Not exact matches
Mickey Rooney is one of those child
actors who is basically a fully formed performer right from the start, and his performance as Whitey Marsh wouldn't be significantly
different if
delivered as an adult.
There's nothing significant here — the footage is non-anamorphic, time - coded and fairly rough, though it's interesting to hear the Viking characters sounding slightly
different as the
actors deliver their lines without bass heavy post-production alteration.
To underline the point, director Matt Reeves frames a sequence of Gary Oldman shuffling through family photographs on his iPad, the glow from the screen quietly lighting the
actor's tearful, joyful face; and then repeats the trick a few scenes later, with an entirely CGI character
delivering just as complex a scene in total wordlessness, with a
different glowing screen and
different family pictures.
With film, you have
actors delivering performances which enable audiences to tap into the emotions of characters in a totally
different way from how they do with characters on a page.
Plummer
delivers brilliance in what had to be record time, and every person sharing a scene with Plummer — Michelle Williams and Mark Wahlberg, in particular — comes in fresh and spontaneous, responding anew to another
actor's completely
different energy.
The
actor has relied on his usual sarcastic shtick for many of his roles, so it's nice to see him
deliver a slightly
different, more nuanced performance that puts his deadpan comic delivery to pitch - perfect use.
It looks like the mailman who finally
delivers the Kindle is a
different actor than the one that the little girl saw through her window.
Developed by Quantic Dream, BEYOND: Two Souls
delivers a gripping, non-chronological narrative that features performances by acclaimed
actors Ellen Page (Juno, X-Men), Willem Dafoe (Platoon, Spider - Man), Kadeem Hardison (A
Different World, The Dark Party) and Eric Winter (The Ugly Truth, The Mentalist).