuration their divergent works take positions of figure, foreground, background, and architecture as a scene of unrelated moments forced into dialogue.
Hughes recently took on a new project called SEEK ATL to help link artists and encourage dialogue in the somewhat disjointed Atlanta art scene.
Mury's work, whilst narrow and hugely free, opens up a dialogue around the history of art — Taking control over the entire creative process: from costume and set design up to the camera angle, he obtains a unique place in the contemporary scene among artists who use their own image as the strongest element of creation.
Some on the jury chuckled at times, others took notes and many stifled yawns, but all remained attentive throughout the videos, which were filled with wall - to - wall sex scenes and scant dialogue.
a b c d e f g h i j k l m n o p q r s t u v w x y z