Sentences with phrase «dialogue sections in»

Specifically, they'll be doing it through the pre-match dialogue sections in WWF Superstars on the Game Boy, a 1991 wrestling game developed by Rare.

Based on precedent, I doubt who you married will affect anything outside of some added dialogue sections in future cutscenes.

Not exact matches

In the second and third sections I explain two proposals for Christian self - understanding that originate from a dialogue with Buddhism and that have direct relevance for the adoption of life - centered ethic and belief in a life - centered GoIn the second and third sections I explain two proposals for Christian self - understanding that originate from a dialogue with Buddhism and that have direct relevance for the adoption of life - centered ethic and belief in a life - centered Goin a life - centered God.

My aim in the following sections is to illustrate this third approach by discussing two proposals for Christian self - understanding that emerge from a dialogue with Buddhism.

The following dialogue took place on April 22, 1993 at the meeting of The Society for the Philosophy of Creativity (SPC) mentioned in the introduction to this focus section.

The full proceedings were later transcribed by the late John Broyer of Southern Illinois University, Edwardsville, who was then chair of the Central Division of the SPC. I have edited the dialogue for inclusion in this focus section, courtesy of the Foundation for the Philosophy of Creativity.

As evangelicals dialogue among themselves, they will discover that there is presently lacking in sections of their community a commitment to ground social ethics in a Biblically based understanding of «social justice.»

In this section the Pope develops his theme that God, through a dialogue which he desires to have with man, becomes known to him.

It was in this context that he entered into very realistic dialogue and active participation with the Marxists who are considered by vast sections of Christians as anti-religious.

In an address to Catholic school leaders on 28 January this year, which appeared in the news section of the CES website in mid-March, Oona Stannard said the agency believes «in the importance of being seen and heard through dialogue rather than remote pronouncements that may have less impact»In an address to Catholic school leaders on 28 January this year, which appeared in the news section of the CES website in mid-March, Oona Stannard said the agency believes «in the importance of being seen and heard through dialogue rather than remote pronouncements that may have less impact»in the news section of the CES website in mid-March, Oona Stannard said the agency believes «in the importance of being seen and heard through dialogue rather than remote pronouncements that may have less impact»in mid-March, Oona Stannard said the agency believes «in the importance of being seen and heard through dialogue rather than remote pronouncements that may have less impact»in the importance of being seen and heard through dialogue rather than remote pronouncements that may have less impact».

If you have a question or feedback about a specific recipe, please post it in the comment section of the recipe so that other readers can benefit from the dialogue too.

We hope that this will be an ongoing dialogue, so we invite you to comment on this issue in the comments section!

Allow dialogue between readers in the comments section, and engage with them to keep them interested.

Kubrick and Arthur C. Clarke's script saves the best dialogue for the main action and for someone in particular, but the future decorum in the Sylvester section is peculiar, intriguing, and wonderful.

This is a small story, set in 1950, but the emotions are epic, and Davies expresses those emotions with an epic treatment - with a loud string section on the soundtrack, dreamy takes and scenes that crystallize in just a single line of dialogue, suggesting the power of memory to compress events into moments.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The action sections are frustrating and the vague emotion wheel used in the dialogue parts isn't wholly successful.

10:45 pm — TCM — The Black Stallion I wouldn't dare to guess how many times I saw this movie as a horse - crazy kid, but I would dare argue that its central section with its almost total lack of dialogue as Alec and The Black get to know each other while shipwrecked on a deserted island is still among my favorite sections in any family movie.

Gold's setting in British Columbia requires the odd bit of English dialogue and here, the limitations of the cast, and perhaps Arslan's direction, is noticeable — the dialogue in these sections feels strained, reactions after line readings feel a beat too slow, at times, and the performances just don't have the heft of when Arslan is directing his cast in their natural language.

The sections themselves are brought to life in comic - book form, using our 4 - text - level system of: Original Text - The full Shakespeare script for the set sections Plain Text - The set sections translated into plain English Quick Text - With reduced dialogue for rapid, easier reading No - Text - With empty speech balloons for you to fill in the dialogue Each document puts the set sections into the context of the whole play.

The illustrations help get the dialogue and action across to disaffected students Resources offer ready - made lesson plans and activities Set sections available in three text versions allow inclusive teaching for a class of mixed abilities Students can start with the Quick Text and work up to the Original Text version Have students colour the pages in, or colour - code the speech bubbles Have students write in the dialogue over the No - Text version Resources are electronic, so can display them on a whiteboard for class study Fun for children to study

Reading a section of dialogue with sock puppets is a fun way to explore who is speaking to whom, who has power in a scene and who is silent.

With each program script available online, teachers have the option of having students read and discuss sections of dialogue in connection with the program.

I tend to make lots of notes as I go along — a key sentence that has been used in a section of dialogue, et cetera, that I might refer to later on.

From the June 2007 Diamond Dialogue: Please Note: This information can also be found in the Industry Analysis section of Diamond Dialogue's online edition, which is located in the Resources section of Diamond Online's Retailer Services Area.

There are long dialogue sections where your avatar can interact with many of the characters from the show, as well as all the original characters in the game.

