Sentences with phrase «different art talks»

There are a few different art talks to check out, and I'm sure there will be music and other surprises, as befits the Funk Zone.

Not exact matches

But I think that only gained traction when we started talking about trying to do something new and different in the partnership between an arts institution and a corporate entity.

One learns to talk about art, music, or love, but he needs to understand that the logical placing of such language is different from reporting the score of a ball game.

Art therapy accesses traumatic memories in a different way than talking alone because art therapy speaks the language of trauma through imageArt therapy accesses traumatic memories in a different way than talking alone because art therapy speaks the language of trauma through imageart therapy speaks the language of trauma through imagery.

Do math and art teachers gather to talk about how students learn in different situations?

Detailed technical talk on creating pixel art and graphics, the tools used at different companies, and the politics behind mandatory use of pseudonyms.

Aside from a lot of technical talk — this is a game developers conference, after all — Double Fine art director Lee Petty talks about the challenges of making a huge open - world game that's so artistically rich, and has all sorts of different themes to portray (goth, emo, etc).

Here, we talk to Fran about the process of curating and bringing different artists together, plus her recommendations for this year's Frieze Art Fair.

This is very different from the tack taken by Eric Fischl, whose recent paintings of collectors at art fairs talking on their cell phones feel so false — and not just because they are so badly painted.

We've picked out the best of the best, including such different activities as a pop - up opening party at Babycastles with a Kawaii nail art bar on Monday night and an artist talk from painter Keltie Ferris at the New York Studio School on Tuesday.

Rail: Two years ago, I had a conversation here at Marie Walsh Sharpe open studios with Katy Siegel about her book Since» 45: America and the Making of Contemporary Art, and at one point she talked about the theme ofblack and white, which refers to different things, like the apocalyptic light of Protestant Evangelical ecstasy, the American gothic, the strong sun of the Southwest that creates blinding light and casts deep shadows, and above all the issue of race — the obsession of writers like Melville and Faulkner.

NB: I can not really talk about the reception of my own work, but I can say that as a viewer and recipient of art in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectart in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectArt Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affected.

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.

Art is not that different from talking.

It depicts works from the different shows» sectors, highlights events and talks, and gives art world experts, curators and collectors a platform for sharing their expertise, providing an immersive art experience for the reader.

Contemporary artist Sanford Biggers's installation will provide an opportunity to talk about several compelling topics, including cross-cultural connections, different reasons for creating art, and...

The artist talks to Art Quarterly magazine about her different approach to sculpture and drawing — and her busy exhibition schedule.

Then you talk to an art historian, as you know, and you are going to get a different picture.

The comprehensive exhibition program will be accompanied by a program of talks with different top - tier national and international actors and a program of walls and art installations on the spot.

Abstract art never disappeared — it only took different shapes depending on what movement we are talking about.

Talk: Mickalene Thomas and Judith Bernstein at National Academy of Design As part of the ongoing «Salon» talks series at the National Academy of Design, this conversation between artists Mickalene Thomas and Judith Bernstein promises a compelling look at two feminist art practices of different generations.

And then Ron was also a teacher and we would go see different shows and talk about art endlessly while drinking coffee.

Saturday, January 30: Kurt Chan on Abstract Art and Others 3 - 4.30 pm Cantonese Professor Kurt Chan Yuk Keung talks about the relationship between the abstract art movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstancArt and Others 3 - 4.30 pm Cantonese Professor Kurt Chan Yuk Keung talks about the relationship between the abstract art movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstancart movement and contemporaneity, about how abstraction has been represented in different contexts throughout the past century, and about how it has evolved and mutated in today's global circumstances.

The Fall 2015 Public Art Fund Talks at The New School series brings together three artists who address this relationship in different ways.

In her illuminating talk she opens your eyes to the hard - to - fathom masterpieces, explaining how best to appreciate different art styles at work and understand the artist's original intentions, allowing you to discover the hidden critic in you.»

Open Space Contemporary is an itinerant contemporary art platform that promotes cross-cultural dialogue and multidisciplinary exchange — I truly believe that art goes beyond aesthetics and that it should stimulate accessible dialogue and prompt different strands of thought, which is why we invested in developing an exciting program of talks and events as part of the exhibition.

Isabel Lewis Plays Hostess to the Art World: Born in the Dominican Republic and living and working in Berlin, Isabel Lewis is known for staging happenings in different cities that involve music, smells, talks, people and plants.

«When we talked about the notion of unfinished in Asian art — going way back to the dynasties, or when we are talking about some of the oldest African art, the idea of being finished or unfinished had a very different resonance,» says Wagstaff on this point.

LeWitt told an interviewer for Archives of American Art that the abstract expressionists «had a way of living and a way of talking and a way of arguing and a way of doing everything that was just so completely different from me that I just could never get with it....

For example, on Thursday 25 May (12:30 - 13:45) a session on Funding and Commissioning: Career Support, brings together Denise Fahmy (Arts Council), Alice Carey (Wellcome Trust), Seva Philips and Fran Sanderson (NESTA) and Visual Arts South West to consider the different funding avenues which are opening up and talk about how to approach a range of organisations for bursaries in order to develop and promote your practice in a highly competitive sector.

The exhibition that already has everyone talking, leaving many with anxiously crossed fingers, is «In a Different Light,» an investigation into gay and lesbian sensibility in the visual arts, which opens at the University Art Museum in Berkeley Jan. 11.

Nathalie Du Pasquier talks about trying something different at the Camden Arts Centre, and the difference between art and design

In order to get this patent granted, they argued that the patent sets itself apart from the prior art by teaching that there be two different kinds of memory, one for the screen content and a separate one for the audio data that is generated, but Samsung's infringement theory against Apple is that it's sufficient to have two different blocks of memory (even if we're talking about the same physical memory unit).

Visual arts categorically employ a different part of your brain than writing, and we are going to need to embrace this fact if, as an industry, we are ever going to graduate from the ubiquitous «talking head» law firm videos that nobody wants to watch.