Sentences with phrase «did an exhibition called»

In 1984, Barbara Haskell did an exhibition called «Blam» at the Whitney Museum that surveyed the early years of Pop, Minimalism and performance during 1958 - 64.

I did an exhibition called Empires which was about launching yourself into somewhere new and different.

Not exact matches

December 16, 2015 • When two teams play a game that doesn't count, call it what it is — an exhibition.

• In March 1987 we did a show explaining how the MPAA rating system was de facto censorship; we called for a new «R» rating for worthy films intended for adults, since the X rating dooms a film to automatic exclusion from mainstream distribution and exhibition channels.

Fatih Akin — «In the Fade,» «The Edge of Heaven» Adolfo Aristarain — «Common Places,» «A Place in the World» David Ayer — «Suicide Squad,» «Fury» Nabil Ayouch — «Horses of God,» «Ali Zaoua» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Emmanuelle Bercot — «Standing Tall,» «On My Way» Martin Butler — «Tanna,» «Contact» Patricia Cardoso — «Real Women Have Curves,» «The Water Carrier» Peter Ho - Sun Chan — «Dragon,» «Perhaps Love» Derek Cianfrance — «The Light between Oceans,» «Blue Valentine» Pedro Costa — «Horse Money,» «Blood» Garth Davis — «Lion» Bentley Dean — «Tanna,» «Contact» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Carlos Diegues — «Orfeu,» «Bye Bye Brazil» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Nana Dzhordzhadze — «27 Missing Kisses,» «A Chef in Love» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Amat Escalante — «The Untamed,» «Heli» Safi Faye * — «Mossane,» «Lettre Paysanne» Tom Ford — «Nocturnal Animals,» «A Single Man» Goutam Ghose * — «Dekha,» «Paar» Jessica Hausner — «Amour Fou,» «Lourdes» Joanna Hogg — «Archipelago,» «Exhibition» Hannes Holm — «A Man Called Ove,» «Behind Blue Skies» Ann Hui — «A Simple Life,» «Summer Snow» Christine Jeffs — «Sunshine Cleaning,» «Sylvia» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Zacharias Kunuk — «Searchers,» «The Fast Runner (Atanarjuat)» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» David Mackenzie — «Hell or High Water,» «Starred Up» Sharon Maguire — «Incendiary,» «Bridget Jones's Diary» Theodore Melfi — «Hidden Figures,» «St. Vincent» Kleber Mendonça Filho — «Aquarius,» «Neighboring Sounds» Brillante Mendoza — «Thy Womb,» «Kinatay» Márta Mészáros * — «Diary for My Children,» «Adoption» Takashi Miike — «13 Assassins,» «Ichi the Killer» Orlando Montiel — «The Son of No One,» «A Guide to Recognizing Your Saints» Jocelyn Moorhouse — «The Dressmaker,» «Proof» Kira Muratova — «The Tuner,» «The Asthenic Syndrome» Héctor Olivera — «El Mural,» «Funny Dirty Little War» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Jordan Peele * — «Get Out» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «The Human Resources Manager,» «Lemon Tree» Arturo Ripstein — «Deep Crimson,» «The Beginning and the End» Guy Ritchie — «Sherlock Holmes,» «Lock, Stock and Two Smoking Barrels» Anthony Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Joseph Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Cate Shortland — «Lore,» «Somersault» Peter Sollett — «Freeheld,» «Raising Victor Vargas» Juan Carlos Tabío — «Guantanamera,» «Strawberry and Chocolate» Rawson Marshall Thurber — «Central Intelligence,» «Dodgeball: A True Underdog Story» Johnnie To — «Election,» «Exiled» Tran Anh Hung * — «Norwegian Wood,» «The Scent of Green Papaya» Pablo Trapero — «The Clan,» «Lion's Den» Athina Rachel Tsangari — «Chevalier,» «Attenberg» Paula van der Oest — «Black Butterflies,» «Zus & Zo» Susanna White — «Our Kind of Traitor,» «Nanny McPhee Returns» Martin Zandvliet * — «Land of Mine,» «A Funny Man»

We could have done an exhibition and called it a day.