I could easily pick off enemy footsteps in Black Ops II, and could hear dialogue in heavy intensive movie sections like what would be experienced in the movie 300.

I took a look at the original launch trailer; I wasn't sure whether or not the editor intended for the audience to read the dialogue in the trailer, and also there was an entire section with no dialogue overlays.

However, the entire concept is rather spoiled by the fact that the writers so obviously put more emphasis on making everything rhyme than in actually writing sharp dialogue that even makes sense, resulting in numerous sections that made me wince.

Dying is annoying in this game, which doesn't have anything to do with the fact that you die but more so because a robotic voice lacking any kind of personality patronisingly says «that must of really hurt» or «wow, I think you deserved that one» and I felt tempted on so many occasions to just mute the sound completely and found myself skipping the dialogue sections completely.

In today's episode of Dealspwn Playthrough, Matt plays through a section of Josef Fares and Starbreeze Studios» new game, Brothers: A Tale of Two Sons and discusses the control system, the difficulties presented by having a narrative - led game with no dialogue, and how he wishes he was LeBron James.

You'll play through a section and then be treated to some in - game dialogue and cutscenes that are taking place in the current time.

Often working in a cross section between concert theatre and performance the duo challenges the idea of performance as a fixed time frame and often leaves a visual fingerprint that enables the narrative to continue its own life and dialogue with the site on which it takes place.

For the booth of Stephen Friedman Gallery, Tom Friedman has brought together works from early in his career and new works, creating a dialogue between past and present which extends throughout the section, where other solo presentations include Takashi Murakami, Raymond Pettibon and Tony Tasset.

Alongside the 193 galleries in the main section, this year the fair boasts a new $ 5,000 prize supported by Mutina and a new Dialogue section, which presents tightly curated booths of no more than three artists.

«Each in their own way, the works in the last room are in dialogue with the earlier sections of the exhibition.

Each floor is conceived as a cross section of our times, where works of artists from the 1960s (Alighiero Boetti, Daniel Buren, Lawrence Weiner, Enzo Mari, Cy Twombly, Rémy Zaugg and many others) are juxtaposed with those of some of the most rigorous interpreters of the current international scene (Walid Raad, Zoe Leonard, Ryan Gander, Thomas Hirschhorn, Philippe Parreno, Francesco Vezzoli, etc.) in a dialogue on various themes, such as architecture, performance, the body and the void.

It becomes a thin colored line bordering the portals that connect the different sections of the exhibition, it interacts with the building surfaces — highlighting the description texts printed on the gallery walls, creating video - projections, reflecting the window frames in a visual dialogue which poetically emphasize their role in architecture.

ARCOmadrid 2018 will bring together a total of 211 galleries from 29 countries, 160 of which make up the General Programme, in addition to the curated sections: «what is going to happen is not «the future», but what we are going to do», with a selection of 20 galleries; Dialogues, with 14 and Opening, with 19.

Blouin Artinfo has highlighted VITRINE's upcoming presentation of Jamie Fitzpatrick in Artissima's «Dialogue» section in their recent article «Sneak Peek: 2016 Artissima Contemporary Art Fair, Torino».

The fair's programme features the Exposure section, presenting solo and two - artist shows represented by galleries eight years and younger; / Dialogues and Exchange, a line - up of topical discussions by leading figures in the industry; and large - scale, site - specific works in the In / Situ and Expo Projects sectionin the industry; and large - scale, site - specific works in the In / Situ and Expo Projects sectionin the In / Situ and Expo Projects sectionIn / Situ and Expo Projects sections.

Beginning with a section devoted to formal experiments during his student days in Yorkshire and London, the core of Becoming Henry Moore will be the presentation of Moore's work from the 1920s, shown in dialogue with artists who inspired him or worked alongside him.

2017 sees Miguel Amado curate this highly anticipated section, entitled Dialogues, in which the most stimulating contemporary practice, from a global selection, is presented.

At PULSE Miami Beach, the CONVERSATIONS Sections gives galleries license to stretch out, curatorial, to create new visual and conceptual dialogues between two artists in addition to their main gallery booth in the GALLERIES Section.

In this way, the two exhibitions maintain more of a dialogue than a continuity, informing each other like the different sections of a canto in a long poeIn this way, the two exhibitions maintain more of a dialogue than a continuity, informing each other like the different sections of a canto in a long poein a long poem.

In one deftly installed section, three video works entered into dialogue about subjectivity and the social state: Bruce Nauman's Dance or Exercise on the Perimeter of a Square (1967 — 8), Uri Tzaig's ∞ (1998) and Joachim Koester's Tarantism (2007).

We'll consolidate the responses into a single post, and we hope that the dialogue continues in the comment section, below.

They look forward to another year of interesting dialogue and CLEs especially in light of the new laws which took affect August.Bird believes that the section can help practitioners of all levels.

In terms of current awareness, the Foreign, Comparative, and International Law Special Interest Section (FCIL - SIS) of the American Association of Law Libraries (AALL) started the DipLawMatic Dialogues blog and Twitter account.

You will see a dialogue in «Upcoming» section notifying you that you can connect Cortana to your PC.