Sentences with phrase «different everyday object»

For 30 days, each wrote for an hour about a different everyday object.

Not exact matches

The domain of the very small must be radically different from the domain of everyday objects.

Supplement them with interesting everyday objects that you hang overhead, such as a hanger suspended from his ceiling with various objects tied to it, or a crib gym that's been «retrofitted» with different focal points.

The concept is a high - tech version of what might happen if one were to analyze an everyday object with, say, the naked eye, an X-ray and then an infrared lens, with each technique providing different information from the others, and the combination of the three providing a fuller picture of the object.

Commonsense notions at the very heart of our everyday perceptions of reality turn out to be violated: contradictory alternatives can coexist, such as an object following two different paths at the same time; objects do not simultaneously have precise positions and velocities; and the properties of objects and events we observe can be subject to an ineradicable randomness that has nothing to do with the imperfection of our tools or our eyesight.

There are hundreds of different objects and ways to kill the undead hordes found within Parkview Mall: Firearms and blunt weaponry, household and sporting goods, and hilariously funny everyday purchases.

Standing only a few inches taller than some of her fifth - graders, Mlodzinski circulates around her 24 students, sprawled over desks and on the floor at work on a final project for their geometry unit, drawing different shapes and turning them into objects from everyday life.

The average person will see your artwork in a different light if you describe it using words that connect your artwork to the smell and feeling of everyday objects.

A documentation of different handles from paint rollers combined with everyday objects that emulate the tubular form of the original rollers.

Using a process that recalls radical forms of art that employ detritus and everyday found materials, Jones reveals the social discrimination at play in how value is assigned to different cultures and the objects that represent them.»

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Everyday objects, such as buttons, shirts and shoes, serve as an entrance for viewers into her art, but they are further altered and presented in a different capacity to prompt people to reconsider the original context and the implication.

Other creations range from an a piano lid that opens and closes automatically, 39 metronomes simultaneously ticking at different speeds and everyday objects collected into sequences and series.

Toni Spyra is a German artist who by modifying objects of everyday use wants to provoke a new point of view concerning the different ways of using everyday things.

The German artist uses everyday objects as reference object and alienates their shape, causing different functionalities.

These artists both conceptually and materially distill segments from the surrounding environment: styles and theories of former art movements, social rules, wars around the world, the effects of the global economy, ideologies of different eras, art materials, everyday objects and personal memories.

Jim Lambie (b. 1964, Glasgow, Scotland) collects the material for his energetic and colorful artworks from different sources: everyday objects, flea - market findings, bulky waste, Oxfam stores.

Through a selection of paintings, sculptures and wall works, seven different artists attempt to strip everyday objects and scenes from their associative context, «making visible the characters and materials that weave in and out of peripheral consciousness».

In his paintings, drawings, sculptures, graphics, collages and assemblages he combined different techniques with handwritten texts and words and set real everyday objects against undefined backgrounds.

Ortega works in different media, focusing on everyday objects and materials — from bricks and glass to pick - axes and tortillas — playing with and revealing their sometimes hidden, sometimes forgotten, and often neglected contexts of usage and meaning.