The artists are each represented by a particular body of work made in series, demonstrating
different approaches to the painting process and using different formats and supports.
Despite
their different approaches to painting, Pollock and Dubuffet each showed Ossorio the value of reaching inward for inspiration rather than starting with an object or world external to himself.
Not exact matches
Painting roofs white, he says, is a much
different approach than spilling iron into the ocean
to encourage plankton blooms (which soak up carbon dioxide).
The nail may go 1/4 of the way in, seemingly accomplishing the task at first glance, but then will hit the beam and be stuck, and in the end it will be clear that it was a futile attempt
to nail the
painting into a steel beam, and that a
different approach is necessary.
Some music scores can completely take over a scene, however Dave Porter has a
different approach when it comes
to aurally
painting characters» emotions and exchanges, especially in Vince Gilligan's work: the 16 Emmy - winning Breaking Bad and this year's third season off its spin - off Better Call Saul.
Good for hitting multi cultural
approaches in
painting - a lesson with a starter
to focus students on
different approaches to landscape
painting in
different countries around the world.
The test car was
painted metallic black, a
different approach to the ever - popular black car.
But with «St. Sebastian,» a blank - slate
approach was unexpectedly easy, primarily because, for all the image's familiarity, I realized how
different the
painting looked, or rather felt, in the flesh... It's the
painting's endearingly strange comedy — especially the bottom half of the body, which seems
to flap away (and bring
to mind the flagellation of St. Bartholomew)-- that rescues it from post-adolescent self - pity and actually, in an odd way, ennobles it, as if invested with an amused stoicism.»
Kreiger writes: «While at first glance this show seems
to be a simple set of
paintings exploring
different approaches to the expression of the human form from the 1960s
to the present, the way this exhibit has been curated creates endless curiosities and surprises.
As a student in the mid
to late 1920s Rothko was influenced by Max Weber, Arshile Gorky, and Milton Avery, from whom he learned very
different ways of
approaching painting.
Therefore, there's little deviation from the initial impetus, which is profoundly
different to how I
approach painting.
As Pollock's work increased in scale, Krasner devised a
different approach to freeing herself from easel
painting.
Cubism: Cubism was a revolutionary new
approach to representing reality invented in around 1907 by artists Pablo Picasso and Georges Braque who aimed
to bring
different views of subjects together in the same picture, resulting in
paintings that appear fragmented and abstracted.
Ranging from large - scale
painting to site - specific installation, these commissions spotlight trailblazing artists at
different stages of their careers, and reflect the museum's continued commitment
to providing an international platform for a wide range of contemporary artists with innovative and experimental
approaches to their practices.
While the haptic involvement in
painting may carry through from one artist
to another, each admits vastly
different approaches in style and execution.
Mitchell and Riopelle had
different but fundamentally similar
approaches to making two - panel
paintings in the 1970s.
My
approach is highly physical, regularly moving the works from the floor
to the wall and back, and using my bare hands and feet
to apply
different thicknesses of
paint.
While Guston is primarily known for his
paintings, his drawings influenced new phases of creativity and served
to articulate radically
different approaches.
Titled «Perspective on Land, Sea and Sky,» the show mixes almost harsh sketchbook drawings in ink by Porter (1907 - 1975) with saturated
paintings by Dash (1931 - 2013) and landscapes by Freilicher (1924 - 2014) and Wilson (1924 - 2015) that play up their
different approaches to landscape.
The exhibition brings together a great range of artistic practices and languages (photography, video,
painting, sculpture, installation...), cultures, geographic origins, generations and experiences,
to establish a tension between extremely
different artistic
approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body as sculpture, effigy or fragment of its symbolic substitute.
The heart shape provides a simple structure that defines the composition while allowing the freedom
to fill the
painting surface in a multitude of
different ways and
to try new creative
approaches, just as Jim Dine has done.
Though many artists share a comparable
approach in portraying the
painted subject, Yanai works within a
different cognitive space; He
paints with fine and calculated brushstrokes in an existential manner, with every mark laid down through a detailed application, keeping layering
to a minimum.
Also, there is a
different approach to colour for an artist renowned for his monochromatic, sparsely coloured
paintings.
Repetition of the same image is important for Greenfield - Sanders» disciplined
approach to painting, and here the four pallettes render very
different outcomes.
Featuring the work of 21 artists from eight
different countries, this exhibition will trace many
different approaches to the practice of
painting today.
