Since then, the biennials have pursued
a different curatorial approach to include all media.
Not exact matches
This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various
approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in
different ways, framed the work of self - taught artists within their
curatorial projects.
One of the questions that shaped this exhibition early on was whether the customary
curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a
different visual setting for work ordinarily seen in the minimal white galleries of MoMA.
Together with the invited artists and guest curators, insitu delves into
different approaches to artistic work and
curatorial processes.
CURATORIAL APPROACH: In light of this, Engberg cast a
different reading on her show.
While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of
different artists based on similarities and consonances in
approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed
curatorial subject.
The
curatorial intent is that through the juxtaposition of this particular group of artists» distinctly
different approaches to representational abstraction as demonstrated in the artwork selected, the intellectually and emotionally rich aspects of each will be brought into focus and highlighted.
«Frieze Projects is part of the non-profit section of the fair: together with Frieze Sounds, Frieze Talks and Frieze Education, we provide a
curatorial platform where our visitors can have experiences that are
different from the more commercial
approach to the fair.
Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator of the Werkleitz Biennale, I was able to explore
different approaches to artistic and cultural production and also to analyze
curatorial and institutional models under a variety of cultural, social and economic conditions.
Huma Kabakci: Developing links between the practices and
approaches of
different artists in challenging, site - specific contexts is very significant to my
curatorial practice.