Sentences with phrase «different generations of artists»

Different generations of artists explore the photographic and its manifestations.
The exhibition features works across some 30 years from three different generations of artists of varying nationality, juxtaposing works in a variety of media, yet united by a shared sensibility.
James Fuentes presents a new group show curated by Joanne Greenbaum and Adrianne Rubenstein which examines the role of traditional media throughout different generations of artists.
Associating different generations of artists, the exhibition «Collection» 15» is a testament to the IAC's longstanding support for French and international artistic creation.
Different generations of artists will be presented to the Berlin audience in a combination of formats such as exhibitions, studio visits with artist talk, meetings in galleries, expert panels, live performances and activities in the public space.
Amended and rearranged after its first installment, the show will explore the impact that Mexico had on Artaud's work, as well as the influences that his creative practice has had on different generations of artists, filmmakers and other cultural practitioners.
Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by different generations of artists using photography.
On the right - hand side, we see framed pictures showing different generations of the artist's family — including parents, her grandmother, and her wedding to an American man.
This is a different generation of artists.
The exhibit also includes different generation of artists whose practice includes; performance, video, sculpture, drawing, painting and photography.
But this year, a different generation of artists will be making their art world debut, and they're neither young nor emerging — in fact, some of their names may already be quite familiar.
Coles highlights that «the top auction results are a different generation of artists.
On the other side of America, a different generation of artists would begin to develop a radical formation of blackness, detached from strategies of representation.

Not exact matches

Artists such as Michelangelo and Leonardo DaVinci inspired generations with their perfection and style of art and this is no different to Alessandro Nesta whose legacy in the world of football and his ability to make defending an art form has left its mark on this generation and the world of football.
Hailed as the greatest recording artist of his generation he disappeared into oblivion — rising again from the ashes in a completely different context many miles away.
He also founded a series of public talks and events that joined two Latin American artists from different generations and countries to investigate a common idea.
With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.
Although Giacometti and Klein, were artists born a generation apart and couldn't be more different the two artists lived and worked within a mile of each other, in Montparnasse, Paris, but there are few clues in their work to suggest that they shared the same artistic milieu.
Drawn exclusively from the Zabludowicz Collection, this exhibition highlights connections and points of divergence between artists of different generations.
But due to this great prize artists of different generations have been given the opportunity to spend formative months exploring Italy; and the resources to create a major new commission that situates them on the world stage.
At this event, parallels and differences in the artistic practice of these two concept artists — two artists who belong to the same generation, but come from very different cultures and social backgrounds — will be discussed.
Minter and Wynne are two artists of the same generation dealing with ideas of beauty, decadence, fantasy and glamour, but with two very different approaches
Bringing together artists working in various media, from multiple regions, and of different generations, this exhibition focuses on the lyric — the poetic first - person account of lived experience — to explore the complexities of being in the world.»
Graphicstudio: Uncommon Practice at USF chronicles several aesthetic and technical conversations among artists of different generations.
The gallery's aim is to develop the next generation of artists through exciting and different exhibitions, events and exclusive publications.
This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines.
Featuring major artists of different generations, this year's Frieze Film programme explores themes of surrealism, popular myth and the carnivalesque.
In this obscure and fascinating tale of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studios.
Featuring Harmony Hammond, Carrie Moyer, Amy Sillman, and Paula Wilson, this session brings together four artists of different generations to discuss the political ramifications of applying pigment to surface.
At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».
It features key examples of the technique by artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.
I think that that argument, that line, might very well have led to Wade and lots of other smart artists who are making paintings for reasons that are really quite different than the artists of my generation.
In November, when the German government gave Haus der Kunst $ 23 million for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve old and new audiences, and provide them a lively forum and strong access for the encounter and appreciation of the art and ideas of different generations of contemporary artists
Significant exhibitions include Andy Warhol's Campbell's Soup Boxes in December 1986, which opened just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman which brought together — for the first time — two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010).
It seems that by contrasting nine artists of different generations, the gallery's intention is to emphasize a continuity of interest in formal aspects of the abstract artwork.
This is distinctly different from the earlier generation of women artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.
The art world would look very different if successive generations of black artists had not been kept out in the cold, for decade after decade.
Founded in 1991, Matthew Marks Gallery represents twenty - seven European and American artists of different generations.
Frieze Projects 2016 brings together artists from different generations and regions to share their visions of human life, from Sibylle Berg & Claus Richter's darkly comic puppet theatre, to Coco Fusco's performance lecture on predatory behaviour, to Operndorf Afrika's blurring of artistic production, everyday life and education.
Renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, will explore the qualities that define a new generation of female artists and leaders in art, as well as the many different ways in which they have achieved success, despite obstacles and prevailing inequalities.
Skarstedt's exploration of appropriation and how it has been pursued by different generations features works by leading artists from the 1960s to the present day.
Culture Push creates a lively exchange of ideas between many different communities; artists and non-artists, professional practitioners and laypeople, across generations, neighborhoods, and cultures.
The anachronism implies a continuity between the myths of hard - drinking artists from different eras: as if the beer - swilling painters of the Dutch Golden Age, the absinthe - addled wretches of 19th - century Paris, the tough guys of the New York School, liquored - up and rowdy at the Cedar Tavern, and several generations of British artists, stumbling out drunk in the late afternoon from Soho's Colony Room Club, could all be imagined in some timeless bar - room.
Daniel Buren has punctuated the past 50 years of art with unforgettable interventions, controversial critical texts, thought - provoking public art projects and engaging collaborations with artists from different generations.
Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.
In 2014, the shortlist for Artes Mundi 6 was a diverse selection of international artists spanning different generations and cultures.
The exhibition aims to contrast an earlier generation of artists who use shock in their work with a younger generation of contemporary artists who use shock to different ends.
The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.
This year's shortlist is a diverse selection of international artists spanning different generations and cultures.
As a result, the works that comprise the exhibition offer a stylistic conversation among artists of different decades and generations.
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