Sentences with phrase «dialogue with others about»

If we could step outside of ourselves for a moment and truly listen to the things we say, and think about how we are perceived, and have a decent dialogue with others about such a thing, that would be a step in the right direction.

When I listen to a message that impacts me, I can to share it on my Facebook wall, which could create a dialogue with others about the topic.

The blog or instagram posts can be a platform for your artwork, sharing the process and having a dialogue with each other about the work.

Not exact matches

The debate will likely be fierce, but officials hope it will result in a more open dialogue about overcoming harassment in games (and online) without the threats other discussions about the topic have been forced to deal with.

With the shock value of the fears of Musk and others abating, Arruda thinks dialogue about so - called «bad AI» will start to have a little more subtlety in 2016.

So the activist's lobbying activities have to be limited: He can make public pronouncements about what changes he wants at Hertz, but an actual dialogue with other shareholders is dangerous.

I will dialogue with you about this, no one else, cause what we talk about will get lost, and it will turn to a mud fight with others.

They were invited to a dinner at the White House with other artists to dialogue about the intersection of art and music and how it could potentially change the world.

Before we can talk to others about our faith, before we can dialogue about what is theologically «right or wrong» with someone else, we must first understand how our beliefs about God have been informed by these four areas.

On the other hand, if they think prayer is a dialogue with God, they're often not sure what it means to have God respond - and they are uneasy with people who speak confidently about what God has revealed to them.

«In the world in which we now live, with fears about «The Other» - whether that be Sunni, Shia, Jew, Christian, Yazidi, Hindu or Buddhist - stoked and spread through social media, and amplified by those who would seek to suppress understanding, rather than promote it, there is an urgent need for calm reflection and a genuinely sustained, empathetic and open dialogue across boundaries of faith, ethnicity and culture.»

One participant, Ricardo Antoncich, noted that theology, (as reflection about the faith of the Church), should enter into dialogue with other forms of thought that rationally explain the life of the human being in the world.

The Vatican body responsible for dialogue with other religions said expressed «great concern» about the plan by Dove World Outreach Center in Gainesville, Florida.

On the basis of this position, it becomes possible to come into dialogue with other positions, not just to learn what these disciplines tell us about the inauthenticity of the world, but also to learn a word of «revelation,» that is, a word of truth about God.

It is up to the Christian communities to analyze with objectivity the situation which is proper to their own country, to shed on it the light of the gospel's unalterable words and to draw principles of the church... It is up to these Christian communities, with the help of the Holy Spirit, in communion with the bishops who hold responsibility and in dialogue with other Christian brethren and all men of good will, to discern the options and commitments which are called for in order to bring about the social, political and economic changes seen in many cases to be urgently needed.

It is helpful for me to dialogue about these things with others.

Professor Celia Deane - Drummond's book, The Wisdom of the Liminal: Evolution and Other Animals in Human Becoming, is an ambitious attempt to counter this trend by bringing questions about animals — as evolved and evolving — into a sustained dialogue with theological anthropology, seeking thereby to reshape the theological vision of the human person.

Keep an open dialogue with your child's mom about parenting and household responsibilities... and give each other a lot of grace.

Communicate with participant families to ensure a positive, open dialogue about health, safety, and other issues as they arise.

The poor word choices, which resulted from the passion expressed by some, diverted the attention away from the legitimate concerns of the more than 500 hardworking mental - health workers, correctional officers, caregivers for developmentally - disabled individuals, administrative personnel and others who attended the rally to call for substantive dialogue with the governor about the direction we need to take the Empire State so that it serves all its citizens well, especially the most vulnerable among us.»

We have begun an ongoing, open dialogue with city officials, community leaders, local NGOs and other stakeholders about what it means to adapt to climate change.

We at Monsanto have pledged to listen better to and engage in dialogue with concerned groups, to be more transparent in the methods we use and the data we have about safety, to respect the cultural and ethical concerns of others, to share our technology with developing countries, and to make sure we deliver real benefits to our customers and to the environment.

A couple of lines of dialogue that stood out / stayed with / haunted me, followed by a short list of other impressive things about the film: Mara, reflecting Who's that boy with the girl with the dragon tattoo?

There are so many things wrong with this game, first of all the plot is too linear you play as Mario throughout the whole game you don't get to play as peach or bowser, there are no new characters other than kersti, all the characters in the game are from the Mario platformers, there are no exp so you can't level up and if you run out of stickers you have no choice but to run away, peach only has about five lines, bowser is the main antagonist and he has no dialogue, in the previous installments the main antagonist always had dialogue, and one of this game's worst problems is that luigi went from being a playable character to a glorified cameo, I have no idea what nintendo was thinking when they made this game.

As a sci - fi film, Winterbottomâ $ ™ s works because of the ideas that get transmitted through the dialogue â $ «a feasible anti-virus chatter about not so distant future epidemics combined with a curious use of the English language that minces word with other foreign languages.

The film is full of clunky dialogue with cardboard characters explaining stuff to each other about Palestine, the Holocaust and German guilt.

It's a joy to watch them interact with each other, and there's quite a lot of memorable dialogue and even food for thought tossed about through Mark Brown's (The Seat Filler, How to Be a Player) well - conceived story.

Much has been written about Andromeda's sorry technical state, and it's no exaggeration to say that this is one of the buggiest and broken high - profile games released in the past several years, with an impressive laundry list of issues, from broken quests to disembodied heads appearing in scenes, from characters randomly spawning into other characters to dialogue that has no relation to the situation.

