Sentences with phrase «different objects of interest»

Using the right stick moves between different objects of interest that are on screen at the same time.

Not exact matches

It may help Christians in many different situations with different experiences and interests to remain under a common judgment, to be open to each other in a common fellowship, and to recognize that they are objects of a common redemption.

When you see these birds, you assume they'd be as common as crows, or the grackles here in central Texas, because they seem so adaptable, especially to different kinds of food, and interested in novel objects and trying to figure out how they can make use of them.

That is their quantum states and certain of their properties are bound up together and that they bear a certain distinct relationship to one another and what is interesting is that because they are entangled that relationship remains, no matter how far apart those two different objects may be.

A variety of objects will test different aspects of grip strength, which should keep things interesting for both athletes and spectators.

The gameplay consists of you trying to find the medicine for the dying father through running around solving interesting «puzzles» (which are not particularly challenging, and mostly involve interacting with different objects with both brothers at once) and completing all sorts of side quests.

Also, just as the lithograph was about one set of objects (namely man - made chimneys also acting as trees), the collaged ukulele would be a functional musical instrument also being an art object, so I felt that there existed interesting parallel sets of ideas to play with about one set of images that can suggest something entirely different or about an object that can be transformed into something else with different associations.»

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

Along with well - selected illustrations of works in different media, the catalogue traces Sillman's early exploration of cartoon imagery and the associative use of colors, her struggle for the unity of the physical legitimacy of the objects and the human body, her equally shared interest in figuration and abstraction, her attempts to reduce images that evoke the ambiguity of singular gestures in flux that are emphatically stable, and her «zines» and recent forays into drawings made with an iPhone.

Armand Fernandez, or just Arman, is a French artist who started out as a painter using traces of ink and paint left by different objects on his works, to later transfer his interest from painterly effects to the objects themselves.

«Since I began Photographs Rendered in Play - Doh in 2014, I have found myself attracted to photographs containing certain objects, animals or themes, interested in what is the same and what is different between each of these images,» explains Eleanor.

He is interested in the outcomes generated by the juxtaposition of objects from different contexts.

His interests are directed toward the effects of shifting cultural objects across different social and historical contexts, investigating the role that artists and other art specialists have in these processes of value - making.

For me it was like taking the Conceptual Art motto of Douglas Huebler, «The world is full of objects, more or less interesting, I do not wish to add any more», and using it towards a different end - like a Pop artist gone Conceptual.

I'm interested in how these CGI objects of women might be able to form different and speculative ideas towards our own bodies and create new relationships to labour, particularly female forms of labour and how we might perform as workers.

Together they are three artists who, working in different periods, are variously connected by motifs alluding to invented worlds, domestic objects and settings, an interest in assemblage and a sense of mystery.

Interested in the fine ambiguity between the object and the art object — he takes up a critical and humorous position towards the contemporary world and investigates the different aspects of the visible and the nature of materials, combining solidity and fragility, forms, motifs and colours to create geometric progressions containing emotional and musical qualities, intuitive and spontaneous, approaching, in form, towards the principles of neo-concretism.

In my artwork I am used to working with different media depending on how interested I am: painting, installations, sculptures, prints, ceramics; this, however, has been associated generally with the soft sculpture (sewn and stuffed fabrics), a technique that brings me closer to the craftwork of the popular cultures of the Caribbean, incorporating real chosen objects.»