Sentences with phrase «diaphanous space»

They are repeated in alternating sequences of semantics, one an affirmation, the other a denial, one is quick, one is slow; they overlap to create a dense layer within a diaphanous space.
A 2008 untitled watercolor is exemplary of the artist's sexually - charged imagery: as a handsome young man wades nude through a dark pool of water, a mosaic and diaphanous space rises behind him.

Not exact matches

The reflective, transparent façade of Johnson's diaphanous structure combines light, interior, and exterior to describe architectural space.
Behind the diaphanous sari - fabric veils and trails of navel oranges at his Wooster Street space, dinner was an elaborate, Indian - themed affair for 175 of what used to be known as the Beautiful People.
The building, designed by Diller Scofidio + Renfro, is predicated on the concept of «the veil and the vault»: the vault being The Broad's large storage area for the collection, taking up most of the museum's second floor; the veil, a porous exterior structure forming a diaphanous cover over the interior vault, allows a diffuse natural light to penetrate the 50,000 square feet of exhibition spaces, located on the first and third floors.
An ethereal blue painting with waterfalls of diaphanous white and pale pink has as its central character a little bear tumbling through space.
Recurring themes include a return to nature, the relationship between light and space, aspirations of climbing the building, and the interplay of diaphanous elements with the concrete structure.
''... curvaceous, diaphanous, voluptuous, lissome... fleshy, glandular, uvular, uterine... inside the armory's vast drill hall, one of the largest unobstructed spaces in the city, the Brazilian artist Ernesto Neto has been hard at work... building a sprawling version of one of his signature biomorphic sculptures that requires all of those words and a few more to describe adequately.»
This illustrates two vital points that are often overlooked: 1) the LWIR escaping into space comes NOT directly from the surface (except in the «window» wavelengths) but from a diaphanous mass of gases, and 2) there is NO additional thermal energy produced by the «greenhouse effect.»
The white sheers draw the eye upwards; their purpose is threefold: they are beautiful to look at, they offer some structure and diaphanous delineation in the space, and they also allow openness and airiness, playfully blowing amongst the dramatic floor - to - sky columns of greenery.
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