Sentences with phrase «different film camera»

Make sure to dance in front of seven different film camera locations in Fortnite as well to mark off another Season 4 challenge.

And visit the different film camera locations with our Fortnite season 4 week 2 quick guide.

This week, you'll need to dance in front of seven different film cameras strewn about the island, but they don't really stand out, though our Fortnite map guide will get you familiar with a few prominent locations.

For this Week 2 challenge, players must dance in front of seven different film cameras throughout the map in Fortnite.

For the second week of Fortnite Season 4, players must dance in front of different film cameras found throughout the map to complete one of this week's Battle Pass challenges.

Not exact matches

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

You know, having people look into the camera, having three different songs play at one time, simply ending your film on Sister Carol looking into the lens and nodding and wagging her finger.

Peter Berg's shaky handheld camera work grants the film a different, freer energy from statlier superhero flicks.

Les Misérables certainly looks strikingly different than most of the other Broadway musical - turned films released in recent years, thanks to some picturesque visuals and unusual camera angles conjured up by director of photography Danny Cohen (who received an Oscar nod for his similar work on King's Speech).

Since then, he has performed different tasks both behind and in - front of the camera on commercial and industrial works, working in both digital and film formats.

The camera behaves traditionally for most of the film, and will then randomly pan across the scene at an odd angle, just to be different.

Michael Bay movies are fun when the camera focuses on different subjects from film to film.

For those who tend to spend there movie time with only American films, this is one that will provide proof of just how different the view can be through the same camera lens.

Hong Sang - soo, whose recent film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the title role and Kim Min - hee, who worked with the director in three of his films, in the role of youthful Manhee.

His brother John Michael McDonagh (screenwriter of Australian film Ned Kelly) now follows in Martin's footsteps to take up residence behind the camera, with the somewhat similar yet distinctively different The Guard.

Using a combination of actors on wires, motion capture and filming segments of fight scenes at different camera angles the actors would appear suspended in the air mid action.

Mashing - up different film stock, lenses, video and in - camera effects with quick jump cuts and forced continuity, both directors seemed hell - bent on ignoring the source material as much as possible in favor of creating over-cranked «ecstasy trips» on screen.

The film was shot with two different cameras at the same time, one 35 mm and one HD.

For one, the director downplays the echoes across the film's two halves by using different camera angles to introduce the rhyming locations.

Last but not least is the surprisingly interesting «Boats»N Hoes» Music Video Editor, an innovative use of Blu - ray technology that lets you create your own edit of the film's crass music - video clip by using your remote control's number pad to select from nine different camera angles that run the length of the video.

To combat this, whenever we return to the same location, Mokri places his camera in a different position, creating a new angle so this film can re-use locations and yet still remain interesting to look at.

She uses very different skills when shooting an Alex Gibney doc, where she relies on reactive instinct, than the more intellectual planning of a narrative film like Todd Haynes» «Velvet Goldmine,» Ryan Coogler's «Creed,» or Darren Aronofsky's «The Wrestler,» which requires that «when you go into a room, you know where to put the camera,» she said.

Cocote (Nelson Carlo de Los Santos Arias, 2017) A creative blend of fiction and documentary which effortlessly mixes different film stocks (colour, black and white) and contains different camera styles, including an immersive 360 - degree pan.

With three or four different time periods over the course of the eight - year investigation covered and returned to time and again, but without any discernible rhythm, it's really only by paying stricter attention to Speedman's facial hair than we'd like to have had to, that we eventually worked out a rough timeline and even then, certain events are unmoored: how long before she went missing did Dunlop discover the cameras that were filming Tina?

Apparently the only thing keeping director Foley going was having different locations and different camera setups — many questionably framed for pan and scan; in the second half of the film, set entirely on one set, Glengarry Glen Ross starts to fizzle.

For most of the film, Michell flounders about with the camera, trying all kinds of different, bizarre angles, as if hoping something will stick.

With three or four different time periods over the course of the eight - year investigation covered and returned to time and again, but without any discernible rhythm, it's really only by paying stricter attention to Speedman's facial hair than we'd like to, that we eventually worked out a rough timeline, and even then, certain events are unmoored: how long before she went missing did Dunlop discover the cameras that were filming Tina?

(Suzy's glance - to - camera in the final shot — a shot with a completely different grammar and language than the rest of the film — suggests that our characters are headed for a very different world in the months and years to come; it also suggests Anderson might be looking for new worlds to conquer.)

Gary Ross borrowed from the Paul Greengrass school of direction when filming the original — lots of shakycam and quick - cutting — but Chasing Fire director Francis Lawrence takes a different approach, allowing his camera to glide smoothly around the action so that the viewer can take it all in, and while the violence still feels overly - sanitized, at least it's comprehensible.

In one of the episode's funniest moments, Hader deadpans the camera directly, snapping his head in different directions — left - right - left - up - down — all while directors Alex Buono and Rhys Thomas use their cameras to over-exaggerate Gray's minimal, but theatrical movements in the film.

There are a lot of technical observations — pointing out real penguins vs. CGI, different types of fake snow, discussing the digital video cameras used, recalling filming weather conditions and times — that most viewers won't care to hear about, at least not for 94 minutes.

In the previous films, part of the thrill was wondering where the camera was going to alight next, and the knowledge that a scene was more likely than not to end up in a spatial configuration radically different from the one in which it began.

This film follows many different love stories from directors such as Mira Nair (Amelia), Brett Ratner (Rush Hour), and even Natalie Portman tries her hand behind the camera.

As one of the leaders says off camera, «Myths are not just for putting children to sleep, but for waking adults up» — a message repeated throughout the film in different ways.

Activities — designed to suit different age - groups — include games and activities to develop identification and analysis of different camera shots, learning how to construct a story and use character analysis in scriptwriting, analysing use of sound, expressing thoughts and opinions on a piece of film and exploring mise - en - scene.

Your experience would be very different if you had everything invested in, say, 8 - track tapes and film cameras.

Season four of Fortnite has a running movie theme throughout, and plenty of sets and props have appeared throughout the map, including 10 film cameras in different locations.

As multiple cameras circle around the objects, presenting different perspectives on the same figures, Tan varies her film format, flipping between 35 mm and Super 8, and between high - definition digital and camera - phone quality.

She freely mines the public domain for high and low brow images, respectively making videos that have consisted of YouTube footage of material shot live on mobile phone cameras during the aftermath of the Egyptian revolution, excerpts from bootleg copies of popular Egyptian films from the 1950s to the present and a remake of a single iconic image lifted from an experimental French film dubbed with a futuristic account of a different place.

He was a recipient of Silas Rhodes scholarship and has worked under different artists and engineers, helping design and build anything from buildings to sculptures, film sets, electronic systems, furniture and camera rigs, and high - end furniture.

Set in a 1930s - like Shanghai square, the film, made with seven cameras shooting at once, offers different angles of the same general scene.

In quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through society.

Although Woodman used different cameras and film formats during her career, most of her photographs were taken with medium format cameras producing 2-1/4 by 2-1/4 inch (6x6 cm) square negatives.

Like Mapping the Studio I, currently on view at DIA Center for the Arts, the footage is from the original material shot by Nauman's infrared video camera at 7 different studio positions, filmed over a period of several months in 2000.

This is a different kind of light than the reflected light used by camera containing film.

Color however, is used sparingly to distinguish between different film types and to add a unique personality to each camera.

I have experience filming with different DSLR cameras and also have experience editing in Premiere Pro.