Sentences with phrase «different artist approach»

It's a natural evolution of trying to make your graphics better and having different artist approach it.

So many of the great artists — of every generation, men and women — take up aspects of this theme, and what's interesting is to see how different artists approach it from their perspective.»

Not exact matches

«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a new project, not necessarily to create a narrative - based story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a different form of serendipity that can lead to unexpected results.»

Tastebuds, which I've mentioned before, and Fellody feature different approaches with the goal of helping users connect with new friends and potential dates based on favorite artists, most - listened - to music, and their Spotify playlists.

Cate Blanchett doesn't play 13 characters so much as embody 13 different ideas and approaches to 20th century art in Manifesto, German video artist Julian Rosefeldt's feature - length version of his eponymous, multi-screen installation from 2015.

Artist Jerad S. Marantz has shared a piece of very interesting concept art from Marvel Studios» Black Panther, revealing a rather different approach to T'Challa's now - iconic costume.

WHY: There have been so many movies about Ip Man released over the last few years that it's become overkill, and although «The Final Fight» takes a completely different approach by exploring the martial artist's later years, it's the weakest Ip Man film to date.

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

As an artist, did Elina approach motherhood with a different perspective?

At the same time illustrate the different approaches, such as taking artists who sometimes still male - dominated art scene for themselves.

Minter and Wynne are two artists of the same generation dealing with ideas of beauty, decadence, fantasy and glamour, but with two very different approaches

The works on view reflect the different approaches to realism deployed by artists, such as the application of color to imitate skin or flesh, using casts from real bodies, dressing sculptures in clothing, creating moveable limbs and automated bodies, or incorporating human blood, hair, teeth and bones.

The artists are each represented by a particular body of work made in series, demonstrating different approaches to the painting process and using different formats and supports.

This is quite different from the Minimalist approach of outsourcing the fabrication of industrial materials in order to eliminate the presence of the artist.

Avoiding narrative or continuity, the artist instead chooses to approach each canvas anew, taking on different personas, and sometimes forcing opposing tastes to coexist uncomfortably within a single tableau.

Guest curated by Tanya Zimbardo, Assistant Curator of Media Arts at the San Francisco Museum of Modern Art, the exhibition brings together for the first time historic works by these two artists, exploring their different approaches to the description of space through structured activity performed for the camera.

However, artist Georg Baselitz has taken a different approach in his painting series.

From friendship circles to plaster of paris hands, abstract sculptures to life - sized Olympians, each class took a different approach to the chosen theme, collaboratively developing exciting ideas with artists and teachers which reached the heart of the Olympic values.

The art exhibition «Triangles» features seventeen contemporary artists and their different approaches on the subject of the triangular shape and is curated by Brooklyn based abstract artist and curator Melissa Staiger.

Artist Fran Abrams creates sculptural artwork that explores the different approaches to folding polymer clay.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Approaching images of violence in different ways the artists not only depict the violence of war, but seek ways and techniques to understand it better.

Abraham Palatnik is an established Brazilian artist known for neo-constructivist and kinetic approach in experimenting with different media.

With over 60 pieces by 35 artists, the exhibition will explore several different facets of this approach.

The eighth floor of the Whitney Museum is covered with a gray carpet, yet this uniform surface can be interpreted in a completely different manner according to each artist's approach and their works on display.

The works on view differ in style, medium, and era, illuminating different approaches taken by these artists.

Cubism: Cubism was a revolutionary new approach to representing reality invented in around 1907 by artists Pablo Picasso and Georges Braque who aimed to bring different views of subjects together in the same picture, resulting in paintings that appear fragmented and abstracted.

Through various approaches and with different sensibilities, the artists in Data Deluge address this issue by presenting innovative modes of data visualization and uncovering the often unexpected beauty of information.

She then moved to New York City in 1967, where she had many artist friends who were experimenting with different techniques and approaches to art.

But it's not until arriving in Paris in 1948, after 6 years in New York, that the artist began to explore different approaches to abstraction, and starts doing what she regards as her first mature work.

The exhibitions features work by Soledad Arias, Matthew Deleget, Daniel Levine, Rossana Martinez, Ruth Pastine, Mario Reis, David Simpson, Hills Snyder, and Tilman Through using different materials and procedures, these nine artists demonstrate a variety of approaches towards reductive and concept based art.

After 9 weeks in a row of performance art every Sunday with 10 different artists and a bevy of approaches, this was an experiment about community, coping and consistency.

Through using different materials and procedures, these nine artists demonstrate a variety of approaches towards reductive and concept based art.

Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.

Gallery Sonja Roesch presents Accrochage, a group exhibition with nine artists explorin different approaches to reductive art.

The discussion surveys different artists» approaches to the concerns of archiving performance and how those concerns might be taken up and addressed by museums and institutional archives.

Through films, photographs, and original documentation made over the course of their relationship — as student and teacher, lovers and colleagues — the exhibition illustrates the artists» different approaches and considers the impact they had on each other's work.

Décio Vieira's Untitled (ca. 1950s) shows a different approach to the geometric style practiced by the other artists through the use of a softer, less saturated color palette.

The exhibition will offer a new perspective on these two artists, who, though strikingly different in their approach, each examine questions related to the context in which their works are shown, while addressing the art - historical debate on the politics of form.

Working with and for artists that come from different backgrounds, Rodeo will introduce artists from Turkey and this region to an international audience, as well as establishing an international approach to viewing and collecting contemporary art in Turkey.

While the haptic involvement in painting may carry through from one artist to another, each admits vastly different approaches in style and execution.

The vulnerability of her approach is her strength as an artist, and what makes her different.

Although their approaches are radically different, both artists are driven by not only the formal possibilities of the print medium, but the perceptual effects as well — re-envisioning the viewer's relationship to color, light and space.

Each artist approaches creating a single image or composite film or video in a different way.

Greenberg and Rosenberg worked in the New York art world and wrote about many of the same artists, but their approaches were different, escalating into what became a legendary personal rivalry.

Although each artist takes a vastly different approach, both artists use the power of photography to illuminate America's complex history of race in ways that can help increase our understanding of social conditions today.

This interdisciplinary approach to sound art entails positing artists who are not usually thought of as «Sound Artists» alongside artists who are established in the field, and gives way to as many different interpretations of sound as it does forartists who are not usually thought of as «Sound Artists» alongside artists who are established in the field, and gives way to as many different interpretations of sound as it does forArtists» alongside artists who are established in the field, and gives way to as many different interpretations of sound as it does forartists who are established in the field, and gives way to as many different interpretations of sound as it does for place.

Though many artists share a comparable approach in portraying the painted subject, Yanai works within a different cognitive space; He paints with fine and calculated brushstrokes in an existential manner, with every mark laid down through a detailed application, keeping layering to a minimum.

Also, there is a different approach to colour for an artist renowned for his monochromatic, sparsely coloured paintings.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.