Sentences with phrase «different cultural perceptions»

In your ambitious triptych I Still Face You, for example, you make references to California Pop Art, Piero della Francesca, hard - edge painting — different kinds of styles that refer to different cultural perceptions.

Not exact matches

We should instead anticipate that if all reality is somehow ingredient in our experience at the pole of primary perception, no particular expression could fully retrieve it, and different peoples will represent their primary perception in radically different ways, depending on cultural and historical conditions.

The cultural changes that have occurred in Ukraine and Russia throughout the years have left the perception of Ukrainian and Russian ladies slightly behind the times and that truly has been a disservice to those women who are really not much different than women from other countries.

Teaching children of all different cultural and social backgrounds requires a special insight, perception and proven methods of instruction.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

If such perception - events are more about ideas and concepts — our own, or those we glean through interactions with different communities or society at large — to what extent would notions such as popular visual tropes, specific cultural references, or language itself tend to be associated with physical sensations?

Co-founder of mute mute, which emphasizes mutual discussion about society in order to expand the boundary of perception through art, cultural performances and social activities in different forms.

The forgotten stories he illuminates, whether real or imagined, underscore that the built environment is not an isolated, physical construct, but rather a shifting perception layered with many different cultural histories.

Based on data from the European Social Survey for Austria, Belgium, France, Norway, and Switzerland, three different sets of explanations are tested: (1) hypotheses stressing economic determinants, that is, the fear of wage pressure and competition over welfare benefits; (2) hypotheses emphasizing cultural determinants, that is, the perception of immigration as a threat to national identity; and (3) hypotheses focusing on social alienation, that is, dissatisfaction with the way the country's democracy works and the nonintegration into intermediary networks (trade unions).

Provider Cultural Competency, Client Satisfaction, and Engagement in Home - Based Programs to Treat Child Abuse and Neglect Damashek, Bard, & Hecht Child Maltreatment, 17 (1), 2012 View Abstract Discusses how different types of family preservation programs impact child maltreatment and how the client's perception of provider cultural competence affects client satisfaction and engagement in sCultural Competency, Client Satisfaction, and Engagement in Home - Based Programs to Treat Child Abuse and Neglect Damashek, Bard, & Hecht Child Maltreatment, 17 (1), 2012 View Abstract Discusses how different types of family preservation programs impact child maltreatment and how the client's perception of provider cultural competence affects client satisfaction and engagement in scultural competence affects client satisfaction and engagement in services.

The views and perceptions of families will be gained by interviewing 12 intervention group parents representing different cultural and social backgrounds and different experiences (positive and negative) after the programme to gather information on most and least valued aspects of programme, rating of the facilitators, and ways of improving the programme.

However, while acknowledging that normative sexual behaviors and relations are likely to differ in different cultural contexts, we maintain that regardless of the cultural setting, the perception of love and stigma will still be related.