The preparation for her role as «Wonder Woman» got her into boxing and mixed martial arts; she was working out six hours per day
doing fighting choreography, horseback riding, cardio interval training, and strength training.
Director Antoine Fuqua (Training Day) handles quieter moments of the film but his frenetic style
does the fight choreography a disservice by having to many quick cuts and close up shots.
Not exact matches
The
fight with Elle Driver is a virtuoso celebration of
fight choreography; although we are aware that all is not as it seems in movie action sequences, Thurman and Hannah must have trained long and hard to even seem to
do what they
do.
With cinematography this bad, and
fight choreography this incompetent, MGM would have
done the viewing public a great service by removing the abominable score and replacing it with a laugh track.
Stopped watching this film after 30 minutes, the
fight scene was the worst
choreography I've seen in a boxing film so far, Jake may have gotten into shape but he definitely didn't learn to box.
Delivering a rabbit punch to the action genre's solar plexus, this sharp mix of gun - fu
fight choreography and New York noir offered Keanu Reeves yet another career rebirth, just as The Matrix
did in 1999.
Marshall knows how to work with a star studded casts, and his handle on action cinema is impressive, opting for
choreography over shaky cam theatrics or CGI heavy
fight sequences (as many first time action directors tend to
do).
Do you approach
fight choreography differently with women differently than if you were staging men?
Although he
does put his body on the line in terms of stunts and
fight choreography, it is in the scenes where there is no action that he truly delivers, as you can sense the pain and anguish of the moment, providing the necessary punctuation to make every interchange among the characters very compelling.
«You
Do Not Mess with Jack Reacher: Combat & Weapons» (10:27) turns our attention to the film's brand of semi-old-fashioned action, with behind - the - scenes looks at
fight choreography and stunt filming.
Basically share your sentiments, probably just liked the
fight choreography less than you
did, but let's face it, Creed probably spoiled all of us in that regard.
Actor Beau Sia didn't spare anyone in his take - down of the hard work that Asian creators put into
fight choreography.
As if aware that all that stuff about Bolivian peasants pining for water might be connected, and queasily, to Indiana Jones and the Temple of Doom (a daring cargo - jet escape is similarly cribbed from that film), Quantum of Solace
does its level best to strip entire set - pieces from the Bourne series (a knife
fight, the close - quarters disarming of government agents, the roof - top flight), forgetting in the process to port over the coherence of Doug Liman or Paul Greengrass
choreography.
incredibly well
done, amazing
fight choreography, astoundingly good set piece moments, and an awesome villain, can't wait to see it again.
Cable's plays the straight man and the token over-the-top badass in equal measure, and spends his
fight choreography oozing well - designed coolness, even if he
does sometimes feel like he wandered out of a much more down - to - Earth movie every now and again.
It's true that Coogler — along with his co-writer Joe Robert Cole - doesn't yet have experience with epic, large - scale set pieces that are typically found in giant studio blockbusters, but thanks to Creed we
do know that he can
do a tremendous job capturing beautiful
fight choreography.