Sentences with phrase «dialogue scenes with»

The dialogue scenes with Amy and Laura, and Amy and Jake were just beautiful and natural.

I wish I had a couple of dialogue scenes with him.

While most of the game's text isn't voiced, all of the cut scenes and dialogue scenes with Pikachu are.

Not exact matches

One scene shows the CIA setting up a meeting to «have a dialogue» with a high ranking radical Muslim terrorist and who shows up on a forward base in Afghanistan and simply detonates his vehicle when the CIA officers approach the vehicle to «welcome him» to their base where he has arranged to meet and «have a dialogue».

The secret is in the script, which balances spine - tingling scenes with ones that tickle the funny bone with quick - witted dialogue and a touch of melodrama.

Big gay anthems blast through scene changes — Katy Perry, Lady Gaga, Mika — picking up the pace that occasionally lags with the often politics - heavy dialogue.

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

In a scene with parallel editing and overlapping, voice - over dialogue, gadabout Schindler entertains - and seduces - SS German officers with rich food, caviar and drink in his apartment.

In the end, the movie is still a musical, entirely sung through with little or no spoken dialogue scenes, filmed on a big theatrical set.

No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.

But «Philadelphia» doesn't handle that transitional scene with lame dialogue or soppy extrusions of sincerity.

When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.

Some of the acting is pretty bad, mainly with the brother / preacher and the first wife (but her problem is the corny «gangster» dialogue she spouts off), but Paul Muni is quite good, especially in the scene that closes the movie.

Even when the director takes it too far — unceasingly pushing his camera through hallways and into ringing phones, or tilting up to the ceiling and spinning around a morally conflicted Graham — his curiosity is never less than winning, and his direction has rarely felt so energetic, giddy with scenes of overlapping dialogue and deftly orchestrated, impromptu conference calls.

Dullea gets many good scenes and some tart dialogue exchanges with star Laurence Olivier and seasoned troupers Martita Hunt, Clive Revill and Anna Massey.

Dornan fought so valiantly with his dialogue in parts one and two, but in this one he just looks spent, playing his scenes with a thousand - yard stare that reminded me of Cillian Murphy's PTSD - stricken soldier in Dunkirk.

One of many interesting stylistic choices by director Irvin Kershner and cinematographer Haskell Wexler, who shot the film in gorgeous high contrast black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.

The DTS - HD Master Audio 5.1 provides a nice set - up with the dialogue up front and atmospheric effects during larger scenes.

Clooney proves again that he knows how to direct intelligent films that rely on a great dialogue, and this intriguing character study is gripping from the first scene to the last, centered on a brilliant political battle and with an intense performance by the always fantastic Ryan Gosling.

Likewise, there are some scattered great scenes, including a couple of final - act twists that are just plain uncomfortable to watch, with the sharp dialogue of Letts shining through as the various schemes begin to unravel.

Picking up for the late Sally Menke, editor Fred Raskin replicates the precise in - and - out - rhythms she managed in Basterds» dialogue scenes; the cutting never feels rushed, even when we're ping - ponging between multiple perspectives in a dinner - table showdown that employs DiCaprio to deliver one of Tarantino's signature extended soliloquies (complete with a faux Yorick skull).

There have been several versions but this is truly the best, with no unnecesary scenes or added dialogue, just the exact words of the brilliant play.

A bit of impromptu (and sloppy) cosmetic surgery was also performed on this film by its U.S. distributor, with additional English dialogue scenes haphazardly edited into the already confusing original.

The disjunction continues with dialogue scenes that flit between gags about turds, Cheers and douchebags and soppy / profound stuff about the true nature of fatherhood and friendship.

Mendes also includes a set of unique, memorable scenes, great one - liners and dialogue, and cool soundtrack but the use of talking head video segments and a duel with a sniper seem recycled and lazy.

But sadly, it is just another cookie cutter superhero marvel movie with way too much expository dialogue with action scenes that we've all seen before.

