Not exact matches
The present political situation in Latin America has generated so much heated debate about the Church, the «sects,» and religious freedom that it has become necessary to
take a closer look at the existing religious
scene, including Pentecostalism, if we are to build a coherent theological overview of the region capable of generating serious ecumenical
dialogue.
When you have dedicated episodes of these guys
taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy
dialogue and ridiculous death
scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.
Even when the director
takes it too far — unceasingly pushing his camera through hallways and into ringing phones, or tilting up to the ceiling and spinning around a morally conflicted Graham — his curiosity is never less than winning, and his direction has rarely felt so energetic, giddy with
scenes of overlapping
dialogue and deftly orchestrated, impromptu conference calls.
His hand gestures, perfectly timed pauses between
dialogues and even his impatient attitude does not allow you
take your eyes away from him, even though the cinematography in these
scenes by Javier Aguirresarobe, is beyond stunning.
As those
scenes progressed, the
dialogue and situations between them felt far more fictionalized than his work with the CIA, NSA, or the
scenes taking place in Hong Kong.
This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy
takes and
scenes that crystallize in just a single line of
dialogue, suggesting the power of memory to compress events into moments.
(remix) music video by Danger Mouse and Jemini; deleted
scenes and alternative
takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual
dialogue from the films soundtrack (the
scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate
takes of existing
scenes with different
dialogue.
Deliberately awkward moments which are funny at first, are allowed to drag into eternity;
dialogue scenes run on; and it
takes far too long to get to the punch - line.
Ridley shot and edited the movie with lots of long
takes, overlapping
dialogue, some challenging non-linear editing during certain
scenes, and used historical footage and old photos from the period.
From the tightly scripted
dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath -
taking, nauseating, alarming, disturbing, uplifting
scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalogue.
Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of
dialogue - free footage (again, the praise for these
scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.
«The Hateful Eight» has the things audiences expect from a Quentin Tarantino movie - long
scenes, superb
dialogue, an imaginative
take on a classic genre (this time it's the Western) and the casting of neglected actors worthy of rediscovery.
Each character gets an opening vignette, a couple of milestone fights, and an ending
scene, but they
take the form of mostly - silent
dialogue exchanges and grainy pans over the usually crisp artwork.
The only
scenes that work happen to involve a good actor, Mekhi Phifer (8 Mile, Clockers), who actually manages to
take trite
dialogue and silly romantic elements and make them work to his advantage.
Consequently, I found myself growing restless from boredom, as
scene after
scene took place, and only casting changes and some
dialogue have changed.
The negative (and variant
takes of
dialogue scenes) and original soundtrack recordings are long lost and the surviving prints are slightly different from one another (not just because of language differences, but censorship, damage, and even Dreyer's own recutting after the disastrous premiere) and incomplete, not to mention well worn and scratched and faded.
In such
scenes, Preminger emphasises the terror and loneliness of the secret emptinesses that surround the fora where
dialogue and understanding
take place.
Like all Berkeley musicals, the aesthetic split between the work of the credited director, in this case Lloyd Bacon, and the choreographer's takeover of the dance
scenes is so vast as make the film seem like two movies stitched together.The final 20 minutes belong to Berkeley, who
takes the blunt visual comedy and racy
dialogue of the rest of the film and transforms it into visual poetry.
The sound of violence is prevalent with gunfire, the use of a samurai sword, knife work, and glass shattering
taking over
scenes instead of
dialogue.
It includes three
scenes of the film that
take place in very different settings than their final versions but retain most of the same
dialogue.
Those
scene - setters, coupled with a screenplay that includes some verbatim
dialogue from taped events, lend the film its documentarylike texture as Alvarez
takes us through the 1971 study Zimbardo and his small team embarked on when they hired 24 male students out of 75 applicants, paying them $ 15 a day to participate.
Coates»
dialogue in this
scene is particularly strong, and it's nice to see T'Challa
take forefront in the conversation.
Scenes and
dialogue were
taken directly from the script.
The omniscient narration includes a lot of reportage, descriptions, psychoanalyzing and rhetorical questions, which together
take up some of the space that in other novels would be given over to
dialogue and
scenes.
on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional
Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried
Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae
Taking the Road Less
Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing
Because I can write these words and you can read them without anybody else getting in the way or
taking a cut or telling me I need to spice up my
dialogue or throw in a torture
scene or a vampire.
From a story and lore standpoint, it all works rather well, even when the game
takes itself more serious than it probably should, given how some of the
scenes and
dialogue goes throughout the campaign.
I never played The Walking Dead's
dialogue - free scavenging
scene at the beginning of season three, or the
scene in Dawn of the Dead when they consider that the mall is the perfect place to hole up, or the
scene in 28 Days Later when Christopher Eccleston
takes away the omelet because the eggs have spoiled.
With a nod to the long lost divide between abstraction and figuration their divergent works
take positions of figure, foreground, background, and architecture as a
scene of unrelated moments forced into
dialogue.
Hughes recently
took on a new project called SEEK ATL to help link artists and encourage
dialogue in the somewhat disjointed Atlanta art
scene.
Mury's work, whilst narrow and hugely free, opens up a
dialogue around the history of art —
Taking control over the entire creative process: from costume and set design up to the camera angle, he obtains a unique place in the contemporary
scene among artists who use their own image as the strongest element of creation.
Some on the jury chuckled at times, others
took notes and many stifled yawns, but all remained attentive throughout the videos, which were filled with wall - to - wall sex
scenes and scant
dialogue.