Sentences with phrase «different art practices»

A more fecund approach may be to look at artistic allies and predecessors in a horizontal fashion — not mothers and fathers, but brothers, sisters and cousins — to elucidate the discourse around different art practices.
Over the next eighteen months four new commissions, two artist residencies, and work on loan from national and international artists, private collectors and UK National and Regional collections will explore the powerful effect that flowers present within different arts practices.

Not exact matches

In short, the practice is nothing more than moving an investor's money into different asset classes such as stocks, bonds, mutual funds, real estate, gold, other commodities, international firms, fine art, etc..
«Mindfulness is a way of noticing how our attention gets pulled in different directions, and it's a way of practicing the gentle, persistent art of returning our attention to the present moment,» says Dennis Tirch, cognitive therapist and author of Overcoming Anxiety.
Let yourself settle into a supportive retreat setting with yoga teachers from many different parts of the country, and focus on learning more about the art of teaching and practicing this yoga we all love so much.
Let yourself settle into a supportive retreat setting with a «sangha» of yoga teachers and serious students from many different parts of the country, and focus on learning more about the art of teaching and practicing this yoga we all love so much.
In my physical therapy practice, I get to treat a lot of different kinds of athletes for a lot of different kinds injuries: I treat martial arts people, tennis players, golfers, a professional sprinter, and several professional volleyball players (many of whom I know from working as a physical therapist with the AVP tournament.)
• too much school time is given over to test prep — and the pressure to lift scores leads to cheating and other unsavory practices; • subjects and accomplishments that aren't tested — art, creativity, leadership, independent thinking, etc. — are getting squeezed if not discarded; • teachers are losing their freedom to practice their craft, to make classes interesting and stimulating, and to act like professionals; • the curricular homogenizing that generally follows from standardized tests and state (or national) standards represents an undesirable usurpation of school autonomy, teacher freedom, and local control by distant authorities; and • judging teachers and schools by pupil test scores is inaccurate and unfair, given the kids» different starting points and home circumstances, the variation in class sizes and school resources, and the many other services that schools and teachers are now expected to provide their students.
To date, our work using the distributed perspective has demonstrated the ways that leaders co-construct leadership activity, how leadership practice connects and fails to connect with instructional change, why teachers heed or ignore the guidance of school leaders, and how leadership is practiced differently in different school subjects (e.g. mathematics versus language arts).
The High - Leverage Practices Video Exemplars Collection documents a range of mathematics and English Language Arts teachers whose practice TeachingWorks has chosen to exemplify the high - leverage practices in different forms and in different school contexts.
Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.
Her work on the different visions of «Common Core instruction» in English / Language Arts Common Core professional development texts has been published in English Teaching: Practice and Critique and is available HERE.
In English Language Arts, while typical learners might learn the parts of speech and practice their application across grades K - 8, gifted learners might instead explore the relationship of these parts of speech and their function in different sentence patterns at an earlier stage of development.
The scientific man in the prosecution of his art of discovery has to practice three quite different mental processes.
Each one of these artists practices different forms of art.
Gary Simmons» installation inaugurated Culture Lab 2016, a two - day series of discussions, dinners, and public projects centering around different approach to walls — architectural or ideological boundaries which both define cultural practice and limit understandings of art, architecture, and other cultural undertakings.
Each artist combines notions inherent in the practices of art and architecture, in an experimental exhibition that includes site - specific installation, sculpture, painting, photography and video to create five very different and exciting works.
Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice détournement — using elements of well - known media to create new work with a different or opposing message — to elevate injury and injustice into the realm of high art.
Since 2012, she has initiated a series of collaborations tackling different aspects of public ceremonial culture, civic rituals, carnival and processional performance including Far Festa: Nuove Feste Veneziane (with curatorial collective CAKE AWAY; IUAV University and Fondazione Bevilacqua La Masa, summer 2013), Public Practice (with Delaney Martin; New Orleans Airlift, Fall 2014) and EN MAS»: Carnival and Performance Art of the Caribbean (with Krista Thompson; CAC New Orleans, 2014 - 15 and ICI New York 2016 - 18).
Embarking from traumatic childhood experiences both men succeeded in turning their suppressed past into thought - provoking works of art, however following different practices and adapting a diverse visual language.
