Sentences with phrase «different art exhibits»

Not exact matches

Check out the fascinating art exhibit constructed with different kinds of lights at the Elmhurst Art Museart exhibit constructed with different kinds of lights at the Elmhurst Art MuseArt Museum.

Dead or Alive Museum of Arts and Design, New York City Insects, chickens, and cows get a second life in this exhibit, but it's a life very different from their first.

My take on the exhibit was totally different than what they suggested at the Art Gallery of Ontario.

In the days leading up to an art exhibit honoring Isabelle, a prominent war photojournalist, a father and his two sons confront different feelings and memories of the deceased wife and mother and her professional legacy.

The students, representing 45 different science, technology, engineering, and math (STEM) competitions and organizations, exhibited their creations, including state - of - the - art cancer - detection methods, an inexpensive prosthetic arm made almost entirely from a 3 - D printer, algae - based biofuels, and an innovative design for urban water management.

No two levels are the same and each one looks like a different exhibit from a contemporary art museum.

This exhibition will address this theme in its broadest sense, serving as a framework for exhibiting and interpreting a wide range of different works of art.

His art has been exhibited at different international institutions, among them the Walker Art Center and the Andrea Rosen Gallery in 2008; and La Maison Rouge in Paris in 20art has been exhibited at different international institutions, among them the Walker Art Center and the Andrea Rosen Gallery in 2008; and La Maison Rouge in Paris in 20Art Center and the Andrea Rosen Gallery in 2008; and La Maison Rouge in Paris in 2007.

Affected by feminist ideas that were widely represented during the late 1960's, when the only few women taught in college art departments and rarely exhibit in museums and galleries, Janet Fish pierced through the male's world where people even believed in different aesthetic approach depending on the sex.

The work of all four artists pull from different traditions and influences, demonstrating some of the diverse works that will be exhibited in the open call art show.

But «Transfigurations,» the Wexner Center for the Arts» fall exhibit, is markedly different.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

Sightings, curated by Jeffrey Walkowiak Sculpture, photographs, and a video by Tom Burr, D - L Alvarez, Dean Sameshima, and Michael Elmgreen and Ingar Dragset that reveals the specialized languages of the different locations where anonymous sex occurs and contemporary art is exhibited.

Complementing the residency and exhibitions will be panel discussions intended for the general public, university students, and faculty in which the exhibiting artists, art historians, and activists will explore topics such as attitudes toward feminist art among women of different generations; the role of artists as agents of change; and the representation of women in the contemporary art world.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

These art forms, standing for different spiritual and aesthetic pursuits, are juxtaposed within the same exhibit framework, in a conflicting hybrid.

Recent exhibitions include See The Revolutionary Art Exhibit at Whitechapel Gallery, London; Magnetic Forces at Trongate 103, Glasgow; Different Spaces at Studio Voltaire, London.

Although associated with the minimalist art movement in Germany and the United States, their work evolved in different artistic directions from their contemporaries, including Donald Judd, Carl Andre, and Dan Flavin, artists in the collection at Chinati with whom Posenenske and Roehr exhibited in Germany in 1967.

John Runyon, one of Dallas's leading art advisers, said the strength of the city's art scene was its continuity — between different generations of collectors, its galleries and the fair, the institutions, and even commercial venues such as Forty Five Ten, where he'd curated a Juergen Teller exhibit during the fair, or the Dallas Cowboys stadium, which features more than 20 works of contemporary art from the likes of Jenny Holzer and Doug Aitken.

The black pourings were first exhibited at Betty Parsons Gallery, New York, in 1951; a series of black enamel and oils, they have been described by art historian Michael Fried as bringing the artist to «the verge of an entirely new and different kind of painting... of virtually limitless potential.»

Chelsea, New York City: Curator D. Dominick Lombardi's premise for the exhibit Free Form Five is that while the five artists» selections of subject matter, process, media and aesthetic, are very different from each other — they all make art that reveals a new and compelling depth of perception.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York.

Because I knew so many artists from my generation, who exhibit mainly at publicly sponsored exhibitions and felt suffocated by the traditional art world, we started various projects such as: group exhibitions, curators exhibitions, architecture exhibition and educational projects with universities; We made a foundation for different fields of artists to interact.

Argote has exhibited at the Vincent Price Museum 2013, and is currently showing work at The Denver Art Museum as part of Mi Tierra: Contemporary Artist Explore Place, The Orange County Museum of Art as part of The 2017 California Pacific Triennial: Building as Ever, Tierra, Sangre, Oro at Ballroom Marfa, and The Los Angeles County Museum of Art as part of Home: So Different, So Appealing.

Despite working in different media, Bacon and Moore were exhibited together from the end of the Second World War into the 1960s when both were represented by Marlborough Fine Art.

The work exhibited is abstract and brings together two different worlds, the world of Urban and Contemporary art.

Capturing the Essence of Glance Plus One Gallery exhibits hyperrealist art from a different angle in this selection of beautifully rendered flowers with a fresh twist; soft focus paintings that...

JoAnn Verburg is currently exhibiting in two different shows at the Minnesota Institute of Art.

