A more fecund approach may be to look at artistic allies and predecessors in a horizontal fashion — not mothers and fathers, but brothers, sisters and cousins — to elucidate the discourse around
different art practices.
Over the next eighteen months four new commissions, two artist residencies, and work on loan from national and international artists, private collectors and UK National and Regional collections will explore the powerful effect that flowers present within
different arts practices.
Not exact matches
In short, the
practice is nothing more than moving an investor's money into
different asset classes such as stocks, bonds, mutual funds, real estate, gold, other commodities, international firms, fine
art, etc..
«Mindfulness is a way of noticing how our attention gets pulled in
different directions, and it's a way of
practicing the gentle, persistent
art of returning our attention to the present moment,» says Dennis Tirch, cognitive therapist and author of Overcoming Anxiety.
Let yourself settle into a supportive retreat setting with yoga teachers from many
different parts of the country, and focus on learning more about the
art of teaching and
practicing this yoga we all love so much.
Let yourself settle into a supportive retreat setting with a «sangha» of yoga teachers and serious students from many
different parts of the country, and focus on learning more about the
art of teaching and
practicing this yoga we all love so much.
In my physical therapy
practice, I get to treat a lot of
different kinds of athletes for a lot of
different kinds injuries: I treat martial
arts people, tennis players, golfers, a professional sprinter, and several professional volleyball players (many of whom I know from working as a physical therapist with the AVP tournament.)
• too much school time is given over to test prep — and the pressure to lift scores leads to cheating and other unsavory
practices; • subjects and accomplishments that aren't tested —
art, creativity, leadership, independent thinking, etc. — are getting squeezed if not discarded; • teachers are losing their freedom to
practice their craft, to make classes interesting and stimulating, and to act like professionals; • the curricular homogenizing that generally follows from standardized tests and state (or national) standards represents an undesirable usurpation of school autonomy, teacher freedom, and local control by distant authorities; and • judging teachers and schools by pupil test scores is inaccurate and unfair, given the kids»
different starting points and home circumstances, the variation in class sizes and school resources, and the many other services that schools and teachers are now expected to provide their students.
To date, our work using the distributed perspective has demonstrated the ways that leaders co-construct leadership activity, how leadership
practice connects and fails to connect with instructional change, why teachers heed or ignore the guidance of school leaders, and how leadership is
practiced differently in
different school subjects (e.g. mathematics versus language
arts).
The High - Leverage
Practices Video Exemplars Collection documents a range of mathematics and English Language
Arts teachers whose
practice TeachingWorks has chosen to exemplify the high - leverage
practices in
different forms and in
different school contexts.
Collaborate with other artists from
different disciplines and engage in critical dialogue about contemporary
arts practices.
Her work on the
different visions of «Common Core instruction» in English / Language
Arts Common Core professional development texts has been published in English Teaching:
Practice and Critique and is available HERE.
In English Language
Arts, while typical learners might learn the parts of speech and
practice their application across grades K - 8, gifted learners might instead explore the relationship of these parts of speech and their function in
different sentence patterns at an earlier stage of development.
The scientific man in the prosecution of his
art of discovery has to
practice three quite
different mental processes.
Each one of these artists
practices different forms of
art.
Gary Simmons» installation inaugurated Culture Lab 2016, a two - day series of discussions, dinners, and public projects centering around
different approach to walls — architectural or ideological boundaries which both define cultural
practice and limit understandings of
art, architecture, and other cultural undertakings.
Each artist combines notions inherent in the
practices of
art and architecture, in an experimental exhibition that includes site - specific installation, sculpture, painting, photography and video to create five very
different and exciting works.
Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others
practice détournement — using elements of well - known media to create new work with a
different or opposing message — to elevate injury and injustice into the realm of high
art.
Since 2012, she has initiated a series of collaborations tackling
different aspects of public ceremonial culture, civic rituals, carnival and processional performance including Far Festa: Nuove Feste Veneziane (with curatorial collective CAKE AWAY; IUAV University and Fondazione Bevilacqua La Masa, summer 2013), Public
Practice (with Delaney Martin; New Orleans Airlift, Fall 2014) and EN MAS»: Carnival and Performance
Art of the Caribbean (with Krista Thompson; CAC New Orleans, 2014 - 15 and ICI New York 2016 - 18).
Embarking from traumatic childhood experiences both men succeeded in turning their suppressed past into thought - provoking works of
art, however following
different practices and adapting a diverse visual language.
Each student's learning plan includes a menu of skills classes in
different art media, theories of public
practice, and internships with artists such as Mario Ybarra and Kim Abeles.
