Sentences with phrase «different art movements in»

Not exact matches

Each week will have a different theme and campers will participate in a wide variety of activities including large group games, music and movement, art and crafts, science, outdoor activities, cooking, swimming, and weekly field trips to popular Chicago - land attractions!

In what promises to be a dizzying master class in shape - shifting persona swapping, actress Cate Blanchett takes on 13 different roles (including housewife, factory worker, and TV anchor) in German video artist Julian Rosefeldt's experimental whatsit on the inspirational, revolutionary power of the world's most influential art movementIn what promises to be a dizzying master class in shape - shifting persona swapping, actress Cate Blanchett takes on 13 different roles (including housewife, factory worker, and TV anchor) in German video artist Julian Rosefeldt's experimental whatsit on the inspirational, revolutionary power of the world's most influential art movementin shape - shifting persona swapping, actress Cate Blanchett takes on 13 different roles (including housewife, factory worker, and TV anchor) in German video artist Julian Rosefeldt's experimental whatsit on the inspirational, revolutionary power of the world's most influential art movementin German video artist Julian Rosefeldt's experimental whatsit on the inspirational, revolutionary power of the world's most influential art movements.

Each day offers something different and in three days I covered a lot of ground, including qi gong body movement painting with pen and ink and Haiku photography on the art front.

The major abstract movements of the 1950s — 1970s era are characterized by a return to the basics of concrete, constructive and minimalist art, although this took different forms in Europe and America.

Many of the artists who identified with the trend subsequently moved on to other specialities or identified with different art movements and in many cases only certain aspects of their early work can be identified with it.

As a proactive member of the feminist art movement, she began adopting the photographic techniques and subject matter used in pornography to create a series of paintings that presented a different narrative from the fetishized one promoted by the porn industry.

Bringing an experimental dynamic to book selling, Artbook devotes a large portion of its retail space to spotlight selections that change every several months, focusing in great depth upon different movements and themes in contemporary and 20th - century art.

The different standpoints between East and West in 1950s widely influenced the art scene — in Eastern bloc socialist realism provoked politically engaged art or continue to develop in North Korea and in Western world blossomed movements with an answer to the rise of capitalism.

These ideas of form at the center of artistic creation had different manifestations in different art movements.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Although associated with the minimalist art movement in Germany and the United States, their work evolved in different artistic directions from their contemporaries, including Donald Judd, Carl Andre, and Dan Flavin, artists in the collection at Chinati with whom Posenenske and Roehr exhibited in Germany in 1967.

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

You can not ignore the fact that, in many cases, different movements that are using abstract ideas are dominating contemporary art in whole.

As we mentioned in the article about the emergence of Pop Art movement, we always have to have in mind «the spirit of time» when we speak about different art movemenArt movement, we always have to have in mind «the spirit of time» when we speak about different art movemenart movements.

It did not constitute a movement as such, but rather a style of art which appeared in the work of many different artists, such as Wassily Kandinsky, Constantin Brancusi, Jean Arp, Joan Miro and Yves Tanguy, as well as the British sculptors Barbara Hepworth and Henry Moore.

To contextualize our work, we will examine the emergence of Realism in the nineteenth century; survey different realist movements from art history, including naturalism and social realism; and analyze how, over time, painters have adopted realist conventions to their own ends.

In the 21st century, the concept of the West and what it means in a rapidly and ever - changing world as well as different art movements and media influence artists depicting landscapeIn the 21st century, the concept of the West and what it means in a rapidly and ever - changing world as well as different art movements and media influence artists depicting landscapein a rapidly and ever - changing world as well as different art movements and media influence artists depicting landscapes.

As a result, the works in Radical Women defy not only the invisibility of female artists throughout region, but disrupt existing scholarly and curatorial narrations of late modern and early conceptual art practices across Latin America's different avant - garde movements.

His massive installation in Joshua Tree explores desert phenomenology in a related way to artists of the Land art movement such as Michael Heizer and Walter de Maria, whose work has long been championed by LACMA Director Michael Govan, although its aesthetics and economies are substantially different.

Saturday, January 30: Kurt Chan on Abstract Art and Others 3 - 4.30 pm Cantonese Professor Kurt Chan Yuk Keung talks about the relationship between the abstract art movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstancArt and Others 3 - 4.30 pm Cantonese Professor Kurt Chan Yuk Keung talks about the relationship between the abstract art movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstancart movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstances.

Comprised of three special exhibitions that celebrate modern art, each will focus on different American modern art movements spanning the years 1902 to 1962 in a variety of media including works on paper, paintings, sculpture and photographs.

Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s.

Curiously, the same degree of fragmentation was occurring in Europe: the main movement Art Informel, which corresponded to Abstract Expressionism, comprised numerous different styles and tendencies, such as Tachisme, Art Non Figuratif, Abstraction Lyrique, and others.

A similar type of fragmentation was occurring in Europe: the main abstract expressionist movement Art Informel, broke up into numerous different styles and tendencies, such as Tachisme, Art Non Figuratif, Abstraction Lyrique, and others.

In their numerous different versions, they represent the work for which KAWS, who is also a forerunner of the Art & Toys movement, is internationally known.

Picking up the early avant - garde thoughts of the deconstruction of shapes and geometry, filtering colors until they appear in their purest form the works of selected artists do not only reflect but also advance several 20th century art movements from early constructivism, different categories of abstract art, to pop - art related styles.

Though the intervening decades have seen returns to representation in different movements, virtually all of the dominant art forms of the latter half of the 20th century — including Abstract Expressionism, Neo-Dada, Pop Art, Minimalism, and Conceptual Art — have embraced the power and aesthetic of formal abstraction in lieu of literal representatiart forms of the latter half of the 20th century — including Abstract Expressionism, Neo-Dada, Pop Art, Minimalism, and Conceptual Art — have embraced the power and aesthetic of formal abstraction in lieu of literal representatiArt, Minimalism, and Conceptual Art — have embraced the power and aesthetic of formal abstraction in lieu of literal representatiArt — have embraced the power and aesthetic of formal abstraction in lieu of literal representation.

In an earlier letter to Kunsthalle Bern, regarding a forthcoming exhibition Light and Motion / Kinetic art / New Trends in Architecture to which kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real movemenIn an earlier letter to Kunsthalle Bern, regarding a forthcoming exhibition Light and Motion / Kinetic art / New Trends in Architecture to which kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real movemenin Architecture to which kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real movement.

Influenced by New York's early pop art movement, the show is an overview of many of Gruyaert's different series, spanning the streets of Moscow to the lakes in Arizona.

On the outbreak of the Second World War she moved back to London, but had difficulty in gaining recognition by the British art establishment, possibly because of her identification with Paris at a time when the London art world was beginning to acquire its own separate and different reputation However, in 1952 she was invited by Andre Bloc, president of the Parisian constructivist abstract movement Groupe Espace, to form a London branch of that movement.

Catherine's background includes living extensively abroad and working with music and movement together in different cultural groups and has a former career in the creative arts.