Sentences with phrase «different sections of the film»

Ramirez gained and lost 35 pounds for different sections of the film.
Paolo Baratta named directors for the different sections of film, architecture, theater, music, dance, and also visual arts, Szeemann's area of appointment.

Not exact matches

Of note, because the probes had slightly different specific activities and lengths [14], brain sections that were hybridized with the 3 ′ - probe were exposed to separate films from those hybridized to the mid-probe.
* awarded by a different jury led by director Ursula Meier; films screening in any of the various sections are eligible
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Next is a 20 - minute section of «Fly on the Wall» scenes, which are just (literally) peeks behind the scenes for five different scenes in the film.
At this year's Locarno Festival, (recently renewed) artistic director Carlos Chatrian similarly declared that he foresaw increasing numbers of women filmmakers in the competitions of major festivals and that he was especially proud to tout, in Locarno's main competition section (with 17 world premieres), eight women directors.1 And Locarno's outcome, amid an impressively deep competition pool, was unexpectedly different: although I, Daniel Blake did win the audience award of the Festival's mainstream Piazza Grande section, a female writer / director, Ralitza Petrova, took the festival's top prize for her brooding and bleak Bulgarian film Godless.
Each of the film's eight sections focuses on the experiences of different Māori women at this particular moment in time, held together in a range of ways by Waru himself or what he represents to them, their community or New Zealand more broadly.
«Rampage» feels like a cross section of different films, it opens like a sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash during the two - hour film.
While nearly every scene features a fighting sequence, the action effortlessly flows through the film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use of bold greens, reds, yellows and blues to distinguish the different sections of the story.
The second platter is divided into six rotating sections (it's a neat bit of animation), each one assigned a different aspect of the film's inception.
These activities and worksheets ask pupils to analyse the locations of The Capitol and District 12 (from sections of the book or stills from the film) and compare the different ways they are presented.
Seven short films, made by the Centre Pompidou especially for the event, will be screened in the different sections of the exhibition.
Apart from the film, the exhibition presents many different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits of riders and of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the film are printed onto sections of car bodies.
Using the same masking system that she used in her giant film for Tate Modern's Turbine Hall in 2011, Dean shot different sections of the same 35 mm frame in different countries and at different times.
Taylor - Wood shot each section of the orchestra in different takes and these individual films will be projected onto multiple screens within the gallery space, playing with the viewer's spatial perception of both the music and each section of the orchestra.
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