Sentences with phrase «different camera shots»

Activities — designed to suit different age - groups — include games and activities to develop identification and analysis of different camera shots, learning how to construct a story and use character analysis in scriptwriting, analysing use of sound, expressing thoughts and opinions on a piece of film and exploring mise - en - scene.

Scripts lesson 2 of 3 introduces different camera shots and camera angles.

I've not seen the game on the Arsenal Player yet to know if they have a set of different camera shots, but I will watch out for it.

Not exact matches

In digital camera «shootouts,» in which experts judge the relative quality of similar scenes shot with different unidentified cameras, Red has not fared well.

When I started my blog back in 2009, blogger food photography was a totally different ballgame — a point - and - shoot camera and enough light to produce an in - focus image was sufficient.

I keep my camera set on aperture - priority, so I pick the aperture and the camera figures the correct shutter speed, and I try to take lots of shots at different apertures.

Here's a better shot of both the smoke ring and the juice from the other end of the pork steak using different camera settings:

If you are taking a family portrait, try something different like an outside shot in your garden in the summer, with a head to circle created by everyone lying on the ground and holding hands whilst looking up at the camera.

Small cameras shoot in three different resolutions: standard definition below 720p (SD), high definition of 720p, 1080p, and 1440p, and ultra-high definition at 4K.

Simply clip on the wide screen, micro or fish eye lens to your phone's camera to produce a different shooting perspective.

If your photographer suggests poses which weren't necessarily part of what you were planning on doing at your shoot, just know that she has a vision in mind and that sometimes things look slightly different through the camera lens than you might be envisioning them.

The only thing different is when the camera switches shots, it just focuses on the same couple again to rely more information, instead of a different couple like the old commercials.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

The summer's best threequels took radically different approaches: The Bourne Ultimatum was almost completely shot in camera; Pirates of the Caribbean: At World's End was a bravura usage of CGI.

Cousins physically places Lawrence in these different locales by inserting a printed and laminated photograph of Lawrence in front of the camera, as well as purposely getting his hand and wrist in the shot.

Being shot on video and with a handheld camera gives «The Jim Gaffigan Show» a decidedly different look than many sitcoms.

Fujimoto's shadowy visual sensibility was a unifying factor, and without it, «Ricki And The Flash» — which was shot by Declan Quinn, Demme's go - to cinematographer in recent years — swings wildly between different conventional camera styles, turning into a small - club concert doc for The Flash's regular gigs at The Salt Well or into stagey, locked - down farce during the restaurant scene that introduces Ricki and Pete's sons, Joshua (Sebastian Stan) and Adam (Nick Westrate).

Desplechin tackles drama with wildly confident eclecticism, sometimes even besting Martin Scorsese in pure movie - mad feverishness: iris shots, radically different camera styles, unexpected musical and literary quotations, theatrical flourishes, scenes broken up in collage.

The film was shot with two different cameras at the same time, one 35 mm and one HD.

It has your distinct style in how the camera moves, it embodies a subjectivity in a similar way to Tangerine, despite the different shooting processes.

But the description of traditional coverage in the article — involving shooting with multiple cameras — isn't the classical Hollywood method, which would be to re-shoot at least parts of the scene again and again from different angles, usually involving extensive re-lighting (and even slightly different blocking) for each new lens and camera position.

She uses very different skills when shooting an Alex Gibney doc, where she relies on reactive instinct, than the more intellectual planning of a narrative film like Todd Haynes» «Velvet Goldmine,» Ryan Coogler's «Creed,» or Darren Aronofsky's «The Wrestler,» which requires that «when you go into a room, you know where to put the camera,» she said.

«Isle of Dogs» is full of such lines — and Andersonianly framed shots of perfectly centered dogs facing the camera — but it's also something quite different from the talented maker of «Rushmore,» «Fantastic Mr. Fox» and «The Grand Budapest Hotel.»

Unlike Sean Baker's game - changing drama Tangerine, which was also shot with that Apple device, this newest use of the technology from Soderbergh feels like something beyond just the slick use of a different type of camera.

(Suzy's glance - to - camera in the final shot — a shot with a completely different grammar and language than the rest of the film — suggests that our characters are headed for a very different world in the months and years to come; it also suggests Anderson might be looking for new worlds to conquer.)

We used a couple different cameras on the shoot also to get a different feel.

