Sentences with phrase «dialogues with other artists»

A student of ceramics pioneer Peter Voulkos (who taught ceramics at Black Mountain College), Nagle participated in an important dialogue with other artists working in the medium, like...

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

It's exciting to think about his work in dialogue with the other artists we represent.»

Art is a dialogue with art, a dialogue with other artists, a dialogue with the past, with the future, and it's an important dialogue to have.»

«Having the opportunity to be in a constant and active dialogue with other artists helps keep me open and able to clarify and respond to the questions I deal with in my own practice,» she says.

However, four years later she felt that living in that beautiful city was like living in a Museum, so she realized that she had to change something in order for her to grow and expand as an artist; she needed a more current environment and a broader dialogue with other artists.

He produced a uniquely rich body of work, adapting and inventing a variety of styles, media, and techniques in dialogue with other artists, both historic and contemporary.

Her abstract painterly techniques and figurative glyphs are well married and suggest a personal dialogue with other artists and art history; I happened to think of such different painters as Lois Lane, Gael Stack, Charles Marburg, and Clint Jukkala.

Not exact matches

They were invited to a dinner at the White House with other artists to dialogue about the intersection of art and music and how it could potentially change the world.

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?

Scenes of dialogue in the game are presented with highly detailed realistic artwork by Japanese artist Shinkiro, who some might be familiar with as the character artist from games such as Dead Rising, Resident Evil: Deadly Silence and Final Fight One as well as other Capcom titles.

«What I'm trying to do with the gallery is establish a dialogue between European and Moroccan artists and others from the Middle East and put them in close contact.»

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

With this small but diverse selection of artists, the exhibition provokes an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs other fields of art making.

With this group of artists I'm looking at with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging With this group of artists I'm looking at with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging out.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

His work has a visual dialogue with countless other artists because he navigates mediums and styles in the best, most nimble and messy way.

Performance is so crucial to that shift — the dialogue between Cindy Sherman and other artists in her circle like Longo or David Salle, who went to CalArts with all the dance and performance art and turned it into paintings.

Averse to the act of collecting as luxury consumption, Rogers and Weisenbacher find it essential to get to know and form dialogues with the artists they support, as well as other «passionate and thoughtful people in the art ecosystem» such as gallery owners and those involved in nonprofit art spaces.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

In selecting these specific pieces from these particular bodies of work within each of the artists» oeuvres and in placing them in dialogue with each other, we hope to create an opportunity to expand our understanding not only of each artist but also of how these artists relate to one another.

For others of this era, the communication gap between city policy and artist initiatives proved insurmountable at the time: Fugitive Art Projects sought physical space in 1999 to cultivate exhibitions, studios, and artistic dialogue, but eventually closed their Fugitive Art Center venue in 2005 after struggling to work with building codes and facility issues.

Many of the artists in this selection of pictures from the Visual AIDS Artist + Registry depict themselves in frank dialogue with the camera — sometimes even without the protection that clothing or other artifice might provide.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art institutions.

Themes of gentrification and erasure will be elaborated in a panel discussion, «Kentifrica Is or Kentifrica Ain't,» bringing leaders from the Pico Neighborhood and other historically diverse Los Angeles enclaves into dialogue with the artist at 18th Street Arts Center in conjunction with a public reception.

With this small but diverse selection of artists, the exhibition will provoke an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs other fields of art making.

Each floor is conceived as a cross section of our times, where works of artists from the 1960s (Alighiero Boetti, Daniel Buren, Lawrence Weiner, Enzo Mari, Cy Twombly, Rémy Zaugg and many others) are juxtaposed with those of some of the most rigorous interpreters of the current international scene (Walid Raad, Zoe Leonard, Ryan Gander, Thomas Hirschhorn, Philippe Parreno, Francesco Vezzoli, etc.) in a dialogue on various themes, such as architecture, performance, the body and the void.

Bill Powers, Owner, Half Gallery «No other American artist can be so of his country — the Liberty Bell, Hulk, Play - Doh — and also have an entire dialogue with art history.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

BHP provides a space for exhibitions, dialogues and a platform for networking with other artist - run spaces and initiatives.

Painting has and continues to mean more to me than any other part of my expressive life and I am so grateful to have found this medium which allows me to dialogue with artists past and present as well as my faithful viewers and most of all to continue my own journey.

Others included initiatives such as Experiments in Art and Technology, which sought to bring artists and scientists into direct dialogue with the goal of creating new, progressive forms of art.

It's definitely a good thing to have dialogues with people other than artists who have an interest in the history and display of art

The Gowanus Open Studios weekend highlights the generosity of many local artists who open their workplaces — the heart of their craft — to the community in order to engage in dialogue with others.

Others included initiatives such as Experiments in Art and Technology, which sought to bring artists and scientists into direct dialogue with the goal of... Read more

In collaboration with museums and other public / private spaces and institutions, it initiates and delivers ambitious art projects through a sustained dialogue with visual, performance, and new media artists.

The Leipzig context will be expanded and activated by a dialogue with works by three other German contemporary artists represented in the collection: Daniel Richter, Ruprecht von Kaufmann and Stephan Balkenhol.

There's contemporary artist Chris Engman's, utilization of the camera to build fake landscapes, presented in dialogue with 20 other artists manipulating the photographic medium including Jimmy Baker, John Houck, Robert Rauschenberg, and Sigrid Viir.

The EFA Community (EFA Project Space artists and curators; EFA Studio Program and EFA RBPMW members) is invited to submit proposals for public programs including performances, talks, workshops and screenings that offer new contexts for dialogue and engagement with the nuanced, and / or complex relationships artists have to each other, and to our society.

These artists are working in dialogue with each other and have transformed the structures of art: Matthew Barney, Robert Gober, Fabrice Hyber, Jeff Koons, Paul Chan and Ann Lislegaard.

Throughout the program, we aim to foster a sense of community, and to offer artists a positive space to engage in critical dialogue with others working in the arts.

A novel in the form of letters, this exhibition echoes the form by placing the artists works in dialogue with each other: Warren's elegant blue neon abstracts are suspended on one side of the space, while on the other side Dyer's curious pale sculptures sit arranged on a table like so many natural history specimens from creatures either long extinct or yet to evolve.

But what further differentiates an artist's sketch from a skit on Saturday Night Liveis that these videos and performances are «made specifically to be in a dialogue with other pieces of art — paintings, sculpture — rather than in a dialogue with TV and other mass media,» says Phillips.

«to be an artist is to fail, as no other dare fail, that failure is his world and the shrink from it desertion» (Samuel Beckett's: Proust and Three Dialogues with Georges Duthuit)

«Unlimited access to art is what makes it possible for artists living and making work in New York City today to engage in an endless dialogue — be it with the great artists from the past or with each other.»

As the exhibition demonstrates, the selected group of ceramic artists are often in direct dialogue with their contemporaries working in other, more recognized media.

In close dialogue with curator Francesco Stocchi, American artist Alex Da Corte has taken Le miroir vivant's provocation as a starting point to create an immersive tableau utilizing the Boijman's collection as raw material: nearly fifty paintings, sculptures, photographs and videos by artists such as Cady Noland, Marcel Broodthaers, Jim Shaw, Gilbert and George, Alexandra Bircken, Carel Visser, Domenico Gnoli, Barbara Hepworth, Duane Hanson, David Hockney, among others.

Edward Hillel: THINKING MACHINE at MMX Gallery will present some of the artist's past and current projects in dialogue with each other to explore this question.