Sentences with phrase «different film critics»

More of these lists please, of different film critics views on movies.

View our updated Film Awards Scorecard for the latest awards and nominations from nearly 60 different film critic groups and industry organizations.

Not exact matches

So in that way, I'm on a completely different level than critics are for this film.

Instead, the film's notoriety and acclaim came in the years to follow, not only with audiences and critics learning to appreciate the film upon repeat viewings but with the release of multiple different cuts and remasterings of the original 1982 version, which have been released periodically in the decades since.

In total, the Los Angeles Online Film Critics Society members have nominated over forty different films ranging from smaller art - house releases to major blockbusters.

The 100 + episode craft - beer - and - movies podcast series features veteran film critic Cole Smithey and various guests from the entertainment, comedy, and craft beer worlds copiously consuming international politics and culture through the prism of a single film and a different craft beer each week.

Founded in 1997, the Online Film Critics Society is the world's oldest and most prominent group for online film critics, comprised of 254 members representing 22 different couCritics Society is the world's oldest and most prominent group for online film critics, comprised of 254 members representing 22 different coucritics, comprised of 254 members representing 22 different countries.

One of the interesting things we read among critics is that the same film will most likely have numerous different viewpoints.

Washington, D.C. — When the dust settled and the votes were counted, two very different films led the way as the Washington, D.C. Area Film Critics Association (WAFCA) announced their honorees for 2015 this morning.

While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.

After making his mark in the early thirties with two very different films, the anarchic send - up of the bourgeoisie Boudu Saved from Drowning and the popular - front Gorky adaptation The Lower Depths, Renoir closed out the decade with two critical humanistic studies of French society that routinely turn up on lists of the greatest films ever made: Grand Illusion and The Rules of the Game (the former was celebrated in its time, but the latter was trashed by critics and audiences — until history provided vindication).

These special screenings give studios a chance to reveal their prized gems to an audience of critics from different media outlets, with the hopes they'll spread the good word about the film.

A sharply different film, Breathe, from Bleecker Street, was embraced by festival audiences but dismissed by critics» rating services.

It's almost a cliche at this point to mention that the films the end up on critical best lists (whether print critics or bloggers), the films that end up the year's box office champions, and the films nominated for Oscars are pretty much three different groups of films.

It should be said that some of these films have vastly different stories to tell, critics wise, depending on which site you visit.

The Chronicles of Narnia 4: The latest Chronicles of Narnia film, The Voyage of the Dawn Treader may not have gotten much love from critics or the domestic box office, but overseas it was a different story.

Even if you don't think it's the best film of last year, it dominated Top Ten lists and critics groups awards and it offered a different and daring kind of cinematic experience, something rare enough in American popular cinema.

Gen X veteran film critic Cole Smithey and Millennial Mike Lacy copiously consume international politics and culture through the prism of a single film and a different craft beer each week.

This movie has entirely different aims and goals, not to mention that only a film critic would make the asinine assumption that a documentary could have the kind of populist impact Stone was clearly striving for here.

I'm of a different mind than most critics when it comes to what was actually going on in the film, but either way, it's a good film with a lot to say about a lonely, delusional man.

This year, winner of the Italian critics and public grid is the same film — however, the international critics had a different take on what is the best of the fest.

«The Film Critic» is primarily an imaginative look at a budding romance between two quite different people, but in addition the story is filled with amusing side characters such as Victor's fellow critics who often seem comatose at the advance screenings and especially Leandro Arce (Ignacio Rogers), who would like to kill Victor as his films have been regularly panned by Victor, and whose columns have relegated at least one movie editor to a menial job.

While these can be perfunctory, Indiewire film critic (and former A.V. Club contributor) David Ehrlich takes a drastically different approach with his self - edited «The 25 Best...

ARTISTS: Tony Conrad, Jutta Koether, and John Miller (sometimes featuring Greg Parma Smith) SOUND: Distorted, at times minimal instrumental music fusing Conrad's violin with Koether's Euro - inflected synths and Miller's looping guitar WHAT THEY DO: A real thinking man's art supergroup, XXX Macarena unites three artistic visionaries who each come from a different corner of the art world — Conrad is a legend in avant - garde video and sound art (he made the landmark, epilepsy - inducing film The Flicker in 1966), Koether is a hypercerebral painter, and Miller is a multitalented artist and critic who teaches at Columbia.