As Crowe confronts one of the Vietnamese kids and pushes him up against the wall, he delivers the following lines of dialogue, filled with the sort of pent up racist aggression that serves as a harrowingly believable prelude to the blunt violence in which the scene climaxes.

There have been films more implausible to be sure, but the successful ones managed to move briskly, feature more interesting characters, or crackled with smarter dialogue that Man on a Ledge ever does even for one scene.

As those scenes progressed, the dialogue and situations between them felt far more fictionalized than his work with the CIA, NSA, or the scenes taking place in Hong Kong.

Outside of Vinson and some choice scoring / music selection that, along with its story, evokes some of the memorable 1970s work from John Carpenter (Assault on Precinct 13 and The Fog come to mind), You're Next is a fairly dreadful choice for a scare flick, with ineffective acting choices, a laughable premise, and no real surprises offered to anyone who actually pays attention to the poorly written dialogue that occurs between scenes of violence.

The otherwise naturalistic dialogue and bleak settings are invested with a touch of poetry through the integration of some simple but effective metaphors — Iris» alienation is figured by a scene where she finds herself literally disconnected by the telephone services, while her disorientation is visualised by her wandering dreamily through the storage corridors of a Lost Property Office where she has begun working, just another neglected object waiting to be found and loved again.

The future scenes also contain some good action beats that bookend the 1973 section, but because many of the featured mutants (like Bishop, Blink, Warpath and Sunspot) are appearing on screen for the first time with almost no introduction, you don't really care what happens to any of them, especially when the actors only have about three lines of dialogue combined.

She moves easily between reality and fantasy, nails the scene where Hush Puppy finally meets her mother, handles the crying scenes like a pro, and has the ability to read the beautiful lines of dialogue by Luci Alibar and Zeitlin with the kind of feeling and maturity of a much older actress.

This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Directionality is emphasized throughout, with dialogue travelling across the front speakers as the roving camera moves through a scene.

But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.

The 5.1 DTS - HD Master audio track is equally impressive, delivering the scenes of the tsunami or the bombings with startling presence and immersion while handling the many dialogue - driven ones with clarity and balance.

The show's other co-creators — Brian Koppelman and David Levien, whose screenwriting credits include «Ocean's Thirteen» and «Rounders» — have delivered a compelling and remarkably original story that is filled with florid, entertaining dialogue that ricochets from scene to scene.

In a comparison of the same scene with the Dolby 5.1 and the DTS from the earlier edition, the DTS definitely offers a crisper, cleaner presentation of the dialogue, as well as providing extra depth and richness to the track as a whole.

New to this edition is nearly an hour of excerpts from the 1930 sound reissue with a synchronized soundtrack and some new dialogue scenes added.

With infrequent profanities and several scenes that involve sexual dialogue along with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette With infrequent profanities and several scenes that involve sexual dialogue along with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette use.

Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.

Often during the calendar - straddling list - making frenzy of «top ten season» a scene or a line of dialogue or even a whole film will refuse to dislodge itself from any internal conversation you may have with oneself about the year.

This is my long winded way of saying that bad guys and good guys face one another with loads of juicy dialogue and even juicier action scenes that are filmed with absolute precision.

This heartwarming story of a man's determination to adopt a child with social challenges may not appeal to young viewers due to many scenes of dialogue and adult - focused situations.

Woodley is one of the best young actresses working, and she is plenty spunky during Insurgent «s action scenes, but she's saddled with dialogue and direction that is difficult to elevate.

Some recognizable Lord - Miller touches survive in the better bits of dialogue, particularly in the scenes with legacy characters (something the filmmakers, now credited as executive producers, tried out via The Lego Movie).

But when it comes to dialogue scenes between actors, I find it far too constricting (and unfair to the actors) to plan out those shots without the benefit of first playing it on the actual location with the actors.

As Christian Bale goes all mopey and absolutely ruins his throat by rasping his dialogue as if he's a ten - pack - a-day smoker, Ledger steals, robs and plunders every scene he's in with a type of psychotic lunacy that deftly avoids villain clichés.