Sentences with phrase «dibond edition3of12»
Camille Henrot, The Birthday Letter, 2015, watercolor on paper mounted to dibond, 76 3/8 x 59 3/8 inches.
https://bombmagazine.org/
Photographic drawing printed on seven sheets of paper, mounted on seven sheets of Dibond sheet size: 109-1/2 x 42-3/4 in, each 9ft 1-1/2 x 24ft 11-1/4 in (278.1 cm x 760.1 cm), overall installation dimensions.
John Sparagana Dick Tracy Variation (empty speech) # 1 2015 Archival inkjet prints, sliced and mixed on paper, mounted on dibond 93 1/4 x 71 1/4 inches
Yellow Passage, 2017 framed archival pigment print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 252
Hamra Abbas Kaaba Pictures 6, 2013 archival pigment print on dibond Courtesy of the artist and PILOT, Istanbul
Yellow Overhang with Patio, 2016 framed archival pigment print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 253
Library, 2017 framed archival pigment print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 256
Framed archival pigment print mounted onto dibond paper, 44.5 x 66.5 inches
Proposal One (Structures) 2016 20 chromogenic color prints mounted on Dibond (each photo 20 x 30 inches) Edition of 3
Jonathan Monk, Il cane di Pistoletto XVIII, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 253 x 125,3 cm
Stan Douglas, Hastings Park, 16 July 1955, 2008, Digital C - print mounted on Dibond aluminum, 59 1/2 x 88 3/4 inches, 151.1 x 225.4 cm, DOUST0358, Courtesy the artist and David Zwirner, New York
Jonathan Monk, Il cane di Pistoletto II, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 281 x 158,5 cm
Jonathan Monk, Il cane di Pistoletto VI, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 87,5 x 155 cm
Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5
Eileen Quinlan, Mind Craft, 2015, Digital chromogenic print mounted on dibond, 48 x 60 in.
Jonathan Monk, Il cane di Pistoletto XIV, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 258,5 x 55,5 cm
Raw steel rods and structures interrogate and transform the architecture of the space created by Jack Brindley, holding flatbed prints on re-used dibond, that weave in a somewhat transient nature amongst other works encouraging the spectator to become part of this narrative.
Jonathan Monk, Il cane di Pistoletto XV, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 256,5 x 26 cm
Jonathan Monk, Il cane di Pistoletto VII, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 282 x 48,5 cm
Reena Saini Kallat, «Saline Notations (Ode to Waris Shah)», 2015, digital print on Hahnemühle photorag archival paper + DIBOND, 29 x 29 x 1 in, 74 x 74 x 3 cm (left panel).
Jonathan Monk, Il cane di Pistoletto XIX, 2017, inkjet print on Hahnemühle matt fibre paper, mounted on 4 mm Alu Dibond, painted artist frame, 253 x 97,5 cm
Gerard Brown, After Robert Smithson (Language should find itself in the physical world...), 2015, Digital print on Dibond.
Pigment prints on Hahnemühle Photo Rag White 310g paper mounted on Dibond, paint, waxed oak frames and acrylic
Barry Underwood, Tesla, 2012, pigment print mounted on Dibond, 36 x 36 inches.
Chromogenic type C Print on Kodak Ultra Endura paper mounted on Dibond, waxed oak frame and museum glass
This show includes printed dibond, oil on canvas, ceramic appliqué, and more.
Silver bromide print on Ilford Warm Tone Semi Matt fibre paper and pigment print on Hahnemühle Photo Rag Bright White 310g paper mounted on Dibond, painted maple frame, waxed oak frame and acylic
The exhibition features works ranging in scale, material, and technique, from printed dibond, to oil on canvas, to ceramic appliqué.
Hank Willis Thomas, Operation Soap, 2017, screenprint on retroreflective vinyl mounted on Dibond in ambient light, 60 × 48 inches.
David Thomas, Monochromes in Time and Space: Hamburg Hauptbahnof, 2008 Enamel on photograph on Dibond, 52 x 69 cm March 27 — April 28, 2010
Archival pigment print mounted to Dibond paper: 43 × 56 ̋.
Elegantly mounted on grey dibond, they inhabit graceful stains of seafoam, delicate pinks and washed out purples which are overlaid with faint laser etchings that spill out of their self - imposed frame.
Elliott Puckette, «A Love Letter,» 2018, gesso, kaolin and ink on dibond, 72 x 180 inches, 182.9 x 457.2 cm.
On bright white Dibond, black lines track the hand's erratic ambulations, while red gradations are contained within geometric figures of a more digital register.
Archival pigment print mounted to Dibond.
Robert Polidori, «The Mocking of Christ, Fra Angelico, San Marco Monastery Museum, Florence, Italy,» 2010, aqueous inkjet on natural fiber paper mounted to dibond, 54 x 44 inches, 137.2 x 111.8 cm, Edition of 5 + 2 APs.
Lamia Naji, Immaculé, 2011; six c - prints mounted on Dibond; 45 1/4 x 61 inches each.
Belvedere VI: Publications at The Mackinac Center for Public Policy, Midland, Michigan, 2013 archival pigment print mounted on Dibond and framed
Habitat Puerto Rico site model, courtesy Safdie Architects; David Hartt, «Carolina I,» 2017, archival pigment print mounted to Dibond, print size 36 x 54 inches.
Barricade No. 8, 2017 archival pigment print mounted on Dibond 32 x 26 inches, edition of 3 plus 1 AP Other works from General Song
Installation view of DINH Q. LÊ, Empire, 2017, digital print on Awagami bamboo paper mounted on dibond, laser cut acrylic and Saunders paper sculptures, 1,000 × 150 cm, at «Monuments and Memorials,» STPI — Creative Workshop & Gallery, Singapore, 2018.
Juan Manuel Echavarría, Silencio con tabaco, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs
Rodrigo Valenzuela Already There, 2015 archival pigment print mounted on Dibond, 35 x 43 inches, edition of 3 plus 1 AP
Juan Manuel Echavarría, Silencio Inglés, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs
10 — 5 MARCO GRASSI The DI - Gold Experience n. 177, 2017 Oil on aluminum dibond plus gold leaf and resin 59 -LSB-...]
Negative Space II, 2017 archival pigment print mounted on Dibond 91.4 x 137.2 cm 36 x 54 in Framed: 92 x 138 x 5 cm 36 1/4 x 54 1/3 x 2 in Edition 1/6 + 1AP DH / GTS 12/1
Belvedere II: Joseph P. Overton Memorial Library at The Mackinac Center for Public Policy, Midland, Michigan, 2013 archival pigment print mounted on Dibond and framed 45.72 x 60.96 cm 18 x 24 in Framed: 97.5 x 112.7 cm 38 1/2 x 44 1/3 in Edition 1/6 + 1AP DH / GTS 5/1
Juan Manuel Echavarría, Silencio comunal, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs
Juan Manuel Echavarría, Silencio en pie, 2014, C - print mounted on dibond, 19 x 27 inches, 19.75 x 27.75 inches framed, Edition of 3, 2 APs
Hedonic Reversal No. 17, 2014 archival pigment print mounted to Dibond 55 inches x 45 inches, edition of 3 plus 1 AP