Sentences with phrase «dialogue with key»

I have also established a regular process for dialogue with key stakeholders and the government on the new arrangements and native title issues.

Important: this approach only works if you initiate dialogue with key decision makers at companies FIRST before submitting a resume.

I am proud that our dialogue with key organizations has significantly improved and that they have become key players in our initiatives.

So I'd start a dialogue with some key people and then also contract the services of a few people, primarily lawyers that have experience doing community development.

Both the highly successful Health Star Rating and the Healthy Food Partnership were formed out of open dialogue with key stakeholders.

In the latest in a series of dialogues with key players regarding the current capital environment in the seniors housing and care industry, Michael Hargrave, vice president of NIC MAP ®, recently interviewed Brad Vincent, Executive Vice President, Senior Manager, Corporate Banking at Bank of Oklahoma, a division of BOK Financial Corporation

In the latest in a series of dialogues with key players regarding the current capital environment in the seniors housing and care industry, Michael Hargrave, vice president of NIC MAP ®, recently interviewed Jim Sherman, executive vice president, Seniors Housing for Beech Street Capital.

In the latest in a series of dialogues with key players regarding the current capital environment in the seniors housing and care industry, Michael Hargrave, NIC's Chief Market and Data Strategist, recently interviewed Matt Huber, Division Head of First Niagara's Healthcare Group.

In the latest in a series of dialogues with key players regarding the current capital environment in the seniors housing and care industry, Michael Hargrave, NIC's Chief Market and Data Strategist, recently interviewed Kathryn Burton Gray, Senior Managing Director at Red Mortgage Capital, LLC.

Not exact matches

The key is to open a dialogue with the proper government office and see if they would take an interest in your company.

The key to a successful media presence is to encourage a dialogue with your customers, not hit them over the head with a barrage of marketing messages every day.

The key is to let global risks inspire cross-industry dialogues with the aim to develop opportunities.

4In addition to his article in the present volume, see e.g., «A Whiteheadian Basis for Pannenberg's Theology,» Encounter 38 (1977): 307 - 17; «A Dialogue About Process Philosophy» (with Wolfhart Pannenberg), Encounter 38 (1977): 318 - 24; «God as the Subjectivity of the Future,» Encounter 41 (1980): 287 - 92; «The Divine Activity of the Future,» Process Studies 11/3 (Fall 1981): 169 - 79; and «Creativity in a Future Key,» in New Essays in Metaphysics, ed.

Dialogue means that, wherever you are, I am attempting to understand your situation and how you see it, but also that I too stand somewhere and am not the Great Stone Face; and that, with all my attempts to be empathetic about your situation, I have the key to a treasure which, in strange and surprising ways that I can not fathom, may help you.

While Biblical hermeneutics provided the key to an understanding of the role of women in the church and family, dialogue between those whose traditions have heard the Word of God differently in other times and places held the key for the discussion of social ethics, and engagement with the full range of cultural activity (from psychotherapy to radical protest, from personal testimony to scientific statement) was the locus for theological evaluation concerning homosexuality.

This renewal requires a commitment to fundamental values within a framework of belief - in this case Christian faith - that is in dialogue with other frameworks.49 From a similar perspective, Robin Gill sees the primary function of the church in society as that of generating «key values which alter the fundamental moral, social, and political vision.»

In our dialogue with other traditions, the key to sustaining conversation (rather than cutting it short by claims that others will interpret as arrogant) is to keep before ourselves the possibility that in some way or other all religions may be relative, culturally specific ways of looking toward an ineffable mystery.

Now, more than ever, our world needs the Church to articulate its own key beliefs in a frank dialogue with those of the culture which have not proved adequate to task of fostering humanity.

Engaging in a dialogue with rural populations on the ground is key.

Members of the Niger Delta Dialogue Team, otherwise known as Pan Niger Delta Group, led by former Information Minister, Chief Edwin Clark, will today (Saturday) meet in Abuja to decide on the key issues to be discussed when they meet with President Muhammadu Buhari on Tuesday next week.

Meanwhile, the Urhobo Monitoring and Development Group, has hailed the ceasefire, calling on the Federal Government to key into the window and dialogue with all militant groups and the people of the region for a lasting peace.

He recognises that a key factor in Corbyn's rise were the many people who had become «completely fed up with the way politics was done - they didn't like the over-spun, zipped up dialogue with politicians - and many communities [who] felt the political settlement was not working for them».

«Following the publication of these forecasts the Association will continue its dialogue with the main political parties to ensure they recognise the construction industry is key to sustaining employment and bringing the economy out of recession.»

In R&D we aim to have a dialogue with our associates as to where we are heading and what our key drivers are.»

April 20, 2018 - At European level, it has been understood that national academies can play a key role in assessing advances in science, stimulating dialogue with national populations and communicating with political leaders.

It's clear immediately that filmmaker Peter Berg is looking to ape the feel and tone of Paul Greengrass» work, as Deepwater Horizon boasts a documentary - like feel that's heightened by its low - key performances and general lack of context - with scripters Matthew Michael Carnahan and Matthew Sand, in terms of the latter, delivering dialogue that tends to emphasize authenticity over exposition (ie much of this stuff sounds as though it was pulled directly from real - life transcripts).

