Sentences with phrase «different than fiction»

There is no one cookie cutter approach, because the way that I'm going to approach something with a nonfiction author writing a business help book is going to be much different than the fiction author, or even the fiction author in one genre versus another or marketing a children's book — very challenging, because you're not exactly allowed to go out and collect email addresses of children.

Not exact matches

The prophet Muhammad and the Quran are essentially fiction written by misguided souls not much different than prophet Joseph Smith and Book of Mormon.

Which is why we need smart TV more than ever, because fiction in all forms still steals past the watchful dragons of our own presuppositions and prejudices and helps us look at the world in a different light.

The thing with science fiction that's different than other genres is that it's always about the idea.

This event will see a selection of new release previews, specially selected classics and films that reflect the different programming strands that the IFI runs all year round such as IFI Stranger than Fiction, IFI Family and the IFI Irish Film Archive.

Films such as The Kite Runner, Stranger Than Fiction, Stay, Finding Neverland and Monster's Ball couldn't be more different.

The film awards circuit is a much different beast than it was 15 years ago when Tarantino exploded onto the scene with «Pulp Fiction,» even if his long time confidant Harvey Weinstein is still at the campaign's helm.

Reporter: How much different is it working on any of the sports movies as opposed to something like «Stranger Than Fiction» or «Winter Passing,» where I'm going to guess there is less than 22 percent ad - libbThan Fiction» or «Winter Passing,» where I'm going to guess there is less than 22 percent ad - libbthan 22 percent ad - libbing?

Pulp Fiction is a little different than most cult movies because when it came out it was successful and critics loved it.

Editing a cookbook involves a different skill set than the one needed for editing fiction.

For over 10 years, I've trained more than 450 authors, consulted with top publishing houses, and helped clients hit the New York Times bestseller list three different ways, including new fiction, new non-fiction, and backlist non-fiction.

Marketing oneself requires a completely different mindset than writing a long work of fiction or non-fiction.

They also feature the provocative stance typical of literary fiction, but they come about it from a different angle than more mainstream fare.

With that in mind, I would almost say that experience in translating fiction is more important than a degree, as many translators are entering this field from a different background at some point.

He has successfully represented a wide range of fiction and nonfiction projects to more than 40 different publishers that have generated in excess of $ 20 Million for their authors.

In terms of fiction, Amazon's imprints have had far more luck with genre titles than with literary fiction, and AmazonCrossing is no different — the successes it most often touts are mysteries, thrillers, and romances.

Someone reading Harry Potter fan fiction would probably expect it to be different in quality than say a new Harry Potter book by J.K. Rowling.

A murder mystery / detective fiction will have a lot of processing as well, but it is often very different in style and tone than the processing found in a heavy relationship drama.

2) There were some agents submitting young adult projects that don't traditionally rep it and to be blunt, it's different than repping fiction in the adult realm.

Above are some examples but publishing markets around the world fluctuate frequently based on trends hitting at different times and cultural differences meaning that (for example) while Germany may not currently be buying anything other than paranormal romance, India might be desperate for historical fiction.

If you're writing fiction, I think you really should do both if you have ability because you're going to hit a different market with print than you would with your books, and print books still sell more than e-books.

And perhaps non-narrative nonfiction could be seen as having a different purpose than genre fiction does — to inform primarily, rather than to entertain primarily — so nonfiction authors might then publish eBooks with other than purely commercial goals.

Sadly, that's a whole different ball of wax when it comes to formatting than fiction is, and I don't think I was able to help him much.

Buyers of cook books likely spend their time in different ways and places than those of science fiction fantasy novels.

Children's books can be a whole different animal (no pun intended) than the general fiction we usually help with, but I still think many of our tactics will be useful for you.

The frame of mind you write in for short fiction is naturally going to be different than for longer pieces.

Novelists (fiction writers) follow a different path to publication than nonfiction authors.

Often I'll more readily buy non-fiction on my kindle than fiction, maybe because I have a different kind of «relationship» with non-fiction; less of a connection.

It can be a little misleading if you mistakenly interpret the above as the median earnings mix for individual authors, because the majority of those print sales for both traditionally published authors and indie authors are nonfiction — generally written by a different set of authors than their fiction counterparts who make the majority of ebook and audiobook earnings in each category.

More than half of all sales are from Romance Fiction with over a dozen different categories within.

The agent helps shape the proposal (so that it is clear how the proposed work is different from and better than the competition) or work of fiction, finds a publisher, negotiates the contract, sells subsidiary rights to the work, intervenes when there is a controversy, whether it be over an editorial question or the publisher's promotion plans, weighs in with an opinion (e.g., the book cover), monitors the publishing process and steers the author's career, book by book.

The growth of ebooks varies widely among the different publishing categories with their deepest penetration focused in fiction, particularly in the mystery / detective, romance, and science fiction categories, where ebooks accounted for more than 20 percent of 2012 spending.

(This is a different question than my previous one, dealing about trademarked fiction characters)

Unless, of course, one is prepared to concede that law isn't logical at all, or that law is no different in the way it process information than religion; in which case learning how to «think like a lawyer» is learning how to believe in pink rabbits because the law defines a flying elephant as pink rabbitt as everybody knows elephants can't fly (see, legal fiction).