Sentences with phrase «dialogue with other like»

You'll have an opportunity to practice mindfulness, meditation, engage in dialogue with other like minded lawyers, swim, soak in the hot tub, enjoy nature, go for walks, read, journal and sit by the fire in the evenings.

Not exact matches

What is even more frustrating in situations like this is the characterization by others that it is an equal back and forth dialogue with both parties wearing blinders or engaging in «tribalism».

The actual reason there is very little «useful dialogue» going on in this blog is because people appear to be approaching discussion somewhat like a chess game... attempting to anticipate my moves and characterize my «style of play» based on previous experience with others.

Like other so - called «mumblecore» movies, including Bronstein's own «Frownland,» this is an unnervingly intimate glimpse of dysfunction, with a shaky - cam aesthetic and seemingly improvised dialogue.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

The film jumps between the terrorist - hostage standoff and Prime Minister Yitzhak Rabin's (Lior Ashkenazi) cabinet deliberations, and nearly every exchange of dialogue sounds like sparring blocks of Wikipedia - like information, with career Israeli politicians summarizing the past few years» worth of events to each other for a presumptively ignorant audience.

This film, like others of its nature and era, gets a little bit carried away with its contrived, simplified portrayal of Ancient Rome, with sophisticated, but near - cheesily overblown dialogue, and character types.

The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.

Kristen Wiig plays an inept secretary who becomes dim - bulb Brick's love interest: They reach out to each other with out - there lines of dialogue that meet somewhere in the middle like wriggly sine waves — their Martian chemistry is wonderful.

The dialogue and tone is undeniably survival - horror, with some elements of the B - movie horror tropes found in other Capcom properties like Resident Evil.

His cinematography and camera orchestrations are as sumptuous as ever, almost worth watching without dialogue, and yet, he doesn't exactly offer anything new here — it occasionally seems like he is trying to remake his cult classic, Chungking Express, for a Western audience, with some of the more interesting bits of his other films tossed in for good measure.

They scream at each other with dialogue that doesn't soon like actual people and the movie plods forward until Kitamura finally unleashes some insanity in the final reel.

Other than that, the Darkest Hour trailer make its look like a pretty standard alien invasion movie, complete with semi-hokey dialogue («They came here with a plan!»)

She is like no other Toad with unique dialogue and design that can only be attributed to her.

Like Smokey and the Bandit, The Concrete Cowboys works when it does because of the down home country dialogue and spirit, with Selleck and Reed riffing off each other energetically for a few yuks, while the country music scene plays prominently into the entertainment.

Like a classic Woody Allen film, a sex scene is perhaps filled with more dialogue than any other.

There's the first part, the origin story part — the part no one actually likes — which drags on forever, filled with endless expository dialogue about science and past grudges, and science and other past grudges, and science and current grudges.

Every scene is an exercise in drawn - out affectation, with the characters» silent stares at each other, gazes off into nothing, and pauses between dialogue exchanges — all set to meaningful piano twinkles and drum beats — so distended as to intimate parody, an impression exacerbated by William twice telling enforcer Vincent (Martin Donovan) that his comments sound like something from a movie.

Few festivals have an industry section, that is why this event is important as a meeting point for professionals from Mexico and other Latin American countries, to have dialogue with Europe and countries like Canada,» said José Miguel Alvarez, deputy director of international events.

- Fun games to get the students to speak in the target language (see explanation under the slide)- A listening activity on what you saw and did not see at the zoo - Vocabulary slides with lovely pictures - Plenty of mini-whiteboard games on colours with animals and on opinions about animals - Grammar explanation on negative forms and verbs of opinion - Several writing activities about your favorite restaurant - Survey activity on likes and dislikes - Translation exercises - A writing activity to use longer sentences and verbs of opinion + infinitive - Grammar explanation on the partitive with worksheets to practice - Grammar explanation on infinitives and conjugating - er verbs - A lesson on infinitives and how to conjugate - er verbs - A worksheet explaining the steps of conjugating an - er verb - A fun mime the verb game - A mini-whiteboard game to practise conjugating - er verbs - Grammar explanation on numbers and quantities - Learn high numbers to be able to give prices and quantities - Mini-whiteboard activities about numbers and quantities - Games with prices - Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a message.

on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody WriWith Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing

We would like to see these organisations improving their standards and entering into dialogue with each other to ensure that members that do not live up to their standards are expelled.

-- Maintain an open dialogue with community grassroots conservation groups like Wildsight and The Elk River Alliance and other local organizations to communicate initiatives, management decisions, restrictions and openings when it is possible.

-- Maintain an open dialogue with community grassroots conservation groups like Wildsight, as well as other local organizations like the Fernie Trails Alliance, Fernie Nordic Club and Snowmobile Associations to communicate management decisions, restrictions and openings when possible.

