Not exact matches
One of the greatest and funniest
horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big
horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too
different than expected!
I went in this movie expecting a cheap slasher
horror film, but I was having high expectations, because it has been announced in development since 2009, what I got was way too more in depth
than I was barging for, this movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is
different dark comedy with mystery and great visuals (hint) SEE THIS MOVIE.
His script is more ambitious
than that of the average
horror film, with a plot structured across
different timelines, creating excruciating tension in the process.
The Diving Bell and the Butterfly) that do indeed provoke some inquiry towards the subject of dying and the boundaries of morality - but this
film does none of that, Haneke's objective here is no
different than in Funny Games: he simple wants to use the shock value to prove that we are captivated to a sickening extent by watching
horror unfold before us.
Horror Rises From the Tomb encapsulates the horror genre from the perspective of the European culture, which can be markedly different than American
Horror Rises From the Tomb encapsulates the
horror genre from the perspective of the European culture, which can be markedly different than American
horror genre from the perspective of the European culture, which can be markedly
different than American
films.
That Hooper takes us down a
different road
than the usual trashy, macabre and grisly
horror flick, doesn't make it a special
film worth seeking out.
A
film is a
different beast
than a book, however, and if the recent «single - take»
horror film Silent House proved anything, it's that having an entire
film that only focuses on one person is tricky proposition.
As such the sort of
horror it trades in is very
different to what studio genre
films usually offer - this is more about creeping dread a la Rosemary's Baby
than it is crafted set pieces of Annabelle.
Also: a musical featuring Hugh Jackman and CGI elephants; a Ridley Scott thriller more known for its reshoots
than its story; the supposedly last entry in a
horror franchise; and two very
different indie
films.