They had collected all the walls from
different institutional exhibitions in the region — all those floating walls — and left them intact with whatever nails or holes or paint color remained from the last exhibition they had been used for.
Not exact matches
At the time they were invited to curate the
exhibition, they were all based outside of New York, and had very
different professional backgrounds and
institutional affiliations.
As part of Posenenske's first
institutional one person
exhibition in the US, every second weekend a
different New York based artist will be invited to change the structure of Charlotte Posenenske's Square Tubes Series D, 1967.
Installation view June 23 — August 15, 2010 As part of Posenenske's first
institutional one person
exhibition in the US, every second weekend a
different New York based artist will be invited to change the structure of Charlotte Posenenske's Square Tubes Series D, 1967.
Clark will focus on a number of
exhibitions and projects he has organized over the past 12 years with a particular emphasis on the role and responsibility of the
institutional curator / director, the relative virtues of context, opportunism and demand, and the need for a
different kind of speed.
His commitment to
different forms of pedagogy and experimental
institutional models has profoundly influenced
exhibition practices today.
For several years he carries out
different activities as a critic and curator of contemporary art and applied arts
exhibitions, in collaboration with private galleries,
institutional spaces in Italy and abroad.
In addition to his solo work, Mr. Milan has participated in numerous significant
institutional group
exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a
different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.
Thanks to her wide and inclusive view, she is able to fulfill the role of artistic director in
different realities such as an
institutional pavilion like Expo Gate, for Milano Expo in 2015, and IL CREPACCIO project, a showcase in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of
exhibitions — such as the latest solo
exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet in Stockholm and Performa in New York.
The
exhibition at Bielefelder Kunstverein is the first
institutional solo
exhibition by the Brazilian artist and co-commissioned with the Vleeshal in Middelburg (NL), where it will be shown from February 26 until May 4, 2017 in a
different form.
For his first
institutional solo
exhibition in Germany at Heidelberger Kunstverein, Mexican artist Rodrigo Hernández looks back at «Figure 1», a sculpture he made in 2013 that has traveled to
different locations and has been presented in various contexts.
The show at the Kunsthalle Bern is the first
institutional solo -
exhibition of Yutaka Sone in Europe and takes part in a series of three highly
different exhibitions the artist developed over the last six months.