You also work out as many ways to shoot as humanly possible and go with only the most creative ideas, including employing several different builds of coffins that allow dramatic camera movements to communicate the protagonist's emotional state.

(For the record, a lethal drinking game could probably be devised around the number of times Franco zooms to different parts of the same shot to avoid the inconvenience of relighting or moving the camera around.)

How about Domino, the second - worst movie of the year, in which Tony Scott (the director, not the critic) proves that you can shoot a scene from 30 different angles, never repeat a shot, and still not once put the camera in the right place?

Lukasz Zal and Ryszard Lenczewski along with director Pawel Pawlikowski have such a strong eye for the world they have created, shooting the scenes in the convent with a different language than the scenes in the outside world, drumming up themes of isolation, discomfort and aloofness with nothing more than the camera lens.

For example: there's a fantastic scene where an argument between Jeff Bridges and Timothy Bottoms escalates into a fistfight — the shots start to come faster and faster, almost every new shot from a different camera angle, culminating in a shocking moment of violence.

As a camera manufacturer, we can understand why Samsung wanted to add its own design to the camera application, in fact it provides additional features: there is a macro focus mode to shoot from close, a metering option to measure the light in different spots, a timer, four shooting modes (single shot, Smile shot, panorama, action shot), and an exposure slider.

The Droid 3 offers a good amount of options for different lighting conditions and shooting scenarios, but compared to the camera offered by other devices settings still seem fairly limited.

I make it through booth spans of the bridge and take some interesting detailed shots that I've never noticed before, but having a new camera to play with made it more fun to experiment and capture things different that pop up in front of you and really make an interesting composition.

Like the trailer seen back in 2007, you are a photographer who uses different gadgets to get great shots, the most noticeable tool so far being a remote controlled gizmo with a built in camera.

Besides the touch pad naturally being mapped to the touch screen; the control have otherwise not been optimised at all as long ranged aiming moves to the top left of the rear touch pad, while shooting your bow or stealthily approaching enemies is mapped to the top right of the rear touch pad, using wrath energy for a different set of attacks has been mapped to the bottom left and right of the rear touch pad and re-centring the camera has been mapped to the bottom right of the rear touch pad.

So I imagine shots being taken out of sequence and the employment of different camera people to get the shots you want.

To produce a kind of rupture in this endless loop of image production and apprehension of nature, Opie uses different cameras — the portraits are shot with a digital 35 mm, Hasselblad, and the landscapes with a wider - angle, Canon DS — and then allows the focus to blur.

She freely mines the public domain for high and low brow images, respectively making videos that have consisted of YouTube footage of material shot live on mobile phone cameras during the aftermath of the Egyptian revolution, excerpts from bootleg copies of popular Egyptian films from the 1950s to the present and a remake of a single iconic image lifted from an experimental French film dubbed with a futuristic account of a different place.

Set in a 1930s - like Shanghai square, the film, made with seven cameras shooting at once, offers different angles of the same general scene.

In quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through society.

Like Mapping the Studio I, currently on view at DIA Center for the Arts, the footage is from the original material shot by Nauman's infrared video camera at 7 different studio positions, filmed over a period of several months in 2000.

Sara Magenheimer often shoots video and still photos of object arrangements in her studio — rocks that she collects and paints different colors, sponges, earplugs, display hands, and ceramics — exploring objects» performative qualities before a camera lens.

So basically, the purpose is to offer two different cameras on the next iPhone and make them work independently but still connected to each other to combine shots for better quality.

Essentially, all this secondary camera is doing is using black and white shots to gauge how much light is hitting the sensor, based upon the different subjects and objects inside the scene.

The NPU on the View10 is supposed to help owners take better shots with the camera as well, as it can automatically choose the best camera mode from 13 different options.

If you want to get the most out of your DSLR camera, it's best to learn its different shooting modes, rather than just using full Auto all the time.

The piece is shot with Lytro's Immerge light field camera, which records different focal lengths to create three - dimensional space out of a video feed.

The included camera UI is no different than that of other Samsung - branded tablets and smartphones, though it does offer up Share shot and Buddy photo share — two smart functions that debuted on the Galaxy S III and which send photos to other devices via WiFi Direct.

These are the cameras that have come to dominate Hollywood since David Fincher's The Social Network became the first movie to shoot entirely on 4K back in 2010, and are known primarily for their customization between hundreds of different additional lenses and professional lighting setups.