Sentences with phrase «different approaches to the painting»

The artists are each represented by a particular body of work made in series, demonstrating different approaches to the painting process and using different formats and supports.
Despite their different approaches to painting, Pollock and Dubuffet each showed Ossorio the value of reaching inward for inspiration rather than starting with an object or world external to himself.

Not exact matches

Painting roofs white, he says, is a much different approach than spilling iron into the ocean to encourage plankton blooms (which soak up carbon dioxide).
The nail may go 1/4 of the way in, seemingly accomplishing the task at first glance, but then will hit the beam and be stuck, and in the end it will be clear that it was a futile attempt to nail the painting into a steel beam, and that a different approach is necessary.
Some music scores can completely take over a scene, however Dave Porter has a different approach when it comes to aurally painting characters» emotions and exchanges, especially in Vince Gilligan's work: the 16 Emmy - winning Breaking Bad and this year's third season off its spin - off Better Call Saul.
Good for hitting multi cultural approaches in painting - a lesson with a starter to focus students on different approaches to landscape painting in different countries around the world.
The test car was painted metallic black, a different approach to the ever - popular black car.
But with «St. Sebastian,» a blank - slate approach was unexpectedly easy, primarily because, for all the image's familiarity, I realized how different the painting looked, or rather felt, in the flesh... It's the painting's endearingly strange comedy — especially the bottom half of the body, which seems to flap away (and bring to mind the flagellation of St. Bartholomew)-- that rescues it from post-adolescent self - pity and actually, in an odd way, ennobles it, as if invested with an amused stoicism.»
Kreiger writes: «While at first glance this show seems to be a simple set of paintings exploring different approaches to the expression of the human form from the 1960s to the present, the way this exhibit has been curated creates endless curiosities and surprises.
As a student in the mid to late 1920s Rothko was influenced by Max Weber, Arshile Gorky, and Milton Avery, from whom he learned very different ways of approaching painting.
Therefore, there's little deviation from the initial impetus, which is profoundly different to how I approach painting.
As Pollock's work increased in scale, Krasner devised a different approach to freeing herself from easel painting.
Cubism: Cubism was a revolutionary new approach to representing reality invented in around 1907 by artists Pablo Picasso and Georges Braque who aimed to bring different views of subjects together in the same picture, resulting in paintings that appear fragmented and abstracted.
Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.
While the haptic involvement in painting may carry through from one artist to another, each admits vastly different approaches in style and execution.
Mitchell and Riopelle had different but fundamentally similar approaches to making two - panel paintings in the 1970s.
My approach is highly physical, regularly moving the works from the floor to the wall and back, and using my bare hands and feet to apply different thicknesses of paint.
While Guston is primarily known for his paintings, his drawings influenced new phases of creativity and served to articulate radically different approaches.
Titled «Perspective on Land, Sea and Sky,» the show mixes almost harsh sketchbook drawings in ink by Porter (1907 - 1975) with saturated paintings by Dash (1931 - 2013) and landscapes by Freilicher (1924 - 2014) and Wilson (1924 - 2015) that play up their different approaches to landscape.
The exhibition brings together a great range of artistic practices and languages (photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body as sculpture, effigy or fragment of its symbolic substitute.
The heart shape provides a simple structure that defines the composition while allowing the freedom to fill the painting surface in a multitude of different ways and to try new creative approaches, just as Jim Dine has done.
Though many artists share a comparable approach in portraying the painted subject, Yanai works within a different cognitive space; He paints with fine and calculated brushstrokes in an existential manner, with every mark laid down through a detailed application, keeping layering to a minimum.
Also, there is a different approach to colour for an artist renowned for his monochromatic, sparsely coloured paintings.
Repetition of the same image is important for Greenfield - Sanders» disciplined approach to painting, and here the four pallettes render very different outcomes.
Featuring the work of 21 artists from eight different countries, this exhibition will trace many different approaches to the practice of painting today.
The show creates visual surprises and harmonies between the artists» two different approaches to art making: sculptures by Ernesto Burgos and painted fabric works by Chris Duncan.
This exhibition brings together over 150 works in different media, including painting, sculpture, photography and the applied arts, revealing the Pre-Raphaelites to be advanced in their approach to every genre.
