Sentences with phrase «different book the agent»

I've seen agents pass on projects and tell the authors they'd consider representing a totally different book the agent would like more.

Not exact matches

Then, over a number of days, she spoke with several different agents for assistance in waitlisting the stopover redemption since it's not available to book online.

The Americans («Chloramphenicol,» «Travel Agents,» «The Magic of David Copperfield V: The Statue of Liberty Disappears,» «The Day After,» «A Roy Rogers in Franconia,» «Persona Non Grata») Better Call Saul («Gloves Off,» «Rebecca,» «Bali Ha'i,» «Fifi,» «Nailed,» «Klick») Downton Abbey («Episode 6.01,» «Episode 6.03,» «Episode 6.06,» «Episode 6.07,» «Episode 6.08,» «Episode 6.09») Game of Thrones («The Red Woman,» «Home,» «Oathbreaker,» «Book of the Stranger,» «Battle of the Bastards,» «The Winds of Winter») Homeland («The Tradition of Hospitality,» «Why Is This Night Different?

Although every agent query should be slightly different, depending on the book genre (or category) and nature of the book, there are query rules, or guidelines, that should be followed.

So, if an agent gets queries from two different authors who've written books in the same genre, and both projects are great, but one author has a big social media following and the other one doesn't, who do you think the agent is going to choose?

22 black literary agents work at 16 of the 6oo + different literary agencies in the United States; however, 261 agents accept queries for multicultural fiction and 233 agents accept queries for nonfiction books dealing with multicultural issues.

As you'll soon see, you're going to need two or three different versions of your book synopsis for literary agents, depending which book genre, or book genres, your book fits into.

If your book fits into one of the following book genres (fiction, memoir, or narrative nonfiction) you should write two different versions of your book synopsis for literary agents.

That's very different from the creators of the 2013 Guide to Literary Agents (Writer's Digest Books), and the Jeff Herman's Directory of Agents (Sourcebooks).

Mark Malatesta is a former NY Times bestselling literary agent offering three different ways (free to fee) for you to get 1 - on - 1 support for your agent query, book proposal, and anything else related to your book (s).

After getting five different offers for representation from top literary agents, I signed with Stephanie Tade who got me a 6 - figure book deal with Penguin Books!»

There are different requirements for fiction and nonfiction authors trying to find a book agent (see below):

When I was promoting my Publishing Game series to libraries, I offered librarians a choice of several different length programs on finding an agent, self - publishing, and book promotion.

Before getting a literary agent you need to understand the different types of publishing agents and what they do, and you need to know which genre (s) or category your book best fits into.

Most book agents have two different literary agency commission percentages that they put in their standard author / agent agreement.

Now that we have that out of the way, I'll walk you through the three different query letter methods and make sure you're using the best query letter format for each book agent.

Editors, authors, agents, and publishers may submit more than one book, in the same categories or different ones, but an entry fee is charged for each book entered.

Over the years I've identified more than a hundred different «ingredients» that you can include in your book agent query letter.

But many times, when you send your query, that agent (or editor or publisher) has just stopped accepting queries, or has just signed a client who writes the type of books you write, or has just seen the debut of a book just like yours — only with a different title.

That reinforces the idea (in your mind and in the mind of publishing agents) that your book is different (and in some ways better) than «similar» titles in your genre.

Although every book agent query letter should be slightly different depending on the author and the book genre (or category), there are certain book agent query letter rules or guidelines that should be followed.

Before agenting, she spent over fifteen years in children's book marketing at Penguin, Henry Holt and North - South Books, where she was lucky to work on many different books ranging from Eric Carle's Baby Bear, Baby Bear to Betsy Partridge's This Land Was Made for You and Me, to Nancy Werlin's Black Mirror, as well as the work of Mary E Pearson, Richard Peck and Joan BBooks, where she was lucky to work on many different books ranging from Eric Carle's Baby Bear, Baby Bear to Betsy Partridge's This Land Was Made for You and Me, to Nancy Werlin's Black Mirror, as well as the work of Mary E Pearson, Richard Peck and Joan Bbooks ranging from Eric Carle's Baby Bear, Baby Bear to Betsy Partridge's This Land Was Made for You and Me, to Nancy Werlin's Black Mirror, as well as the work of Mary E Pearson, Richard Peck and Joan Bauer.

