Sentences with phrase «different people in the films»

Do you root for different people in the films you used to enjoy?

Not exact matches

«When you first start [a film], so many people have so many different expectations, and you imagine what the expectations are,» notes the American actor, who was born in Puerto Rico.

Phoenix went on to point out how the Church has often painted Mary Magdelene as a prostitute — in fact, Pope Gregory claimed she was a prostitute in 591 — and said he hopes the film provides a different lens for people to view women in the Church.

When the first film came out in 2013, people noticed something a little... different about Elsa.

Working side - by - side in a small restaurant and collaborating as celebrities on something like a TV show, with handlers and layers upon layers of pre - and post-production people, are totally different worlds; they may never even see each other while the show's filming.

In keeping with these earlier findings, Parkinson and her colleagues found activity in a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iIn keeping with these earlier findings, Parkinson and her colleagues found activity in a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iin a widely distributed network of brain regions was sensitive to the social status of the people in the film clips, with individual regions responding to different aspects of iin the film clips, with individual regions responding to different aspects of it.

There are so many different ways of searching for people in your area — whether it's by occupation, interests, age, or even favourite films.

Unlike many films dealing with the pending Apocalypse, which are often told in the horror genre with the visual horrors of the end of days, «Seeking a Friend for the End of the World» rightfully took a different perspective by focusing on people's natural reactions.

A rubix cube type of film that can be broken down in many ways, it ultimately means different things to different people.

Both films take a good hard look at what it takes to survive when you're one of the last people alive, but in strikingly different ways.

«When you're doing a film about people in the public eye, it's different,» says casting director Tracy «Twinkie» Byrd.

The film was inspired by the directors» own time living in Pedra Branca, a village of the Krahô people in North Brazil and centers on a Krahô teen torn between two different worlds.

The documentary is very nicely done, drawing in many different people who were involved in the making of the film; it's very much a real documentary rather than a promotional piece.

The Hunger Games films veer off into a different direction with Mockingjay, Part 1, as we no longer have a highly televised arena featuring combatants battling to the death so much as a battle for the people of Panem in terms of whether they want to stay with the oppressive regime led by the Capitol and President Snow (Sutherland, Horrible Bosses), or whether they're going to join the revolution and fight for a new way of life.

Nonetheless, I was hollering out loud for this film and I wasn't alone either, if people compare this to «Ted», they are going to be disappointed because they are two very different films but if you look as a stand alone you will have a blast watching «A Million Ways to Die in the West».

Midway through the film we watch him in a short amount of time work his way out of a jam with two different people, one with his words and one with his lips.

Film is an art that allows the viewer to bring themselves in conversation with it, and therefore what each person sees in a film will be different from what anyone else sees.

He allows our sympathies to fall on each and every person in the film, who have all been affected by the different paths their lives have taken.

Highlights include: Cage introducing himself («I'm an American filmmaker»), describing why he likes this movie («I like seeing people from different cultures co-existing in a harmonious way... that's just good energy») and how it reminded him of Endless Summer, explaining how he knew Christensen's work in the films of his dear family friend George Lucas, and his abrupt end to the session.

Corey Hawkins brings up one way the film is going to be different, sharing that «it's set in the Vietnam era, so what does that post-traumatic stress do to people?

The great thing about film, and horror, is that different fears speak to different people and that interpretation is in the eyes of the beholder.

You can tell that the team behind it really love this film and were excited to get a chance to allow people to see the film in a different and new set of eyes.

The Shape of Water is one of the most romantic films in the race this year, but it's romance comes from its subversiveness — both in how it depicts the well of desire within most women, how unquenchable it can sometimes be, and how it depicts an America that did not allow for different kinds of people.

The only movie that I saw at two different film festivals in 2013 and wanted to go back for more, Cheap Thrills isn't so much a horror film about people doing horrific things to one another so much as how far people are willing to go to bring horrific things upon themselves.

Both of this year's films representing transgender people offer objectively outstanding artistic experiences; «A Fantastic Woman» and «Strong Island» are vehicles for seeing a trans person in a fundamentally different way, more so than in any Oscar competition yet.

The film follows different characters «from person to person» in New York City, handing off the narrative to each one as it continues on.

It's a film that everyone, but black people in particular, will be able to connect with in a completely different and powerful way.

The film attempts at being a meditation on growing old, and what it means to different people at different stages in their lives generally ring true.Various dream sequences, including a cameo part for a «Miss Universe» played amply by Madalina Ghenea, give us a sense of Fred's insecurities despite his outwardly confident manner.But it is in the relationships where the story doesn't feel so true - and Harvey Keitel's character feels particularly under - done.

**** Zachary F November 29, 2012 this movie is sooo funny Jon C November 29, 2012 a fun, crude, and hilarious comedy two girl roomates formulate a plan to make their own sex hotline in order to make ends meet hijinks and raw laughs ensue between two very different people who embrace their sexuality via telephone the performances from both Graynor and Miller are pretty damn fun to watch the dialogue is insanely funny and gratuitous there's a very strange cameo in here too by Nia Vardalos Justin Long adds a nice touch being the supporting gay best friend mentoring these two girls it's just very awkwardly humorous listening to these people talk in this kind of film, there's interestingly no actual sex happening on screen, no boobs, no ass, no exposed body parts the plot mainly focuses on the bonding relationship bewteen the two leads which is a good break from the usual norm we're used to I can't help but feel though that the filmmakers didn't have anything left at the end, some of it felt unfinished and unresolved for all those problems, «For A Good Time, Call..»

