Sentences with phrase «different international museums»

It presents 12 works from different international museums in digital formats.

Not exact matches

Selected group exhibitions: 20 Years: Art Projects International, Art Projects International, New York (2013); American Chambers, Gyeongnam Art Museum, Korea (2011); Paper and Process 2, Art Projects International, New York (2009); Krungthep 226, Bangkok Art + Culture Center, Thailand (2009); Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey (2005); and The Inverse Mirror, Chambers Fine Art, New York (2003).

Ranging from large - scale painting to site - specific installation, these commissions spotlight trailblazing artists at different stages of their careers, and reflect the museum's continued commitment to providing an international platform for a wide range of contemporary artists with innovative and experimental approaches to their practices.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Bieinternational exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju BieInternational Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju BieInternational Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

Personally, I think some of these developments owe to a mixture of two elements: first, nostalgia towards different moments in Italian history in which we could still appear to play a crucial role internationally; and second, a desire to celebrate a polyphonic idea of art history that is too often flattened by mainstream narratives in international museums.

Between 2008 - 2013 his work was acquired by different Institutions, museums and private collections around Spain, while participating in various group and solo shows at galleries in Madrid, Valencia, and Barcelona, as well as having a presence at international art fairs in Spain, Belgium, Colombia, and Germany.

In the past year, Alex Marco's work has being acquired by different institutions and international collections, such as the Spain - based DKV collection, and the Pérez Art Museum Miami, PAAM, in Miami, USA.

1996 Just Past: The Contemporary in MOCA's Permanent Collection 1975 - 1996, Museum of Contemporary Art, Los Angeles, California, USA UNIVERSALIS, The 23rd International Sao Paulo Bienale, Brazil Material Matters, A.O.I. Gallery, Santa Fe, New Mexico Masculine Measures, John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA Swag & Puddle, The Work Space, New York, USA Galerie Ghislaine Hussenot, Paris, France 1995 New Works, Feigen Gallery, Chicago, Illinois, USA Late spring, Marc Foxx, Los Angeles, California, USA Avant - Garde Walk a Venezia in conjunction with the Venice Biennale, Venice, Italy Mon Voyage á New York, Galerie Elizabeth Valleix, Paris, France Soucis de Pensées, Art: Concept / Olivier Antoine, Nice, France Material Dreams, Gallery Takashimaya, New York, USA In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, California, USA Sex Sells, Benefit for the University Art Museum and Pacific Film Archive, Rena Bransten Gallery, San Francisco, California, USA

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York.

In addition to the traveling exhibitions, two symposia were held: An International Discourse on New Chinese Video and Photography at the San Diego Museum of Art and Envisioning the Future of Contemporary Art from Different Glocal Positions at the China National Academy of Art in Hangzhou, China.

Solo exhibitions include the Dordrechts Museum, Museo d'Arte Conteporanea Calasetta and at different international galleries.

Recent group exhibitions include; America is Hard to See, Whitney Museum of American Art, New York (2015); 56th International Art Exhibition — All the World's Futures, Venice Biennale, Venice, Italy (2015); A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA (2013); Land Marks, The Metropolitan Museum of Art, New York, USA (2013); Statuesque, Nasher Sculptural Center, Dallas, Texas, USA (2011); Contemporary Galleries: 1980 — Now, MOMA, New York, USA (2011); Whitney Biennial, Whitney Museum of American Art, New York, USA (2010); 7th Gwangju Biennale, Gwangju, South Korea (2008); and After - Nature, The New Museum, New York, USA (2008).

For Dance with flARmingos, Lucas has collaborated with 21 national and international artists to create 3D augmented reality (AR) works that are geolocated or virtually positioned to different locations in the Queens Museum and outside in Flushing Meadows Corona Park.

Group exhibitions include Beastly / Tierisch, Fotomuseum Winterthur, Zurich, Switzerland (2015); Now You See It: Photography and Concealment, Metropolitan Museum of Art, New York, USA; Plotting From Above: Mishka Henner and Montreal Aerial Survey, McCord Museum, Montreal, Canada; Drone: The Automated Image, Darling Foundry, Montreal, Canada; Views from Above, Centre Pompidou, Metz, France; A Different Kind of Order, International Centre of Photography, New York, USA (all 2013); Less Americains & Astronomical, Whitechapel Gallery, London, UK; Appropriation: Questioning the Image, Fotogalerie Wien, Vienna, Austria; No Man's Land, Oregon Center for Photographic Arts, USA (all 2012).

30 Jun 2009 Different Things: A Flavour of International Contemporary Art from the IMMA Collection at Artlink Gallery, Buncrana, Co Donegal An exhibition celebrating the diversity of contemporary art practices represented in the Collection of the Irish Museum of Modern Art opens to the public at Artlink Gallery, Fort Dunree, Buncrana, Inishowen, Co Donegal, on Saturday 4 July 2009.

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!

These few examples give an overview of the richness of this collection of 33 different pieces (the 34th box, by stanley brouwn, exists only as a concept), which nowadays are considered rarities, and occupy a prominent place in international collections, among them the Library and Documentation Center of the Museum Reina Sofía.

Participates in The New American Painting at the International Program of the Museum of Modern Art, New York; this show travels to eight different countries including Switzerland, Italy, Spain, Germany, France and United Kingdom.

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