Different from his peer Sigmar Polke, Palermo (1943 — 1977) nearly - exclusively devoted himself to abstract art, but through a few of his titles, like the dedication to the musician Thelonious Monk in the work exhibited here, he hinted at other sources or origins for his artwork.

The group exhibit will feature bright paintings, prints, and glass art from around the country from 8 different artists.

Kumano, one of the exhibits in «Transforming Minds: Buddhism in Art,» is a single channel video with sound, exploring iconography and belief of different belief systems.

She is currently exhibiting work as part of Mi Tierra: Contemporary Artists Explore Place at the Denver Art Museum, and at Home — So Different, So Appealing at the Los Angeles County Museum of Art as part of the Getty Foundation's Pacific Standard Time LA / LA.

Her work explores the different ways in which humans connect to one another and has been exhibited worldwide at Museums, Galleries and Art festivals.

The show Lonely Old Slogans is on at the 21 - er Haus in Vienna until June 5th, 2017 and will then be exhibited in a different constellation at the smaller interior at the Camden Arts Centre in London.

«The Time is Now» at John Berggruen Gallery takes a wide view on the theme with an exhibit of work crossing mediums and eras, some loosely relevant by use of the standard time indicators (clocks and watches), while others, doing as art is supposed to, reframe the paradigm you walked in with and show you something different.

Some artists who exhibited with the Impressionists in the 1870s and 1880s pushed their art into different directions.

The last years she has collaborated with different design groups and brands like NIKE, Kenzo, MTV, Diesel and she has exhibited her work in cities like, New York, Los Angeles, Paris, London, Berlin, Seattle, Amsterdam, Lima, Toronto, Montreal, Athens, Edinburgh among others; more specifically in institutions museums and festivals such as the New Museum (New York), Whitney Museum of American Art (New York), Tate Britain (London), Museum of Moving Image (New York), MoMA PS1 (New York), Museum of Contemporary Art, Montreal and Transmediale Festival, Berlin and also on the Internet (Panther Modern, Parallelograms, ANIGIF, 15Folds, Channel Normal, The Wrong — Digital Art Biennale, Eternal Internet Brotherhood, Cloaque.org)

Art Rotterdam Projections Rehana Zaman For Art Rotterdam 2014, Tenderpixel presents new work from Ilona Sagar, Rehana Zaman and Toril Johannessen exhibiting distinct approaches to decoding the western world's impact on visual culture.Toril Johannessen launches her new book «Unseeing» at Art Rotterdam, analysing physical perception studies across different cultures.

The exhibit presents sculptural paintings that have been recycled from different environments and transplanted into the art world.

Train - Art Normandy region (France), in partnership with SNCF (the French train national company), created Le train de l'impressionism to propose an exploration of impressionist works, such as those of Claude Monet, Pissarro and Berthe Morisot, from a different point of view and travelling through their hometowns and places where their paintings are exhibited into museums.

«The Human Form» in All Mediums Art-Competition.net: Announces a new approach to this Art Call «The Human Form» in 7 mediums for a Group Exhibition, 21 artists will be chosen for the exhibit, 3 artists will be selected for each of the 7 different medium categories: (1) Painting (2) Drawing (3) Collage (4) Photography (5) Sculpture (6) Digital Art and (7) Fiber Art.

This marine art exhibit presents work not just limited to ships on an ocean, but depicts a vast array of water scenes including breezy seashores, stark lighthouses, rocky coasts, a still pond, water mammals, fish and dozens of other water related subjects, animals and habitats in a variety of different media.

Since 1998, the Venice Biennale of Art and Architecture is no longer a traditional exhibition of national artists, but is instead a real international showcase where the single invited countries are accompanied by a main exhibit, which has a different...

Specifically, the exhibition focuses on four groups of artists associated with as many different geographical regions: the six - artist group calling itself the Hairy Who, which exhibited in Chicago from 1966 to» 69; nine artists associated with the San Francisco - born trend known as Funk; the four art - and zine - producing members of the noise band Destroy All Monsters, which disturbed the peace in Ann Arbor, Mich., from 1973 to» 77; and Forcefield, a four - artist collective that made music, videos, sculptures, installations and colorful, knitted costumes in Fort Thunder, a former warehouse in Providence, R.I., from 1996 to 2003.

With a personal input and inspiration from different periods of art history and visual culture, Saks has a unique expression in his paintings, now exhibiting at Borstahusen, Landskrona, Sweden.

After different performances and exhibits in Los Angeles, Paris and Berlin, the Art Scouts Gallery is currently presenting her first solo show, entitled New Kingdom, in Berlin.

Moscovitch and Casalegno initially designed these works for very different contexts; the former first exhibited the performance at the Anarchist Art Fair, while the latter intended his masks to reference BDSM culture.

Highlights from Wolverhampton Art Gallery collection are shown alongside borrowed exhibits that offer different perspectives on the history of the conflict and its resolution.

If different in its approach, this exhibit nonetheless echoes the group exhibition of women artists organized at La Monnaie de Paris starting on October 20, 2017, which draws its inspiration from Virginia Woolf's essay «A Room of One's Own», evoking the place that women occupy in the novel and in art in general.

Ever since the gallery was founded, it has acquired a reputation on the global art scene, with artists from many different countries exhibiting works of all media (sculpture, painting, video, installation, photography).