Journeying from the initial stages of creative conception and fabrication, an artwork enters maturity and self - awareness through exhibition in
dialogue with other objects, then physically degrades over time and loses currency, before reconstituting through physical restoration, documentation and historicisation.
Each work derives its significance through
its dialogue with other objects in a carefully controlled arrangement.
Not exact matches
This means that not once did I accidentally interact
with an
object other than the
object I intended to, thus saving myself from listening to the same line of
dialogue repeated a painful amount of times.
Quick Time Events are how the combat is dictated, you walk around examining
objects and talking
with people to advance the story along, and you have only a limited amount of time to make
dialogue decisions when speaking
with others.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked
with ink and adorned
with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips,
objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex
dialogue that African - American police officers are often faced
with when dealing
with young African - American teenagers.
Varying in size and placed in different vantage points from the top to the bottom of the gallery walls, Gorchov's diverse painted
objects create a playful
dialogue with each
other.
Many of the
objects and artworks, selected by Trockel in
dialogue with curator Lynne Cooke, produced a context for the artist's work within
other fields of inquiry, such as the natural sciences and natural history.
According to director of the art galleries Sydney Jenkins, «
With the Collection Dialogue series, we intermittently present collection works with loaned pieces by contemporary artists or from other sources to set up a kind of conversation or dialogue between art obje
With the Collection
Dialogue series, we intermittently present collection works with loaned pieces by contemporary artists or from other sources to set up a kind of conversation or dialogue between art
Dialogue series, we intermittently present collection works
with loaned pieces by contemporary artists or from other sources to set up a kind of conversation or dialogue between art obje
with loaned pieces by contemporary artists or from
other sources to set up a kind of conversation or
dialogue between art
dialogue between art
objects.
Sehgal feels more comfortable seeing his work as a trajectory from Relational Aesthetics, in which artists used
object - based works to create a
dialogue or
other type of interaction
with the viewer.
While each artist creates discrete
objects, these works act in direct
dialogue with one another — at times alluding to furniture or
other functional items — in order to generate a broader context that extends beyond their individual physical forms.