Each student's learning plan includes a menu of skills classes in different art media, theories of public practice, and internships with artists such as Mario Ybarra and Kim Abeles.
While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practicArt Movement, performance art, and queer aesthetics and practicart, and queer aesthetics and practices.
In Real Life is really a series of projects exploring different aspects of time - based art practice.
, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.
Today's artists, she believes, are no different from the vapid art they produce, taught to keep in line by the professionalization of art practice.
Her practice includes sound art and design, deejaying, exhibition making, and collaborations within different communities.
We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.
Pairing two seemingly different artistic practices, CROSS / / ROADS aims to create a productive confusion that pushes the viewer towards a nuanced reading of both the art objects on display and the multi-layered set of ideas about abstraction, history, and artistic practice they represent.
Erin Sweeny explores the lives and work of LA - based artists Devin Farrand and Ariel Herwitz, a couple investigating vastly different materials in their independent art practices.
With your support, Art in General can continue to offer cutting - edge programs at no cost to the public, enabling them to engage with critical and timely issues through the exploration of different artistic and curatorial practices.
His installation in the Cleveland Museum of Art's glass box gallery brings together four different works by Wilson, giving a representative overview of his highly influential and diverse practice.
I wouldn't say this concept is entirely new to art, but I was continually finding that the way these artists were implementing it in their practice, and furthermore, their reasoning for doing such felt so very different and new to me.
Through this residency exchange, Project Row Houses and Hyde Park Art Center aim to provide an opportunity for artists to research localized ways of thinking and creating in a different city to enhance their practices at home.
EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.
We'll continue to do this in 2011 by working in partnership with different artists and organisations to show different approaches to contemporary arts practice in the gallery.
Inspired by the radical politics of the late 1960's and frustrated by the limitations of art taught by the academics, he decided to embrace different, modern sculptural practices.
In her artistic practice, she addresses interpretations and identifications encouraged by language and image in relation to different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving art and in a broader sense meaning.
Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time, organizing different collaborative online projects.
Scheduled to open in 2015, this non-collecting institution is designed to facilitate the way artists are working today by accommodating the increasing lack of barriers among different media and practices, mirroring the cross-disciplinary approach at VCU's School of the Arts (VCUarts).
Bryan Kneale RA, as the first Professor of Drawing at the Royal College of Art, described how he encouraged students to try life drawing, advising them to approach the practice of drawing the model «from as many different viewpoints, physical and philosophical, as possible».
Influenced throughout her career by various artists who practiced a range of modernist styles from different art movements, much of her work from the»80s and»90s was «a melding and fusion of the past into the present,» the release continues.
On view from October 24, 2015 through February 28, 2016, the triennial promotes experimentation in the graphic arts, combining printmaking and contemporary practices with a different curatorial theme each year.
The Royal Academy Forum is the RA's long established forum for public debate on the arts, exploring ideas at the intersections of different artistic practices, and their interface with philosophical, political, social and economic issues and contexts.
Although the same social, cultural and political context characterized the social and cultural dynamics in the US and the UK, the emergence of the Pop Art in these two countries was marked with different artistic groups and practices.
For 16 years, Llewellyn has studied and practiced many different art forms ranging from action painting, cubism, and abstract art.
His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.
«We tried to provide a broad sampling of art practices from Los Angeles — across different disciplines, genres, different media and also different generations,» said Miles, who with independent curator Kris Kuramitsu chose the galleries and many of the artists included in the exhibition.
Leading a residency group has been a great way for me to connect with artists who have different kinds of practices and concerns and to really expand the conversation I have around art making.
Talk: Mickalene Thomas and Judith Bernstein at National Academy of Design As part of the ongoing «Salon» talks series at the National Academy of Design, this conversation between artists Mickalene Thomas and Judith Bernstein promises a compelling look at two feminist art practices of different generations.
Though intertwined in practice, the pictorial and the presentational represent two different worldviews, one identified with art as form, as something made, or something its maker arrives at, while the other regards art primarily as a set of cultural signs, or a strategy that produces an artifact, something meant to be read.
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