There are some wonderful stylistic tricks Vaughn employs at different points (first - person POV, split - screen montages); however, now and again the film feels a little unbalanced or unpolished in its editing (likely due to the rushed production schedule), though average movie fans are not likely to notice these seams sticking out.

In terms of famous film people being born, you mind if I throw in writer, director and producer Alan J. Pakula (who got an Oscar nomination in each of these three capacities, each for a different film, and in three different decadesIn terms of famous film people being born, you mind if I throw in writer, director and producer Alan J. Pakula (who got an Oscar nomination in each of these three capacities, each for a different film, and in three different decadesin writer, director and producer Alan J. Pakula (who got an Oscar nomination in each of these three capacities, each for a different film, and in three different decadesin each of these three capacities, each for a different film, and in three different decadesin three different decades)?

Characters from all four of these films appear in Jay and Silent Bob, and to confuse things further, Smith enjoys using the same actors for different films, so some actors will appear as different people in this movie.

Sterritt ** Soderbergh tries a freewheeling experiment in this comedy - drama about people making a film and rehearsing a play; it takes place during 24 hours and unfolds in loosely strung scenes that drift in different directions.

The construction of the film and the writing have you constantly wondering what the true story is by giving us two different versions of the same story as told by two people whose best interests lie in making themselves look as good as possible.

Substantively the two films are quite different — whereas Caesar delineated a day - in - the - life of a Hollywood studio fixer, Rules tackles a love triangle involving two people who really don't belong together and a Hollywood luminary who uses the actress as a loophole to avoid being committed to an asylum, and thus losing his company.

Also true, though, while it's been a long time since I read Dick's novel, the film and the novel are very different, so I think Peoples (and Ridley Scott and Hampton Fancher) have some claim to creating the world depicted in BLADE RUNNER.

Ultimately, too, the film does deliver an interesting twist on Texan culture and it becomes quite a deep piece about being different (or rather the smartest person in the room) and also about being able to have have devout faith in something.

He doesn't do much different from his last go as the Captain but he could honestly just stand in place the whole film and people will flock.

The Oscar race has never been as divisive as it is in 2014, with factions splitting from the whole to create new worlds where film represents different things for different people.

«The Film Critic» is primarily an imaginative look at a budding romance between two quite different people, but in addition the story is filled with amusing side characters such as Victor's fellow critics who often seem comatose at the advance screenings and especially Leandro Arce (Ignacio Rogers), who would like to kill Victor as his films have been regularly panned by Victor, and whose columns have relegated at least one movie editor to a menial job.

In writer / director Azazel Jacobs film - The Lovers, we follow a middle - aged married couple - Mary (Debra Winger) and Michael (Tracy Letts), two people stuck in a different state of love, a stale, divided arrangement, while they are both engaged in extramarital affairs, and bonded together by sheer comforIn writer / director Azazel Jacobs film - The Lovers, we follow a middle - aged married couple - Mary (Debra Winger) and Michael (Tracy Letts), two people stuck in a different state of love, a stale, divided arrangement, while they are both engaged in extramarital affairs, and bonded together by sheer comforin a different state of love, a stale, divided arrangement, while they are both engaged in extramarital affairs, and bonded together by sheer comforin extramarital affairs, and bonded together by sheer comfort.

One may remember, for example, that Odin was a king of peace in the first film, but here, he's become a cold man, willing to sacrifice each and every one of the people in his realm to stop the villain («How does that make you any different than Malekith» Thor asks his father, to which the obvious answer is that Odin isn't trying to destroy the entire universe).

What really impresses is his eyes; this is often a good tool in con films where characters often find themselves playing different roles to different people in the same room.

While not really a romantic film in the traditional sense, it nevertheless paints a richly pessimistic, but rewarding, depiction of the difficulties for two different people to achieve success without stepping on each other's toes.

The film premieres in NEXT, typically one of the most fascinating programs in any festival all year, and stars the underrated pair of Omari Hardwick and Meagan Good, two very different people who meet on the night of the 2016 election in Los Angeles.

In focusing on the friendship that forms between the two as they face a similar (and at times wildly different) situation, Swanberg has delivered a film that seems to have impressed a lot of people back in Park City, UtaIn focusing on the friendship that forms between the two as they face a similar (and at times wildly different) situation, Swanberg has delivered a film that seems to have impressed a lot of people back in Park City, Utain Park City, Utah.

I definitely saw bits of myself as a teen in Lady Bird — I was also a theater kid in high school, so seeing that in the film was a total treat, but also remembering that as a time in your life where you could try on different versions of yourself to see who you want to be, and what other people respond to.

I know there are people who write in their attics, but for me culture is public, and literature is no different from music, fine art, film.

We struggled a lot against budget problems and we tried to get noticed by Valve without any success but we found a lot of support in different people, many of them in the film industry.

Clemens von Wedemeyer Production shot: The Fourth Wall © The artistn Photocredit: Sheila Burnett The Fourth Wall, German artist Clemens von Wedemeyer's first solo show in the UK, is an ambitious film - based installation which revolves around first encounters between two groups of different people: in anthropological terms referred to as «first contacts».