Sentences with phrase «dibond in»

Hank Willis Thomas, Operation Soap, 2017, screenprint on retroreflective vinyl mounted on Dibond in ambient light, 60 × 48 inches.

Isabelle Van Zeijl, Youth, 2016, Perspex face mounted C - print on dibond in tray frame, Edition of 7, 43.3 x 39.4 in.

Not exact matches

Centre: In The Belly of a Cat Part 2, or Run, 2018, inkjet print on dibond.

Nan Goldin, Sheep in abattoir, Rathmullen, Ireland, 2002, Archival pigment print mounted on Dibond, 40.6 x 61 cm.

32 Chromogenic prints; 2 Chromogenic prints mounted on Dibond aluminum in artist's frame; 2 Chromogenic prints, Plexiglas, and wood; 5 Inkjet prints on paper; 7 Inkjet prints on paper, clips; 8 tables and 43 sheets of paper.

Number one in a set of five identical Inkjet prints, framed and mounted on Dibond, with face - mounted toug...

Archival pigment prints mounted on dibond, 40 × 64 in.

Louviere + Vanessa «D #,» from the series Resonantia, 2015 16» x 16» Printed on kozo paper mounted over gold leafed dibond on handmade stretchers, sealed in matte resin and hand applied gloss resin

Printed on kozo paper mounted over gold leafed dibond on handmade stretchers, sealed in matte resin and hand applied gloss resin

Tugendhat House from the L.M.V.D.R., Ludwig Mies van der Rohe Series Color c - print mounted on aluminum - dibond 23 x 27 1/2 inches 14 x 21 1/2 inches (image size) Edition of 40 Signed in pen and numbered in pencil by Thomas Ruff on a Label attached to the verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, DAP, Cologne, 2001, p. 242, another impression reproduced in color.

RASHA KAHIL, In Your Home, 2008 - 2011, c - print mounted on aluminum dibond, 60 × 90 cm.

/ 94 x 71.1 cm), while five are of a larger format and mounted on sheets of Dibond (93 x 70 in.

David Hartt (l — r) Fragment, 2014, cast bronze, 48 x 48 x 24 in.; The Republic I, 2014, archival pigment print mounted to Dibond and framed, print size 59 x 88.5 in., frame: Small Corp. profile - TIG 6 (0.5 x 2 inches), colour - harbor gray P705,.25 inch acrylic glazing Edition of 3 + 1 AP

Lamda print on dibond, encrypted message in jpg, hash - based authentication, custom brilliant - cut glass, brackets; 551⁄8 × 393⁄8 inches.

Whereas the images on the dibond panels are derived from the painted façade of an apartment complex in Poland, the steel constructions refer to decorative attachments to the structure, such as balconies and gratings.

BRENNA MURPHY Daytime ~ Corridor Module, 2015 Archival pigment print mounted on Dibond 30 x 33 5/16 in.

David Hartt, «Carpet at The Johnson Publishing Company Headquarters, Chicago, Illinois, II,» 2011, Archival pigment print mounted to Dibond and framed, 60 × 80 in.

Colleen Plumb (B. 1970) New Orleans Elephant, 2010 archival pigment print, mounted on Dibond, printed 2011 signed in ink and credited, titled and numbered» 3/4» on affixed artist's label (frame backing board) image: 36 x 36 in.

Four elongated photograms made by exposing photographic paper to moonlight are mounted on Dibond and hung on the walls in a symmetrical fashion that mimics both 19th - century stereoscopy and the receding lines of linear perspective.

Negative Space III, 2017 archival pigment print mounted on Dibond 61 x 91.4 cm 24 x 36 in Framed: 62 x 92.5 x 5 cm 24 1/2 x 36 1/2 x 2 in Edition 1/6 + 1AP DH / GTS 14/1

Also in people: parts are wedges: and, to the parts they keep apart (After Sudek), 2014 cotton, graphite, spray enamel, watercolor, toner, vegetable oil, litho crayon on ball grained lithographic plate mounted on Dibond, 36 × 25.5 inches

Belvedere II: Joseph P. Overton Memorial Library at The Mackinac Center for Public Policy, Midland, Michigan, 2013 archival pigment print mounted on Dibond and framed 45.72 x 60.96 cm 18 x 24 in Framed: 97.5 x 112.7 cm 38 1/2 x 44 1/3 in Edition 1/6 + 1AP DH / GTS 5/1

Negative Space II, 2017 archival pigment print mounted on Dibond 91.4 x 137.2 cm 36 x 54 in Framed: 92 x 138 x 5 cm 36 1/4 x 54 1/3 x 2 in Edition 1/6 + 1AP DH / GTS 12/1

David Thomas, Monochromes in Time and Space: Hamburg Hauptbahnof, 2008 Enamel on photograph on Dibond, 52 x 69 cm March 27 — April 28, 2010

The exhibition features works ranging in scale, material, and technique, from printed dibond, to oil on canvas, to ceramic appliqué.

Gerard Brown, After Robert Smithson (Language should find itself in the physical world...), 2015, Digital print on Dibond.

Reena Saini Kallat, «Saline Notations (Ode to Waris Shah)», 2015, digital print on Hahnemühle photorag archival paper + DIBOND, 29 x 29 x 1 in, 74 x 74 x 3 cm (left panel).

Raw steel rods and structures interrogate and transform the architecture of the space created by Jack Brindley, holding flatbed prints on re-used dibond, that weave in a somewhat transient nature amongst other works encouraging the spectator to become part of this narrative.

Eileen Quinlan, Mind Craft, 2015, Digital chromogenic print mounted on dibond, 48 x 60 in.

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5

Photographic drawing printed on seven sheets of paper, mounted on seven sheets of Dibond sheet size: 109-1/2 x 42-3/4 in, each 9ft 1-1/2 x 24ft 11-1/4 in (278.1 cm x 760.1 cm), overall installation dimensions.