Sentences with phrase «different authors talk»

Not exact matches

«Our findings demonstrate that people naturally assign different weights to the pluses and minuses of interventions to improve cardiovascular health,» said Erica Spatz, M.D., M.H.S., the study lead author and an assistant professor of cardiovascular medicine in the Center for Outcomes Research and Evaluation at Yale School of Medicine in New Haven, CT. «I believe we need to tap into this framework when we are talking with patients about options to manage their blood pressure.
Mark Anderson, author of the book The Day The World Discovered the Sun, talks about the transit of Venus coming up on June 5th or 6th in different parts of the world and how it will be of use to astronomers searching for exoplanets
With a transit of Venus coming up on June 5th or 6th in different parts of the world, Mark Anderson, author of the book The Day The World Discovered the Sun, talks about the great efforts to track the transits of Venus in the 1760s and the science they would produce
In this interview with YogaUOnline, Dr. Ginger Garner, P.T. and author of Medical Yoga Therapy, talks about why yoga asanas, the way they are commonly practiced, might not be suitable for some people, particularly women who have different pelvic structures.
Do you find it hard to break the barrier when trying to talk to the Over 9 different, easy lessons from Neil Strauss, author of The Game.
Talking about training tools, you can now leverage the different advantages of online training proposed by new serious game authoring tools, in order to make your training simulations more engaging than ever.
Author Talks — Conference attendees will have the chance to meet some of their favorite ASCD authors and hear their personal insight on different topics.
I want to make it clear that I'm not talking about business blogging, which is different from author blogging.
In my everyday work, I get to talk to many authors about different promotional ideas from BookBub ads to promotional items for giveaways.
I would argue they are significantly different services because, although both result in the author holding a bound book in her hands with her name on the cover, one involves a relatively large print run of that book, a distribution deal (we're still talking about HQN here), and branding.
And to show I'm not talking out of my as.s, I have two different newsletters myself that inform and sell, directly or indirectly, my services to authors.
We had them on to talk about the steampunk genre and how to go about putting together an anthology full of shared world stories by different authors.
But I want to talk about something totally different, that very few people are doing, that is marketing gold for indie authors starting out.
A Houston Chronicle article talks about book promotion from the different perspectives of several successful authors including Rebecca Skloot, author of The Immortal Life of Henrietta Lacks and others.
First of all, as Susanne Alleyn points out in her clever and very readable book, Medieval Underpants and Other Blunders: A Writer's (and Editor's) Guide to Keeping Historical Fiction Free of Common Anachronisms, Errors, and Myth, an author of historical fiction needs to recognize that the city of today can be vastly different from the city of whatever time period you are writing about, and this is true even when you are talking about a relatively young city like San Francisco and a time period that is only 132 years in the past.
Back when I did the Author Roundtable at the Dear Author blog, non-writer after non-writer talked about how they had no idea that creating characters from the ground up was so different than the way fanfic approaches it.
In the Classroom: Talk with students about how a novel in verse is different from a prose novel (e.g., the use of white space, line breaks, poetic forms) and why an author might choose this verse format.
Unlike some indie authors I've talked to who have had successful marketing campaigns using social media and reaching out to new readers, Howey has a slightly different approach: he only contacts existing readers.
This has been the Indie Author Fringe in Frankfurt Book Fair October 2016, and there is a worksheet for you to download that has a whole load of questions and a whole load of bullet points which will help you think about all the different things we've talked about and a whole load more.
I suspect we're talking around the same topic, getting at it in different ways, in our own terms, preferring our own conceptualization of it yet overlapping so much that whatever differences there may have less practical significance for authors than recreation for you and me.
I talked about all the different ways to really build a strong author platform, but it does take time.
The problem is that made a number of different books by different authors all look the same and that is confusing to readers and, much more important when you're talking about publishers, the bookstore buyers.
So if you want books for a different, non exclusive device, then you need to talk to that retailer about WHY so many authors are deciding not to use them.
This week we talked in depth about Amazon monopolies and a large study on different author marketing methods.
As Geller joins the CONTEC session talking of authors needing «a different type of help to get their message out,» Nelson arrives with a precise list of hands - on advisories, some of them particularly well - suited to the social - media leverage that has facilitated the long reach some of these authors have in connecting with their readers.
Publicity is getting away from the daily grind of marketing to the same people every other author in your genre is marketing to and talking to someone different.
So, without further ado, let's welcome Robin... Our promise today is to talk a little about print on demand and what your options are as an author as well as the different -LSB-...]
When an author queries an agent, it is like he is talking to dozens of different editors at different publishing houses.
And its not just one solitary person — We're talking about 5 - 6 different self - published authors who've managed to crack the top 200 of the Kindle Store — out of 275,000 books.
«Steve and I have over the years talked about a lot of different collaborations between Sourcebooks and Overdrive, always focused on expanding the reach of authors,» said Dominique Raccah, the CEO of Sourcebooks.
Return guest Patty Jansen, who continues to make a great income from her fiction without being a mega seller, joined us today (live from Lindsay's office) to talk about different types of mailing lists we can run as authors, organizing group promotions, and using a global approach to marketing that will gain you fans on all the platforms and all over the world.
I'm talking about self - publishing; what sells in commercial fiction as a self - publishing author is different from what «sells» in terms of getting an agent or publisher.
There are lots of different sessions and we have a number of book marketeers, obviously lots of authors who have been there and done that and they'll be talking about it from all sorts of different angles.
The only thing I don't like about Amazon doing that is when an author makes an update to a book — either a slightly different version, corrected some typos, formatting, etc. — Amazon will re-download the exact same copy you purchased previously and not the updated copy unless the author literally gets water from a rock and is able to talk Amazon into it.
I claimed my Amazon Author Central profile (talk about making a bread crumb trail for an author to make an author profile), and by accidentally using a different email than I used to sign up for Amazon's KDP, I LOST my title in my KDP dashAuthor Central profile (talk about making a bread crumb trail for an author to make an author profile), and by accidentally using a different email than I used to sign up for Amazon's KDP, I LOST my title in my KDP dashauthor to make an author profile), and by accidentally using a different email than I used to sign up for Amazon's KDP, I LOST my title in my KDP dashauthor profile), and by accidentally using a different email than I used to sign up for Amazon's KDP, I LOST my title in my KDP dashboard!
This is the way the book is designed: the first half of the book talks about the financial crisis, and the second half talks about six different themes that the author thinks are promising:
Both authors talk about the big themes like love, life and death in different ways.
The amount of different material that was in the paper, was far more than I could possibly research to verify, or find more detail on; so I typically take those articles at face value, and assume the author / s know what they are talking about; So I made no Judgement of Ruddiman as a result; I thought the idea was interesting.
Everytime an author publishes something different from what the IPCC published in their last report — from Solomon et al. on stratospheric water vapor trends to all the new hockey sticks post the so - called «iconic» Mann hockeystick, each of which is somewhat different, to all the GWP - replacement metrics proposed by Fuglesvedt et al., to practically any paper published in the scientific literature or any talk given at AGU... scientists don't make their name by publishing papers that say, «yup, we're just saying exactly what the IPCC said.
Nor can most authors, as they are clearly talking about different things.
Anecdotally, the author has heard judges from several different court levels talking about incorporating aspects of procedural fairness into sessions at the Washington State Judicial College.
a b c d e f g h i j k l m n o p q r s t u v w x y z