A new promotional image arrived online for the upcoming adaptation of Stephen King's fantasy epic The Dark Tower via star Tom Taylor's Twitter account featuring his character Jake Chambers along with some key dialogue from the first novel in the series, The Gunslinger...

A new promotional image arrived online for the upcoming adaptation of Stephen King's fantasy epic The Dark Tower via star Tom Taylor's Twitter account featuring his character Jake Chambers along with some key dialogue from the first novel in the series, The Gunslinger... SEE ALSO: New images from The Dark Tower featuring Roland Deschain and Jake Chambers SEE -LSB-...]

The soundstage is medium - wide up front with excellent dialogue clarity, though the surround channels are mostly engaged for subtle atmospheric cues save for key dramatic sequences.

It vibrates with humour, sadness and a scary mystique («Accept the mystery» is a key line of dialogue).

The 5.1 DTS - HD master audio does not offer a particularly immersive mix, with dialogue remaining quiet and low - key.

The key to appreciating any Wes Anderson film (memorable efforts as «Rushmore,» «The Royal Tenenbaums»), is to have the ability to either pick up on his clipped and funny dialogue (usually voiced by actors in a totally serious deadpan monotone), or somehow connect with his goofy situations and quirky characters that slip between incredibly believable and ridiculously surreal.

For a group of eight people, most characters only register through some expository dialogue, while Antoine's own journey is similarly underwritten — the key crisis in his character arc is ostensibly his separation with his wife, but we don't get any grounding in their relationship to invest in that story at all.

Largely low - key and with a subtle Japanese input befitting the themes of the story, the composer sensibly knows when to hold back and resist imposing on the dialogue - heavy narrative, making the score's more fulsome moments all - the - more powerful as a result.

Le Divorce is a professionally made movie, with likeable actors, good direction, and some nicely written dialogue that works well in certain key scenes.

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

Carried over from the earlier DVD edition are two commentary tracks (one by co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, and Truffaut scholar Annette Insdorf, the other featuring actress Jeanne Moreau and Truffaut biographer Serge Toubiana), excerpts from the 1985 documentary The Key to Jules and Jim about the author Henri - Pierre Roche, an episode of Cineaste de notre temps from 1965 dedicated to Truffaut, and a segment from the series L'Invitie du Dimanche from 1969 with Truffaut, Moreau, and filmmaker Jean Renoir, footage of Truffaut interviewed by Richard Roud at the 1977 New York Film Festival, excerpts from Truffaut's presentation at a 1979 American Film Institute «Dialogue on Film,» a 1980 archival audio interview with Truffaut conducted by Claude - Jean Philippe, video interviews with cinematographer Raoul Coutard and co-writer Jean Gruault, and a video conversation between scholars Robert Stam and Dudley Andrew.

It vibrates with humor, sadness and a scary mystique («Accept the mystery» is a key line of dialogue).

Every time there's a key bit of dialogue involving the manoeuvring of complex financial instruments, he splits the screen into whizzy sliding sections, or clutters it with computerised distractions, and hurriedly turns up the volume.

Specifically, this project has two key elements: (1) a one - day convening (12/12/14) that forges relationships among stakeholders in Hampden County's early education field with influential leaders and experts from across the nation, where they engage in mutual learning and dialogue around the goal of strengthening individual and organization capacities to advance early learning for all; and (2) a multi-pronged communication strategy, rooted in the convening and designed to provide guidance around the field's most pressing needs, with a particular focus on strengthening the quality of Pre-K for at - risk children, like many of those growing up Hampden County.

This script keeps all the key quotes you will want to analyse whilst replacing the dull parts with fun dialogue.

Maintaining and sustaining a dialogue on the importance of education with parents is also critical to the success of your classroom, as well as a key to student progress and academic success.

As we continue engaging in dialogue with our partner schools and educators, DreamBox will always be improving how well we share an «optimal level of detail» that provides key insights to learning guardians.

We engage with our colleagues — at the NEA, the AFT, TURN, and with public education advocates nationally — through web - based and real dialogue, conferencing, and seminars; publishing opinion pieces and other print materials;; and by sponsoring or convening national conversations about key issues in public education and education unionism.

In the months and years ahead, New Leaders commits to engaging in productive dialogue with the new Administration and other key stakeholders to advance and protect the needs of the educators, students, and families we serve.

A mere 80 pages but this book works like a writing workshop with worksheets to help writers develop key components like characterization, dialogue, and even word choice.

Critics seem to be in near - universal agreement with Michiko Kakutani's assertion that «no one writes better dialogue than Richard Price» (New York Times), but the rest of the sentence is key to understanding the claim: «not Elmore Leonard, not David Mamet, not even David Chase».

The subject is tough to write about, so the dialogue is key, and it is filled with emotion, misunderstanding, and frustration.

As with other agencies who've run successful free cat promotions, open dialogue with stakeholders and carefully planning were key to CAS's success.

A key part to a successful Trap - Neuter - Return effort is establishing a friendly dialogue with neighborhood residents and addressing any possible concerns.