Often quite «formless», especially compared to her earlier geometric paintings, Denyer's recent paintings are like gaseous non-substances,
diaphanous veils, pure illusion, immaterial yet at the same time exulting in materiality.
The diaphanous veils Zurier patiently creates appear equally dry and plush.
Presented on separate floors of Tew Gallery through June 1, Minton's multivalent and playfully complex woodcut paintings, together with Ludwig's fecund layering of
diaphanous veils of color and lush natural imagery, create a conceptual playground and a sensory feast.
But the transparency of the forms also suggests
a diaphanous veil through which the viewer must pass to reach the other side, where lies another world — the world of metaphor and myth.
In some places the force of Richter's squeegee removes nearly all of the pigment going right back to the pale ground, leaving only
a diaphanous veil of its previous occupant.
Not exact matches
Lightweight and sheer, it stretches well in all directions and can be used in various design projects, from wedding
veils and dresses to
diaphanous skirts and adornments.
Lightweight and sheer, it stretches well in all directions and can be used in various design projects, from
veils and dresses to
diaphanous skirts and adornments.
Lightweight and sheer, it stretches well and can be used in various design projects, from
veils and dresses to
diaphanous skirts and adornments.
But the experience still leaves me strangely detached towards the macaque monkeys posing with chalices amongst painted patterned
veils; they still evoke those exquisite, sophisticated designs incorporated into
diaphanous Indian and Balinese fabrics.
The viewer is presented with
diaphanous overlays that simultaneously
veil and re-define each other.
But there's never been a more compatible venue for Riley's signature work than the giant MASS MoCA hall that housed Izhar Patkin's installation of
diaphanous paintings on wall - size lengths of mesh, «The Wandering
Veil.»
Behind the
diaphanous sari - fabric
veils and trails of navel oranges at his Wooster Street space, dinner was an elaborate, Indian - themed affair for 175 of what used to be known as the Beautiful People.
The building, designed by Diller Scofidio + Renfro, is predicated on the concept of «the
veil and the vault»: the vault being The Broad's large storage area for the collection, taking up most of the museum's second floor; the
veil, a porous exterior structure forming a
diaphanous cover over the interior vault, allows a diffuse natural light to penetrate the 50,000 square feet of exhibition spaces, located on the first and third floors.