Call Today 214-812-9395 * Former 2 times SEMA Show Exhibition SUV * Powered by 5.9 Bullet proofed Cummins diesel and Allison Transmission, this F - 650 Super Truck is the perfect vehicle for anything you will need to do.

The exhibition, which first appeared at the Whitechapel Gallery in London, is called DO or DIY.

Take in the official open call exhibition of AiB with a cold drink in hand and don't forget to get a snap with the BOSCO's digital photo booth!

The installation shot is from an exhibition I did called «Blanks» at Elizabeth Dee Gallery in 2014.

DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.

Both English, we naturally started to talk, and it turned out that Margaret was also doing shows — renting spaces short term for exhibitions, which today would be called pop - up galleries.

Khosheghbal, who is also unable to attend, said on phone from Tehran that she called the exhibition Sensation because the concept allowed her to choose a selection that would best showcase the variety of art done by the country's emerging artists.

The exhibition will also call attention to the other strong work she has done with her production company, the Rufus Corporation, like 89 Seconds at Alcázar (a paean to Velázquez's Las Meninas that, despite being shown at the 2004 Whitney Biennial, is still lesser - known), as well as displaying plentiful documents relating to the making of Sabine Women.

And my second exhibition — we have a series for young artists that young curators do called Projects — was a show that had Luc Tuymans, Elizabeth Peyton, and John Currin in it.

And, sure enough, one learns that the exhibition coordinator has called her catalog essay «Size Does Matter.»

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

If you're on the hunt for veggies at the Essex Street Market this month, you might get sidetracked (as I did) by the shoebox art gallery in the corner running an exhibition called Lettuce, Artichokes, Red Beets, Mangoes, Broccoli, Honey and Nutmeg: The Essex Street Market as Collaborator.

To that end, we did an exhibition about TV, we did shows with Lucky PDF, a sound art exhibition by Bruce Nauman, and an amazing online project called soundworks, where 130 artists contributed sound - art files.

This year's pilgrimage to Marfa on the occasion of Chinati's 25th Anniversary Weekend was well worth the effort, not only for the main events, but for the many other surprises, some in unconventional venues like Tableaux Parisiens, an exhibition of art from and about Paris in an old church called The Do Right Hall, Patrick Keesey at the Marfa Country Clinic, Valerie Arber at the Thunderbird Lodge, and Charles Mary Kubricht at The Marfa Book Company.

Call it a retrospective at your peril: everything about the show, which presents Tillmans's output using a high - resolution digital camera since 2003, when he had a solo exhibition at Tate Britain, broadcasts his questing, restless desire to innovate and do things differently.

A summer 2008 exhibition of «Sprawl» at the Jersey City Museum tried to explain it, as indeed did a show called «Sprawl» in Tribeca a few years before, and Robert Smithson reveled in it.

Mwangi Hutter's Neger Don't Call Me (2000) is one of the 10 video pieces in NMWA's Total Art: Contemporary Video exhibition.

In a 2003 exhibition catalogue, Mwangi discussed the sound, dialogue, and language in Neger Don't Call Me:

Rail: This notion of mirror image - like copies call to mind Robert Rauschenberg's «Factum» paintings, which inspired two consecutive exhibitions you have recently done.

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.

While the work in the exhibition was clearly conceptualized by the artist, it would seem unfair to call it a «solo,» as Thomas did not create this exhibition alone.

SARDINE is very pleased to present a solo exhibition of new work called Leaves Don't Thank the Sun by Kyle Vu - Dunn.

This exhibition is a launch pad for SexEd, with a call for community participation via a YouTube video call, which invites the public to become part of this project through the submission of videos that answer the question, «What do you wish someone taught or told you about sex?