You'll have a much better chance approaching a different agent or editor — or writing a new and even better book!

Literary agents hear a lot of «repeat pitches» for the same projects, and I've never heard of one changing his or her mind unless the book was truly different.

Publishers & agents want books that are different from the norm then expect writers to jump through conformed hoops.

It's nice to see the viewpoint of someone with experience as an editor and an agent; the information is familiar from other writing and author blogs and books, but the angle is different and appreciated.

In those four years that I was seeking an agent my book was professionally edited, read by different people, and it's completely changed.

I have known several people who published both fiction and nonfiction books with several different Christian publishers who published them without agents and signed away rights that they didn't realize were important at the time.

Occasionally you might pitch your book to an agent, but find that they want you to write something very different.

This includes finding and submitting to the right agent, editing, how the agent determines the best houses to submit work to, what the editors look for when they receive a submission, how the process of contracting for a book works, basic information on royalties, who has the responsibility for different parts of the process, time frames, the non-writing parts authors will deal with, marketing, and many other aspects of being traditionally published.

«We hope to capture a set of readers who perhaps don't read on paper, as well as a new generation who will grow up reading and writing on computer screens in school and will have different reading habits,» said Maru de Montserrat, agent at International Editors Co. and president of ADAL, «It's important to meet that demand, rather than waiting for readers to take matters into their own hands and create a black market of scanned books.»

While submitting her historical romance book through an agent, she worked hard to put out a new book in a totally different genre.

It may be different with the straight to e-publishing agent / house, but in my case, the agent still needs to believe the book will sell to make any money.

In order for a self - published book to transition to commercial success — as in, get an offer from a reputable agent and / or a commercial publisher — it must fulfill an essential criteria: it must be publishable (which is a somewhat different thing from whether it's «good» in any conventional sense).

Following the announcement, Wilkinson said several publishers had been in contact with his agent vying for «various different rights and e-rights» to his books, but it now appears that Wilkinson's success might just be the tip of an emerging iceberg.

In the book publishing industry, editors and agents play different but very important roles.

It finally evolved into a different book which my agent is subbing around now.

Well, before I sent my book out to agents, I hired a «book doctor» who was a former acquisition editor from a major New York publishing house (like most editors he worked at a few different houses).

I'm curious because I am a first time author, and I have been querying agents and agencies and different companies and nobody seems to want to take my book.

So that leaves one with two choices: Either pretend there's this mythical writing business where you don't have to be effective at marketing or invest time, money, and expertise in making your book selling business go, or acknowledge that writing is a wonderful passtime, but that selling books is a retail business that requires different skills, and that these days getting read by anyone (readers, agents, publishers) involves you figuring out how to find your audience and gain visibility — AKA marketing and promoting your books.

I think because there are so many different ways readers want to read books, writers, agents, and publishers have to deliver books in many different ways.

Your hook should show agents how your book is different from the thousands of others in your genre.

«Not long after Mark helped me land a top literary agent, I got a call from my agent letting me know that I had three different publishing offers from well - known publishers: Amacom, Palgrave Macmillan, and McGraw - Hill who recently published my book in hardcover!

The agent helps shape the proposal (so that it is clear how the proposed work is different from and better than the competition) or work of fiction, finds a publisher, negotiates the contract, sells subsidiary rights to the work, intervenes when there is a controversy, whether it be over an editorial question or the publisher's promotion plans, weighs in with an opinion (e.g., the book cover), monitors the publishing process and steers the author's career, book by book.

Instead, I read it with an agent's eye, thinking about all the different ways I could market it — to book publishers, audio publishers, for translation and for film.

Agents booking leisure groups at select hotels in April may receive different levels of cash incentives with up to $ 2,500 when booking 200 or more room nights.

You can generally find award space online using a different website before you call the agent to complete the booking.

«The incentive programme is playing a crucial role in communicating the different JA experiences on offer, and the exciting rewards on offer have got agents talking about us - and booking JA properties - from Kuwait City to Riyadh,» added Radosevic.

With Capital One, Chase, and Citi, the only option is to call, and hope the agent can manually book you in a different fare class.

Delta agents especially are a problem because they don't know who their partners are much of the time, let alone how to look for award space (Skyteam is making progress but isn't as normalized in what booking codes to use for award space across the different members of the alliance as Star and oneworld are).