Sentences with phrase «different social position»

Not exact matches

By targeting industry - relevant content to different segments within your organization, you can start to position your people as experts in their respective fields; all they have to do is regularly read and share your company's curated content across their social networks.

Following Bourdieu's use of the terms «cultural» and «social capital) «The position of a given agent within the social space can thus be defined by the positions he occupies in the different fields, that is in the distribution of the powers that are active within each of them.

A first and still very common version of differentialism is the naturalist one: innate differences between the sexes are supposed to explain different behaviours and social positions.

What is the Liberal Democrats» stall to be, if it is not a positive social Liberal blueprint for the future, different from the compromises necessary of coalition with George Osborne — the Coalition position?

Lastly, given that the social responsibilities of American universities cover such a wide spectrum of activities, the book reflects little understanding of exactly how variously situated universities can locate a position of dynamic equipoise among the many different legitimate responsibilities they have.

Elected officials are now utilizing different social media platforms to communicate with their constituents and keep them informed of their policy positions on emerging issues.

Before joining Allegorithmic in 2016 as Community Manager, Vincent has been assuming different Art Technical positions with Ubisoft and the mobile game studio Social Point.

Moreover, had it been positioned from the very beginning as a freemium gaming platform, rather than a social network for gamers, there would have been a very different set of expectations for Home.

Posing as gallerists at the ready to explain the work on view, the performers instead took on six different characters, each with a distinct social position, and articulated a variety of contradictory relationships to the works.

This display encompasses many artists taking different political positions and of differing identities and backgrounds, but a lot of the work on display is looking at how social and political experience is reflected in broader visual culture, including pop culture.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

In Fingertap Quartet (2014), she borrows the voice of friend and collaborator Dev Hynes (aka Blood Orange), using his voice's high social value to offset her position; in Face Opera ii (2013), she choreographs fellow members of the deaf community's faces according to different emotions, and at the end, has them break the single greatest taboo for that community — using one's voice — for one unified scream.

«With this exhibition, visitors will see three different «statements» that reflect distinct positions towards art - making and the ways in which these artists addressed the autonomy of art, its nature, and its social power.

In this regard, the Court found that whereas with regard to the financial effects of access to social security benefits the positions of German nationals and any third country national are comparable — making it impossible to justify a different treatment apropos the freedom of movement — with regard to integration this may not be the case.

The Court therefore ruled that in case the position of beneficiaries from subsidiary protection can be regarded as being different from third country nationals legally resident in Germany on grounds that are not humanitarian or political or based on international law and who are in receipt of welfare benefits, as these third country nationals could presumably only reside in Germany in case they were able to financially support themselves and may therefore be assumed to be integrated by the time they would be eligible for social security benefits, the residence condition does not infringe on Article 33 of the Qualification Directive.

Videographers can use modes including ActiveTrack to automatically follow of subjects in motion, Motion Timelapse with up to five different camera positions, Hyperlapse to create dramatic time - lapse videos with the camera in motion, or stream live to popular social platforms like Facebook and YouTube.

I know that this may be different for senior executives, social media, marketing positions etc..

Along with communication skills, other things necessary for this position include patience, active ear, marketing and sales strategies, combined with an understanding of human psychology and perception of different types of reactions to each social scenario.

Here are 10 ways that you may be eliminating yourself from consideration without knowing it: Blog job search resume writing Career Coach Find a job with social media Job opportunities keywords for resume resume resume accomplishmentsYou apply for different positions, but you are not selected for the interview.

I utilized my communication skills and leadership role to fulfil my position as a mentor to 2nd - 5th grade girls.I created a safe, fun and exciting environment for the young girls not only teaching them different skills such as social abilities but also how to think body positive.Communicated with and empowered young girls daily.add more?.).