Gay people can bleed and
die for their country too.
Hank Willis Thomas, My Father
Died For This Country Too.
Not exact matches
Among them are the rights to: bullet joint parenting; bullet joint adoption; bullet joint foster care, custody, and visitation (including non-biological parents); bullet status as next - of - kin
for hospital visits and medical decisions where one partner is
too ill to be competent; bullet joint insurance policies
for home, auto and health; bullet dissolution and divorce protections such as community property and child support; bullet immigration and residency
for partners from other
countries; bullet inheritance automatically in the absence of a will; bullet joint leases with automatic renewal rights in the event one partner
dies or leaves the house or apartment; bullet inheritance of jointly - owned real and personal property through the right of survivorship (which avoids the time and expense and taxes in probate); bullet benefits such as annuities, pension plans, Social Security, and Medicare; bullet spousal exemptions to property tax increases upon the death of one partner who is a co-owner of the home; bullet veterans» discounts on medical care, education, and home loans; joint filing of tax returns; bullet joint filing of customs claims when traveling; bullet wrongful death benefits
for a surviving partner and children; bullet bereavement or sick leave to care
for a partner or child; bullet decision - making power with respect to whether a deceased partner will be cremated or not and where to bury him or her; bullet crime victims» recovery benefits; bullet loss of consortium tort benefits; bullet domestic violence protection orders; bullet judicial protections and evidentiary immunity; bullet and more...
Imagine there's no
countries It isn't hard to do Nothing to kill or
die for And no religion
too Imagine all the people Living life in peace
Whereas the old Marxists believed in something, albeit something absurd and dangerous, New Labour believes in nothing; «nothing» as defined by John Lennon in his sentimentally pernicious imagination: «No heaven... no hell... no
countries... nothing to kill or
die for and no religion
too.»
For example, as Mr. Lawler points out, Brownson makes some valuable comments when he emphasizes the importance of the solidarity and interdependence of humans and what naturally follows from that, but it seems to me that Brownson then goes too far in concluding that «civic virtues are themselves religious virtues» and even that «he who dies on the battlefield for his country ranks with him who dies for his faith.&raq
For example, as Mr. Lawler points out, Brownson makes some valuable comments when he emphasizes the importance of the solidarity and interdependence of humans and what naturally follows from that, but it seems to me that Brownson then goes
too far in concluding that «civic virtues are themselves religious virtues» and even that «he who
dies on the battlefield
for his country ranks with him who dies for his faith.&raq
for his
country ranks with him who
dies for his faith.&raq
for his faith.»
«But
for too many people
country life is challenging and urgent action is vital to stop villages
dying and our market towns being wrecked by unsympathetic development.»
Imagine there's no
countries It isn't hard to do Nothing to kill or
die for And no religion
too Imagine all the people Living life in peace
For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art
for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies,
too much respect
for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for an artist's legacy, opinions not being welcome, an exhibition across three
countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't
die, so - called reviews, bad reviews are bad
for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.
For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art
for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies,
too much respect
for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for an artist's legacy, opinions not being welcome, an exhibition across three
countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't
die, so - called reviews, bad reviews are bad
for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video a
for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.