This past spring he organized the exhibition BLOOMINGTON: MALL OF AMERICA, NORTH SIDE OF FOOD COURT, ACROSS FROM BURGER KING & THE BANK OF PAYPHONES THAT DO N'T TAKE INCOMING CALLS featuring works by several of his peers.

Roberta Smith of the The New York Times called the show «One of the best exhibitions you'll ever see at The Museum of Modern Art...» Jerry Salz of New York Magazine proclaimed «Whatever you do, don't miss this exhibition; this is exactly the kind of show MoMA is made for.»

Number 1, as it was originally called in 1948, was included in Pollock's solo exhibition at the Betty Parsons Gallery in January - February 1949, but MoMA didn't snap it up on that occasion.

Only occasionally does Byzantine Things fall into what artist Daniel Buren (who's not in the show) has called the «exhibiting exhibitions» trap, in which, as he wrote in Frieze in April, «exhibitions are increasingly becoming opportunities for an organizer or curator or whoever to write an essay which usually has nothing to do with the artists invited, but concerns only his or her philosophy about art and society, politics or aesthetics.»

Last but not least, local artist Serafín Álvarez, one of the four artists chosen in the 1st Call for Exhibition Projects from the Platform to Support Art in Castilla y León, P4, presents Entre las cosas no designa una relación localizable [Between things does not designate a localisable relationship]

Call me by my name: Stories from Calais and beyond @ Londonewcastle Project Space Migrants are a massive news story at the moment and this exhibition does a great job of giving them a human face.

Just to be clear, we are not doing an open call for a juried group exhibition; we're looking to sign new artists to our gallery for inclusion in exhibitions, projects, and events for the 2012 - 2014 seasons.

Certainly, König didn't flinch in 2006 when the mayor of Cologne («who went berserk») called him to criticize his «gay exhibition,» referring to a show called «The Eighth Square: Gender, Life and Desire in Art Since 1960.»

Following a fiercely guarded sense of individuality, the exhibition presents a selection that is domestic, functional, private, abstract, descriptive, discursive and decorative — intending to show that there is no single standard for what we consider a «woman» artist and in doing so, calling into question its own premise of staging an all - women show in 2017.

Curated by Thibault Sandret of Glam Trash Pop and hosted by Virginie Sommet «s Studio / Gallery 173 on Canel Street is the exhibition «Don't Call It Street Art,» which will be on open to the public beginning this weekend on Dec 15th.

But insisting that every exhibition on a museum's calendar do so ignores the other important benefits so - called «rental shows» can bring to cities with late - blooming institutions.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

She is well known for a piece she did in 1956 called the Electric Dress, which she wore to exhibitions, with these neon tubes of light.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thexhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

After opening a solo show called GREEN GROWTH last summer at SALTS, she's lent her work to a few different group exhibitions, including Don't You Know Who I Am?

Sean Scully works have been installed in the Monastery of Santa Cecília, in Montserrat, Spain, in what the painter calls the «most significant exhibition probably [he's] ever done.»

Called We Do, the celebration was brought to life by local artist, typographer and designer Nick Chaffe who was commissioned to create a colourful brand illustration for the exhibition and an accompanying book.

The latest themed exhibition du jour at museums and galleries across the United States and Europe calls attention to two artists who share similar aesthetics.

The first was in 2010, with an exhibition called «Size Does Matter.»

Recent exhibitions include Glenn Ligon: Encounters and Collisions, Nottingham Contemporary, Nottingham (2015), Pants Full of Hope, Pockets Full of Adventure, or... Do n`t Call Me Cheesuz, Galerie Wien Lukatsch, Berlin (2015) and Whitney Biennial, Whitney Museum of American Art, New York (2014).

All of this will be done in the service of extracting purpose from what we might call the «paratext» of the exhibition space: all aspects of the gallery from materials lists to didactic texts.