Ramirez gained and lost 35 pounds for
different sections of the film.
Paolo Baratta named directors for
the different sections of film, architecture, theater, music, dance, and also visual arts, Szeemann's area of appointment.
Not exact matches
Of note, because the probes had slightly
different specific activities and lengths [14], brain
sections that were hybridized with the 3 ′ - probe were exposed to separate
films from those hybridized to the mid-probe.
* awarded by a
different jury led by director Ursula Meier;
films screening in any
of the various
sections are eligible
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek
Film), a story that follows a couple (played by
different actors at
different stages
of the characters» lives) across the temporal loop
of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples in the temporal fold, but the
film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind
of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen
section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.
Next is a 20 - minute
section of «Fly on the Wall» scenes, which are just (literally) peeks behind the scenes for five
different scenes in the
film.
At this year's Locarno Festival, (recently renewed) artistic director Carlos Chatrian similarly declared that he foresaw increasing numbers
of women filmmakers in the competitions
of major festivals and that he was especially proud to tout, in Locarno's main competition
section (with 17 world premieres), eight women directors.1 And Locarno's outcome, amid an impressively deep competition pool, was unexpectedly
different: although I, Daniel Blake did win the audience award
of the Festival's mainstream Piazza Grande
section, a female writer / director, Ralitza Petrova, took the festival's top prize for her brooding and bleak Bulgarian
film Godless.
Each
of the
film's eight
sections focuses on the experiences
of different Māori women at this particular moment in time, held together in a range
of ways by Waru himself or what he represents to them, their community or New Zealand more broadly.
«Rampage» feels like a cross
section of different films, it opens like a sequence out
of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots
of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash
of «San Andreas», since we see three planes crash during the two - hour
film.
While nearly every scene features a fighting sequence, the action effortlessly flows through the
film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use
of bold greens, reds, yellows and blues to distinguish the
different sections of the story.
The second platter is divided into six rotating
sections (it's a neat bit
of animation), each one assigned a
different aspect
of the
film's inception.
These activities and worksheets ask pupils to analyse the locations
of The Capitol and District 12 (from
sections of the book or stills from the
film) and compare the
different ways they are presented.
Seven short
films, made by the Centre Pompidou especially for the event, will be screened in the
different sections of the exhibition.
Apart from the
film, the exhibition presents many
different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits
of riders and
of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the
film are printed onto
sections of car bodies.
Using the same masking system that she used in her giant
film for Tate Modern's Turbine Hall in 2011, Dean shot
different sections of the same 35 mm frame in
different countries and at
different times.
Taylor - Wood shot each
section of the orchestra in
different takes and these individual
films will be projected onto multiple screens within the gallery space, playing with the viewer's spatial perception
of both the music and each
section of the orchestra.