Looking at their extraordinary works of art that keep on pushing the boundaries of the medium in intriguing and unexpected ways, we are sure that contemporary painting in the US is in safe hands and is not afraid to allow the different approach of creativity and a different language of their stories.
Doig's style is sometimes compared to Gauguin's, but his approach to painting is quite different.
I explore this desire of liberty approaching each work in a different way, knowing that paintings have the right to be what the painter wants them to be.
All these functional connections have led to different images and manifestations, artistic landscape painting and drawing is only one of many approaches.
Bringing together a broad range of painters of different countries and of different generations, the exhibition seeks to address various approaches to painting today.
This union will come as a surprise to those who know Albers only for his association with the Bauhaus, his influential approach to color, and his famous Homage to the Square series, a group of over two thousand paintings each consisting of three or four concentric squares of different chromatic values and hues.
Bringing together a broad range of painters of different countries, 5x5: Other Voices, seeks to address various approaches to painting today.
It seemed that if one wanted to get away from such things as the American scene or social realism and perhaps cubism, this offered a possibility of a way out, and the hope that given a subject matter that was different, perhaps some new approach to painting... might also develop.»
Roughly half are painted on natural linen in which Hedges» approach is a little different than on canvas, revealing the linen support and numerous areas where the pigment is applied in thin brushy strokes to expose the weave and texture.
Yet she displays a knowledge and familiarity with academic theory and art history: Clement Greenberg; the changing applications of portraiture from Holbein through to Freud; different approaches and time - scales to painting a canvas; the allusive history of certain attitudes for sitters to adopt.
Where an early generation of artists had portrayed the romantic lure of the American Southwest during the nineteenth - century using European Academic painting traditions to represent the environment and inhabitants of the region as exotic, Modern artists took a very different approach.
Benson discusses her process: «For the most part for these paintings, I feel like they are a collage of different painting moves and I approach it the same way you would if you're making a Photoshop file... In the beginning of the painting, it happens really fast and I can do the first four to five moves pretty fast within one to two days and even up to the first oil move.
In section 2 it was extremely helpful to have the different approaches to mixing paint for hues, tints and shades in oil and watercolour talked about together.
Bozzi writes: «Room by room, Pink Moon encourages different viewer approaches to its fully - painted walls.
Jack Tworkov: Mark and Grid examines the artist's stylistic progression featuring work from different decades, and highlighting his conceptual approach to painting during the 1960s and 1970s.
For Painting Between the Lines, however, the approach is slightly different; rather than providing a broad sweeping idea that speaks (sometimes in ways that seem tangential or essentializing) to the works present, literature is dissected, here, into micro-moments.
This exhibition shows the artist's approach to this subject over different phases in his career, and spans from the 1980s to his latest paintings of monumental landscape.
Whilst Sebas Velasco's exceptional body of work includes a wide variety of different themes and techniques, which range from contemporary figurative painting to illustration, multidisciplinary artist Xabier XTRM's work represents a more expressionistic approach to painting, always experimenting his artworks in order to find new ways to express through painting.
What's interesting to me is how artists of these different backgrounds and histories have arrived at approaches that address similar concerns about this thing we call Art, or Painting or Minimal Art.
He moved on, at the end of the 50's, to flat, near - life - size cutouts of painted aluminum that stood upright like sculptures (one of his son, Vincent, holding a fish toward the viewer is in the Farnsworth show), and then to easel painting: single and group portraits of a scale and approach dramatically different from those of the miniaturized collages.
They suggest a different kind of painting — not Pop, per se, but an approach to abstraction that is unafraid of being polluted by the whole range of sources that resemble it.
Although he is interested in the meditative aspects of drawing and painting, the façades take on a different meaning when placed in the context of Figure 1, of paintings inspired by Tsiolkovsky's drawings, or of the artist's continual fascination with Magritte's approach to language.
The exhibition poses a relationship of visual analogy between Wesley's paintings and Andre's sculpture, looking at how each artist uses systematic approaches to different materials and subject matter.
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