Sentences with phrase «different design identity»

Now, we have heard from multiple sources that the BlackBerry Milan that leaked last month was in fact was never a QNX smartphone, but a BlackBerry 7 device with a slightly different design identity.

Not exact matches

A logo design expert will research your company and its different aspects before sketching and creating a logo design, resulting in a unique brand identity.

I have programs designed to create transformation at different levels — at the behavioral level, the belief level, and the identity level.

«The attackers mask their real location and their identities with the use of Tor and use different methods to sneak under the security mechanisms designed to detect and block these attacks.»

Logo design, identity design and branding all have different roles, that together, form a perceived

The course is carefully designed to be inclusive of different sexual orientations, genders and gender identities.

The Geneva Motor Show will see the début of the 124 Spider S - Design, alongside the 5 - Door Tipo and the 500X S - Design, all vehicles with very different characteristics and dedicated to those who like to express their own dynamic character also by choosing a car with a distinctive identity.

Notion Ink has been petitioning the community lately on many different design factors for both the company's identity and the color selection of their upcoming tablet the Notion Ink Adam.

I think if DMP were to at least make different patterns or designs in that border, and not just all gradients, it would be helpful in establishing a sort of «identity» for individual books or series, and make the covers more interesting to look at.

However, what Final Fantasy XV says to me is that this identity crisis and internal struggle about what makes a Final Fantasy game good is just as prevalent as it has ever been, as the game's lack of focus feels like something that comes from a lot of people drawing from different influences, rather than uniting under the umbrella of a cohesive design.

Esme added: «We designed a bespoke patterned alphabet in which each letter's treatment was inspired by a laser cutting technique and each letter from A-Z represents a different aspect of working with Swordfish, from art - working to customer care to team players, thereby conveying the breadth of their proposition and identity.»

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

During the 1950s and 1960s she was exploring with different textures, forms and various media, bringing some suggestive design, as well as attractive, mysterious shapes, and stripped canvases which became her distinctive mark later in the career, creating her unique visual identity.

Consequently de Ville has also stated that although the History Paintings are quite conceptually driven, they are also designed to show that different pigments «all have their own nuanced identities», evidencing an interest in «the raw essentials of painting», which he sees as characteristic of Lalic's practice (Nicholas de Ville, «Maria Lalic: Recent Paintings», in Todd Gallery 1995, p. 9).

Belgian artist Carsten Höller has designed a pop - up nightclub in Miami for fashion brand Prada, where indoor and outdoor spaces have very different identities.

Perhaps this is what LG is targeting with the 2018 LG G7 and the successor to this year's LG V30, where the two will have the same power under the hood, but different designs and features to give each one a unique identity.

The X marked the first time most people had seen that striking design, which made for a radically different iPhone and an instantly iconic visual identity for Apple's flagship device.

The brands will overlap in some price points and key geographies, but with different brand identities, features experiences and designs.

We used a 3 - year cross-sequential longitudinal design to examine the relations between self - efficacy judgments in three different domains (academic, social, resisting negative peer influences), cultural identity, theories of intelligence, and depressive symptoms.