Different generations of artists explore the photographic and its manifestations.
The exhibition features works across some 30 years from three
different generations of artists of varying nationality, juxtaposing works in a variety of media, yet united by a shared sensibility.
James Fuentes presents a new group show curated by Joanne Greenbaum and Adrianne Rubenstein which examines the role of traditional media throughout
different generations of artists.
Associating
different generations of artists, the exhibition «Collection» 15» is a testament to the IAC's longstanding support for French and international artistic creation.
Different generations of artists will be presented to the Berlin audience in a combination of formats such as exhibitions, studio visits with artist talk, meetings in galleries, expert panels, live performances and activities in the public space.
Amended and rearranged after its first installment, the show will explore the impact that Mexico had on Artaud's work, as well as the influences that his creative practice has had on
different generations of artists, filmmakers and other cultural practitioners.
Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by
different generations of artists using photography.
On the right - hand side, we see framed pictures showing
different generations of the artist's family — including parents, her grandmother, and her wedding to an American man.
This is
a different generation of artists.
The exhibit also includes
different generation of artists whose practice includes; performance, video, sculpture, drawing, painting and photography.
But this year,
a different generation of artists will be making their art world debut, and they're neither young nor emerging — in fact, some of their names may already be quite familiar.
Coles highlights that «the top auction results are
a different generation of artists.
On the other side of America,
a different generation of artists would begin to develop a radical formation of blackness, detached from strategies of representation.
Not exact matches
Artists such as Michelangelo and Leonardo DaVinci inspired
generations with their perfection and style
of art and this is no
different to Alessandro Nesta whose legacy in the world
of football and his ability to make defending an art form has left its mark on this
generation and the world
of football.
Hailed as the greatest recording
artist of his
generation he disappeared into oblivion — rising again from the ashes in a completely
different context many miles away.
He also founded a series
of public talks and events that joined two Latin American
artists from
different generations and countries to investigate a common idea.
With recent protests by professional football players in mind, the young Chicago - based
artist Samuel Levi Jones has curated this group show, which brings together several
artists from
different generations whose work meditates on the relationship between power structures and persons
of color in America.
Although Giacometti and Klein, were
artists born a
generation apart and couldn't be more
different the two
artists lived and worked within a mile
of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu.
Drawn exclusively from the Zabludowicz Collection, this exhibition highlights connections and points
of divergence between
artists of different generations.
But due to this great prize
artists of different generations have been given the opportunity to spend formative months exploring Italy; and the resources to create a major new commission that situates them on the world stage.
At this event, parallels and differences in the artistic practice
of these two concept
artists — two
artists who belong to the same
generation, but come from very
different cultures and social backgrounds — will be discussed.
Minter and Wynne are two
artists of the same
generation dealing with ideas
of beauty, decadence, fantasy and glamour, but with two very
different approaches
Bringing together
artists working in various media, from multiple regions, and
of different generations, this exhibition focuses on the lyric — the poetic first - person account
of lived experience — to explore the complexities
of being in the world.»
Graphicstudio: Uncommon Practice at USF chronicles several aesthetic and technical conversations among
artists of different generations.
The gallery's aim is to develop the next
generation of artists through exciting and
different exhibitions, events and exclusive publications.
This exhibition will focus on and celebrate work made by more than a hundred female
artists of different generations, cultures and disciplines.
Featuring major
artists of different generations, this year's Frieze Film programme explores themes
of surrealism, popular myth and the carnivalesque.
In this obscure and fascinating tale
of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary
of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian
artist who officially worked for Hollywood studios.
Featuring Harmony Hammond, Carrie Moyer, Amy Sillman, and Paula Wilson, this session brings together four
artists of different generations to discuss the political ramifications
of applying pigment to surface.
At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works
of different generations of Israeli
artists are interwoven with each other in a complex manner by the theme «body».
It features key examples
of the technique by
artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II
artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary
artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.
I think that that argument, that line, might very well have led to Wade and lots
of other smart
artists who are making paintings for reasons that are really quite
different than the
artists of my
generation.
In November, when the German government gave Haus der Kunst $ 23 million for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve old and new audiences, and provide them a lively forum and strong access for the encounter and appreciation
of the art and ideas
of different generations of contemporary
artists.»
Significant exhibitions include Andy Warhol's Campbell's Soup Boxes in December 1986, which opened just weeks before the
artist's untimely death; She: Works by Richard Prince and Wallace Berman which brought together — for the first time — two
generations of leading
artists from
different coasts; Bruce Conner: Work from the 1970s, which inspired the
artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010).
It seems that by contrasting nine
artists of different generations, the gallery's intention is to emphasize a continuity
of interest in formal aspects
of the abstract artwork.
This is distinctly
different from the earlier
generation of women
artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea
of being called a feminist.
The art world would look very
different if successive
generations of black
artists had not been kept out in the cold, for decade after decade.
Founded in 1991, Matthew Marks Gallery represents twenty - seven European and American
artists of different generations.
Frieze Projects 2016 brings together
artists from
different generations and regions to share their visions
of human life, from Sibylle Berg & Claus Richter's darkly comic puppet theatre, to Coco Fusco's performance lecture on predatory behaviour, to Operndorf Afrika's blurring
of artistic production, everyday life and education.
Renowned visual
artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director
of the Aspen Art Museum, will explore the qualities that define a new
generation of female
artists and leaders in art, as well as the many
different ways in which they have achieved success, despite obstacles and prevailing inequalities.
Skarstedt's exploration
of appropriation and how it has been pursued by
different generations features works by leading
artists from the 1960s to the present day.
Culture Push creates a lively exchange
of ideas between many
different communities;
artists and non-
artists, professional practitioners and laypeople, across
generations, neighborhoods, and cultures.
The anachronism implies a continuity between the myths
of hard - drinking
artists from
different eras: as if the beer - swilling painters
of the Dutch Golden Age, the absinthe - addled wretches
of 19th - century Paris, the tough guys
of the New York School, liquored - up and rowdy at the Cedar Tavern, and several
generations of British
artists, stumbling out drunk in the late afternoon from Soho's Colony Room Club, could all be imagined in some timeless bar - room.
Daniel Buren has punctuated the past 50 years
of art with unforgettable interventions, controversial critical texts, thought - provoking public art projects and engaging collaborations with
artists from
different generations.
Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the
artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two
generations of leading
artists from
different coasts; Bruce Conner: Work from the 1970s, which inspired the
artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows
of important New York - based
artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.
In 2014, the shortlist for Artes Mundi 6 was a diverse selection
of international
artists spanning
different generations and cultures.
The exhibition aims to contrast an earlier
generation of artists who use shock in their work with a younger
generation of contemporary
artists who use shock to
different ends.
The show reflects on a number
of interesting notions: the ways in which postwar black
artists have constructed their identity through their reliance on abstraction; the formal affinities between
artists of different generations; and the role
of non-figurative art as both personal expression and political impetus.
This year's shortlist is a diverse selection
of international
artists spanning
different generations and cultures.
As a result, the works that comprise the exhibition offer a stylistic conversation among
artists of different decades and
generations.