There is so much to love about this movie, from the two leads playing off each other perfectly, to the exquisite filmmaking including fantastic dialogue with long - takes, to how deeply layered the screenplay is touching upon popularity, alcoholism, parenting, relationships and plenty more.

The film — a character study about two road workers who bicker and banter with each other as they tediously paint road lines in a burned down Texas state park — is a notably weightier comedy than most Rudd vehicles (this isn't one), striking some beautiful, poignant notes along with the funny dialogue.

Of course, it would've been fairly easy to overlook the fact that Rock & Rule isn't actually about anything had the filmmakers compensated with other elements (ie interesting characters, snappy dialogue, etc).

Carried over from the earlier DVD edition are two commentary tracks (one by co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, and Truffaut scholar Annette Insdorf, the other featuring actress Jeanne Moreau and Truffaut biographer Serge Toubiana), excerpts from the 1985 documentary The Key to Jules and Jim about the author Henri - Pierre Roche, an episode of Cineaste de notre temps from 1965 dedicated to Truffaut, and a segment from the series L'Invitie du Dimanche from 1969 with Truffaut, Moreau, and filmmaker Jean Renoir, footage of Truffaut interviewed by Richard Roud at the 1977 New York Film Festival, excerpts from Truffaut's presentation at a 1979 American Film Institute «Dialogue on Film,» a 1980 archival audio interview with Truffaut conducted by Claude - Jean Philippe, video interviews with cinematographer Raoul Coutard and co-writer Jean Gruault, and a video conversation between scholars Robert Stam and Dudley Andrew.

There's the first part, the origin story part — the part no one actually likes — which drags on forever, filled with endless expository dialogue about science and past grudges, and science and other past grudges, and science and current grudges.

Robinson, Grant, McGann and other principals recount insightful and amusing anecdotes about the making of the film (most interesting of all: Grant had never gotten drunk before playing his hard drinking character), and diehard Withnail fans weigh in with their favorite characters, moments, and lines; not being a fan of the film, it was particularly interesting to find out what scenes and pieces of dialogue are especially notable for fans.

- Fun games to get the students to speak in the target language (see explanation under the slide)- A listening activity on what you saw and did not see at the zoo - Vocabulary slides with lovely pictures - Plenty of mini-whiteboard games on colours with animals and on opinions about animals - Grammar explanation on negative forms and verbs of opinion - Several writing activities about your favorite restaurant - Survey activity on likes and dislikes - Translation exercises - A writing activity to use longer sentences and verbs of opinion + infinitive - Grammar explanation on the partitive with worksheets to practice - Grammar explanation on infinitives and conjugating - er verbs - A lesson on infinitives and how to conjugate - er verbs - A worksheet explaining the steps of conjugating an - er verb - A fun mime the verb game - A mini-whiteboard game to practise conjugating - er verbs - Grammar explanation on numbers and quantities - Learn high numbers to be able to give prices and quantities - Mini-whiteboard activities about numbers and quantities - Games with prices - Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a message.

Though the open dialogues have a theme and structured content (designed by the students), the conversation also includes what music they listen to and how they get along with their parents — in other words, teenagers talking to teenagers about teenage issues.

This is work we are passionate about, and we welcome any level of dialogue with others sharing this passion.Interested in learning more about integrating CSR and training?

We engage with our colleagues — at the NEA, the AFT, TURN, and with public education advocates nationally — through web - based and real dialogue, conferencing, and seminars; publishing opinion pieces and other print materials;; and by sponsoring or convening national conversations about key issues in public education and education unionism.

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

Resources worthy of study and dialogue with other educators about PBL are numerous.

Reflective Dialogue (a Supplemental Measure): Teachers frequently talk with each other about curriculum, instruction, and student learning

I believe the more teachers share their expertise with others and the more they interact with other stakeholders» findings (creating a cross-silo dialogue), the more everyone will know about the teaching profession, how difficult it is, the many amazing things teachers do to help kids learn, etc..

The story framed by a book discussion group, in which the choice of book reveals something about each one, just as much as their dialogue and interactions with each other.

on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody WriWith Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Wriwith Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing

That means dialoguing about privilege with other privileged folks, and recognizing situations in which we benefit from privilege and rejecting that privilege in favor of equity.

As the players begins to get a feel for the place and engage with other characters via dialogue options, there's a sinister aura to the place and its inhabitants that leads to a lot of fantastic back and forth wordplay as David tries to learn more about the other characters.

We learn more about the purpose of the research and the very existence of the Metamorphosis facility, and combined with the dialogue provided from Mammoth we can begin to piece together the destinies of Hope and other Pre-Cals (chillingly called «Mirrors» above the surface).

I enjoyed the story, but there were times when the dialogue could be too much — with lots of male testosterone thrown about by Sam and one of the main military characters, Lt. Col. Robert Burns — who are always butting heads and shouting verbal abuse at each other, while also helping each other.

«What We Made brings together the stars of the social practice world Rick Lowe, Tania Bruguera, Mierle Laderman Ukeles, Harrell Fletcher, and more in conversations with urban planners, educators, and each other, to create a fluid and interdisciplinary dialogue about social practice and its complicated, beautiful and necessary implications in the world.»

Based on a dialogue with the audience about the making of choices, a couple of works on paper in the exhibition will be replaced by others.