Sentences with phrase «different than wolf»

Dog packs are completely different than wolf packs.

Not exact matches

The 24 - year old from Argentina came through the academy system at Arsenal and may well have thought he might never break through into the first team after being sent out on loan to no less than four different clubs, the latest being for the whole of last season with Wolves in the Championship.

Scientists from the Messerli Research Institute at the Vetmeduni Vienna studied how well dogs can discriminate between different quantities and discovered that wolves perform better than dogs at such tasks.

The types of performances he gives in movies like 21 Jump Street (along with 22 Jump Street on Friday, which is just as good, trust me there), Funny People, Knocked Up, and Superbad are tremendous, but they're very different than what he's shown us in Moneyball and The Wolf of Wall Street.

Most studies show that cats also eat plant matter but obviously their diet is different than that of the wolf.

They showed that the dog version of SGLT1 is different than that of the wolf but did not prove that this difference is meaningful.

That said, for those of us who have heard again and again that dogs are just domesticated wolves living in a «pack» of humans — and who hasn't heard that more times than you can count, thanks to the popularization of the concept on TV — it might be helpful to learn all the scientific reasoning behind how wolves and dogs are different (and how we misunderstood wolves and their pack interactions for a very, very long time), why those «alpha dog» approaches aren't the best way to relate to your dog (and in fact, can even cause more problems), and why alternate approaches like positive reinforcement and reading the body language of a dog as a dog and not a mini wolf do work.

In other words, the Pointer of England is different than the pointers of Germany, France, Italy, Spain, and Portugal, and the breeds developed to hunt deer or wolves are different than the breeds developed to hunt rabbits or foxes or pheasants.

Commercial dog food is frankly different than the diet of wild dogs and wolves.

Mainly you feel you're constantly doing something different, wolf, dungeon, horse, puzzle etc. are better paced than Skyward Sword and the latter game isn't as tedious as the Windwaker.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

And according to Joshua Wolf Shenk, the author of «Powers of Two,» these tiny shifts are also the catalyst for a different kind of thought process — a shared mind, so to speak — that allows couples (romantic or not) to come up with more creative solutions to problems than they'd ever think up on their own.