While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many
different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano
Art Movement, performance art, and queer aesthetics and practic
Art Movement, performance
art, and queer aesthetics and practic
art, and queer aesthetics and
practices.
In Real Life is really a series of projects exploring
different aspects of time - based
art practice.
, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance
art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in
Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of
art; and The Artist As..., discussing the
different roles that artists undertake.
Today's artists, she believes, are no
different from the vapid
art they produce, taught to keep in line by the professionalization of
art practice.
Her
practice includes sound
art and design, deejaying, exhibition making, and collaborations within
different communities.
We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern
Art, the «50s & «60s; State of Mind: New California
Art Circa 1970; In a
Different Light: Visual Culture, Sexual Identity, Queer
Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.
Pairing two seemingly
different artistic
practices, CROSS / / ROADS aims to create a productive confusion that pushes the viewer towards a nuanced reading of both the
art objects on display and the multi-layered set of ideas about abstraction, history, and artistic
practice they represent.
Erin Sweeny explores the lives and work of LA - based artists Devin Farrand and Ariel Herwitz, a couple investigating vastly
different materials in their independent
art practices.
With your support,
Art in General can continue to offer cutting - edge programs at no cost to the public, enabling them to engage with critical and timely issues through the exploration of
different artistic and curatorial
practices.
His installation in the Cleveland Museum of
Art's glass box gallery brings together four
different works by Wilson, giving a representative overview of his highly influential and diverse
practice.
I wouldn't say this concept is entirely new to
art, but I was continually finding that the way these artists were implementing it in their
practice, and furthermore, their reasoning for doing such felt so very
different and new to me.
Through this residency exchange, Project Row Houses and Hyde Park
Art Center aim to provide an opportunity for artists to research localized ways of thinking and creating in a
different city to enhance their
practices at home.
EXILE presents artists of
different generations, often setting these in dialogue with each other and understands
art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual
practice.
We'll continue to do this in 2011 by working in partnership with
different artists and organisations to show
different approaches to contemporary
arts practice in the gallery.
Inspired by the radical politics of the late 1960's and frustrated by the limitations of
art taught by the academics, he decided to embrace
different, modern sculptural
practices.
In her artistic
practice, she addresses interpretations and identifications encouraged by language and image in relation to
different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving
art and in a broader sense meaning.
Ascott has been at the forefront of the theory and
practice of telematic
art since 1978 when he went online for the first time, organizing
different collaborative online projects.
Scheduled to open in 2015, this non-collecting institution is designed to facilitate the way artists are working today by accommodating the increasing lack of barriers among
different media and
practices, mirroring the cross-disciplinary approach at VCU's School of the
Arts (VCUarts).
Bryan Kneale RA, as the first Professor of Drawing at the Royal College of
Art, described how he encouraged students to try life drawing, advising them to approach the
practice of drawing the model «from as many
different viewpoints, physical and philosophical, as possible».
Influenced throughout her career by various artists who
practiced a range of modernist styles from
different art movements, much of her work from the»80s and»90s was «a melding and fusion of the past into the present,» the release continues.
On view from October 24, 2015 through February 28, 2016, the triennial promotes experimentation in the graphic
arts, combining printmaking and contemporary
practices with a
different curatorial theme each year.
The Royal Academy Forum is the RA's long established forum for public debate on the
arts, exploring ideas at the intersections of
different artistic
practices, and their interface with philosophical, political, social and economic issues and contexts.
Although the same social, cultural and political context characterized the social and cultural dynamics in the US and the UK, the emergence of the Pop
Art in these two countries was marked with
different artistic groups and
practices.
For 16 years, Llewellyn has studied and
practiced many
different art forms ranging from action painting, cubism, and abstract
art.
His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine
Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The
Arts University Bournemouth, University of Lincoln, Norwich University of the
Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of
different aspects of mechanisation within their
practice.
«We tried to provide a broad sampling of
art practices from Los Angeles — across
different disciplines, genres,
different media and also
different generations,» said Miles, who with independent curator Kris Kuramitsu chose the galleries and many of the artists included in the exhibition.
Leading a residency group has been a great way for me to connect with artists who have
different kinds of
practices and concerns and to really expand the conversation I have around
art making.
Talk: Mickalene Thomas and Judith Bernstein at National Academy of Design As part of the ongoing «Salon» talks series at the National Academy of Design, this conversation between artists Mickalene Thomas and Judith Bernstein promises a compelling look at two feminist
art practices of
different generations.
Though intertwined in
practice, the pictorial and the presentational represent two
different worldviews, one identified with
art as form, as something made, or something its maker arrives at, while the other regards
art primarily as a set of cultural signs, or a strategy that produces an artifact, something meant to be read.