Transmedia itself... is often thought of as a series of actions that happen between or across media or the transfer of messages — this isn't «wrong» per se, but it tends to neglect the nuances of human behavior, the levers for why people share stories to begin with and how they connect to each other through
different narrative forms.
Not exact matches
Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical
narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary
forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been
different for the biblical authors.
But regarding the creation story, it makes specific factual claims (albeit, internally contradictory when comparing the two
different creation
narratives) regarding the order of creation which are directly contradicted by observable, physical evidence, e.g. earth before sun, the order of the appearance of particular
forms of life, etc..
If NT theology is understood as a response to certain key events of the life of Jesus in
narrative form, a comparison of the
different traditions (synoptics, John, Paul) suggest a development, if not
different understanding.I view this as a «human construct».
Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story as it was first remembered and repeated; the story as it assumed relatively fixed classical
forms in
different areas, in the North or South; the story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified
narrative that is before us now.
In this respect, his approach is very
different from that of another distinguished literary critic, Robert Alter, author of The Art of Biblical
Narrative, who deprecates what he calls the excavative techniques of professional biblical scholarship and works with the text as it is, in its final
form.
There are, of course, many
different forms of proclamation, including historical
narrative, myth and legend.
Speaking to the Guardian, Goold said the play would explore how the Sun gave the people what they wanted, and see how the media, in
different forms, «prioritises stories and
narratives over the facts and the truth».
«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a new project, not necessarily to create a
narrative - based story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a
different form of serendipity that can lead to unexpected results.»
Joe and Rosalie are both damaged and traumatized people for very
different reasons, but the actors behind them make their grief feel palpable, and the connection that
forms between them over the course of the
narrative all the more believable.
But he also takes some cues
form a very
different American master of
narrative uncertainty, David Lynch, playing with ominous and surreal currents through the character of Joe Kennedy (Bruce Dern), the overbearing elderly patriarch and Mabuse-esque mastermind of the Kennedy clan.
Classrooms are places where
different forms of creativity should be nurtured and limiting
narratives should be challenged.
Depending on the grade, students must show knowledge of
different forms of writing — from
narrative to informative (i.e., explanatory) to argumentative or opinion.
«Now e-readers give us a way to reinvent
different forms of
narrative and storytelling.»
With honest talk of love and prejudice, friendship and betrayal, Russel's funny, contemporary
narrative tells what it's like to be
different in his small - town high school, where a group of gays and lesbians
form a secret support group.
Although a
different form of
narrative than we are used to it is nothing short of compelling.
Narrative essay writing is absolutely
different from other
forms of academic Continue reading
I was into video games, movies and comics, all these
different narrative art
forms and things that were centered on creativity and somehow music wasn't part of that.
Forming different parties creates
different narratives and
different outcomes.
It's a little more free -
form than that, though, as you choose your class and have
different sets of abilities as a result, but it's also less free -
form in that there's a fairly linear
narrative progression.
He explores the various myths and
narratives about our creation and how we came to inhabit the earth through the use of the readymade and manmade products placed to mimic the digestive process; the work exists as a continuum with the
different objects and materials interacting,
forming a
narrative.
Multiple
narratives and readings, as well as the approximate cartography of objects in space, are repeated thematically in the works in the basement, but the
form is radically
different.
Repetition in
different forms plays an important role in Prince's
narrative structures.
Their work embraced
different forms of
narrative, often with psychological or erotic overtones, and new kinds of self - awareness and worldliness.
With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a
narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken
different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.
Making Painting explores the concept that, though working on
different continents in
different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their use of paint and colour,
form and
narrative, and in their understanding of landscape.
Taking inspiration from the creature's composed physicality and fictional being, the show reflects on new
forms of abstraction and intangibility derived from the assemblage of
different styles and materials often associated with the internet and its context of visual and
narrative fragmentation.
Curator, collector, researcher and set designer, Macuga is a multidisciplinary arist who combines
different expressive
forms in complex
narrative works that are full of meaning.
The work draws from
narrative structures and cinematic techniques within
different forms of fiction, in particular science and meta fiction.
An epilogue can continue in the same
narrative style and perspective as the preceding story, although occasionally the
form can be drastically
different from the overall story.
Using a learnt methodology to present her research in a
different manner than conventional documentary film — voice - over, music and
narrative arcs based on real life, are conveyed in a layered hybrid
form.
A slightly
different form of classicism is evident in the city landscapes of Stephen McKenna which also hint at larger
narrative themes.
Today Kemang Wa Lehulere lives between Johannesburg and Cape Town and is one of the most important representatives of a new generation of South African artists who work in all
different kinds of genres and media in order to develop new artistic perspectives and
narrative modes, as well as new
forms of political action.
Much like in the novel, A House of Leaves borrows
different languages, tells multiple
narratives in
different ways, and asks its viewer to become co-author in order to present a collective effort to define an art
form — in this instance the contemporary art museum, from its collection, displays, special commissions, and loans, to its educational and interpretation system.
• Assessed received patient data to determine accuracy and completeness • Assisted in punching patient information such as demographics and treatment provided in facility database • Provided support in preparing statistical and
narrative reports by collecting data from
different avenues • Ascertained the accuracy of received data by consulting classification manuals to locate disease processes information • Processed and prepared government
forms and admission and discharge documents
Complainants must submit along with the Request and Agreement to Arbitrate
Form # A-1 (or Interboard Request and Agreement in situations where the respondant is a member of a
different REALTOR ® association), a
narrative description of the events that lead to the request.