Cut soon to home base Tempest and suddenly dialogue was stilted and uneven from differing characters, the mission clearly shook the squadmembers I brought with me — but it seemed like the other crewmates in the Tempest so far has lacked that the moral togetherness that made the NPCs of old Normandy or Skyhold such an effective cast of characters.

And much like many others of its ilk, it reminds us why we enjoyed these classics back in the day, with its majestic fantasy setting that transports us to another world, and its focus on pure gaming fun, rather than gritty realism, overly complex control schemes, and / or endless narratives riddled with a bombardment of dialogue.

A lot of the dialogue - whether it be in sidequests, mainline stuff, or simple NPC interaction - can feel extremely prolonged as they discuss nonsense like what to have for dinner since they're so hungry after exploring (this can literally go on for 5 + minutes and has literally nothing to do with anything), Vert's obsession with Boutique, the usual banter of which region is better in Gamindustri, and other stuff.

Just like with our other titles, the developers are continuing to develop the game in dialogue with its community, something that also contributes to its long - tail potential.

As with any other RPG, you decide how your character looks like (by selecting gender, appearance, and name), but through certain dialogue options and decisions, you can also affect your character's alignment with the Force.

In other games with moral choices like Mass Effect and inFamous you're encouraged to play heavily towards one side to unlock new dialogue options or powers.

It's especially jarring when the developers didn't bother enlisting any other voice actors, as the cast of characters that represent your team are lazily represented by goofy caricatures (one of whom looks like an offspring of Hitler) that pop up and pause the action with on - screen textual dialogue, destroying the flow of gameplay.

Characters spout phrases filled with words like «hella» and other painful teenage jargon that feels outdated, making portions of the game's dialogue feel laughably forced.

A student of ceramics pioneer Peter Voulkos (who taught ceramics at Black Mountain College), Nagle participated in an important dialogue with other artists working in the medium, like...

Performance is so crucial to that shift — the dialogue between Cindy Sherman and other artists in her circle like Longo or David Salle, who went to CalArts with all the dance and performance art and turned it into paintings.

How this was achieved is a mystery — the holes are cut laser - like to the precision of individual fingers — but the punctures, as well as being a fun visual gag, create a sense of flow and narrative through what is otherwise a disparate collection of works, drawing visitors through rooms and past artworks in dialogue with each other through the slapstick ruptures.

A novel in the form of letters, this exhibition echoes the form by placing the artists works in dialogue with each other: Warren's elegant blue neon abstracts are suspended on one side of the space, while on the other side Dyer's curious pale sculptures sit arranged on a table like so many natural history specimens from creatures either long extinct or yet to evolve.

However, four years later she felt that living in that beautiful city was like living in a Museum, so she realized that she had to change something in order for her to grow and expand as an artist; she needed a more current environment and a broader dialogue with other artists.

Its cutting - edge exhibitions conceived in dialogue with major contemporary artists like Louise Bourgeois, Walter De Maria, Thomas Demand and John Baldessari, as well as other cultural activities related to cinema, philosophy, and architecture, have enjoyed a wide international consensus.

Like other artists, Hopinka credited Lew and Locks with both engaging him in a dialogue about his work and bringing together a selection of artists that address issues around representation.

As part of Ojih Odutola's residency, she is participating in a host of campus events, some big and public — like her January 31st dialogue about Art & Equity with South African artist Mary Sibande, and a talk about her new book, The Treatment — and others more focused on students of the visual arts — such an intensive two - week drawing course, a studio visit for visual - arts majors, and a senior studio critique.

Like the earlier two reports, the Carnegie Report discussed the gap between theory and practice in legal education, and argued that law schools should strive to provide a more integrated legal education that will bridge that gap.67 This Report identified clinical and practical legal training as «weakly developed» in comparison to the «signature pedagogy» of law schools, the case dialogue method.68 Further, this weakness in practical training is in «striking» contrast with training in other professions, such as medicine and architecture.69

Drew Jackson discusses the PovNet website, which offers legal resources around anti-poverty issues, training courses for community workers and advocates, and email lists for community workers and advocates interested in engaging in an ongoing dialogue on anti-poverty issues with other like - minded individuals.

In marriage counseling, if your therapist lets you criticize each other with comments like, «You shouldn't have...», lets you respond by negating what each other says with words like, «But...», or lets irritation and anger in your dialogue keep escalating — consider finding a new counselor.

Frequently, Dr. Kahn provides an innovative and extremely effective procedure for couples by recommending that either one or both partners join his own separate relationally focused group where that person can receive support and understanding, learn techniques of positive interaction, become thoughtful of the effect of his words and behaviors on others, receive feedback from others who are not their spouse (but may be like their spouse), have an opportunity to practice the couples dialogue with the group person who reminds them of their spouse and thereby develop empathy for their spouse.