The show creates visual surprises and harmonies between the artists» two
different approaches to art making: sculptures by Ernesto Burgos and
painted fabric works by Chris Duncan.
This exhibition brings together over 150 works in
different media, including
painting, sculpture, photography and the applied arts, revealing the Pre-Raphaelites
to be advanced in their
approach to every genre.
Looking at their extraordinary works of art that keep on pushing the boundaries of the medium in intriguing and unexpected ways, we are sure that contemporary
painting in the US is in safe hands and is not afraid
to allow the
different approach of creativity and a
different language of their stories.
Doig's style is sometimes compared
to Gauguin's, but his
approach to painting is quite
different.
I explore this desire of liberty
approaching each work in a
different way, knowing that
paintings have the right
to be what the painter wants them
to be.
All these functional connections have led
to different images and manifestations, artistic landscape
painting and drawing is only one of many
approaches.
Bringing together a broad range of painters of
different countries and of
different generations, the exhibition seeks
to address various
approaches to painting today.
This union will come as a surprise
to those who know Albers only for his association with the Bauhaus, his influential
approach to color, and his famous Homage
to the Square series, a group of over two thousand
paintings each consisting of three or four concentric squares of
different chromatic values and hues.
Bringing together a broad range of painters of
different countries, 5x5: Other Voices, seeks
to address various
approaches to painting today.
It seemed that if one wanted
to get away from such things as the American scene or social realism and perhaps cubism, this offered a possibility of a way out, and the hope that given a subject matter that was
different, perhaps some new
approach to painting... might also develop.»
Roughly half are
painted on natural linen in which Hedges»
approach is a little
different than on canvas, revealing the linen support and numerous areas where the pigment is applied in thin brushy strokes
to expose the weave and texture.
Yet she displays a knowledge and familiarity with academic theory and art history: Clement Greenberg; the changing applications of portraiture from Holbein through
to Freud;
different approaches and time - scales
to painting a canvas; the allusive history of certain attitudes for sitters
to adopt.
Where an early generation of artists had portrayed the romantic lure of the American Southwest during the nineteenth - century using European Academic
painting traditions
to represent the environment and inhabitants of the region as exotic, Modern artists took a very
different approach.
Benson discusses her process: «For the most part for these
paintings, I feel like they are a collage of
different painting moves and I
approach it the same way you would if you're making a Photoshop file... In the beginning of the
painting, it happens really fast and I can do the first four
to five moves pretty fast within one
to two days and even up
to the first oil move.
In section 2 it was extremely helpful
to have the
different approaches to mixing
paint for hues, tints and shades in oil and watercolour talked about together.
Bozzi writes: «Room by room, Pink Moon encourages
different viewer
approaches to its fully -
painted walls.
Jack Tworkov: Mark and Grid examines the artist's stylistic progression featuring work from
different decades, and highlighting his conceptual
approach to painting during the 1960s and 1970s.
For
Painting Between the Lines, however, the
approach is slightly
different; rather than providing a broad sweeping idea that speaks (sometimes in ways that seem tangential or essentializing)
to the works present, literature is dissected, here, into micro-moments.
This exhibition shows the artist's
approach to this subject over
different phases in his career, and spans from the 1980s
to his latest
paintings of monumental landscape.
Whilst Sebas Velasco's exceptional body of work includes a wide variety of
different themes and techniques, which range from contemporary figurative
painting to illustration, multidisciplinary artist Xabier XTRM's work represents a more expressionistic
approach to painting, always experimenting his artworks in order
to find new ways
to express through
painting.
What's interesting
to me is how artists of these
different backgrounds and histories have arrived at
approaches that address similar concerns about this thing we call Art, or
Painting or Minimal Art.
He moved on, at the end of the 50's,
to flat, near - life - size cutouts of
painted aluminum that stood upright like sculptures (one of his son, Vincent, holding a fish toward the viewer is in the Farnsworth show), and then
to easel
painting: single and group portraits of a scale and
approach dramatically
different from those of the miniaturized collages.
They suggest a
different kind of
painting — not Pop, per se, but an
approach to abstraction that is unafraid of being polluted by the whole range of sources that resemble it.
Although he is interested in the meditative aspects of drawing and
painting, the façades take on a
different meaning when placed in the context of Figure 1, of
paintings inspired by Tsiolkovsky's drawings, or of the artist's continual fascination with Magritte's
approach to language.
The exhibition poses a relationship of visual analogy between Wesley's
paintings and Andre's sculpture, looking at how each artist uses systematic
approaches to different materials and subject matter.