Sentences with phrase «different visual artist»

Each issue also highlights the unique artwork of a different visual artist.

Each issue also features the distinctive artwork of a different visual artist.

The Soulard Fine Arts Building is celebrating 25 years of housing a community of 17 different visual artists in its walls.

Every year New York based Visual AIDS, VA, «the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects,» unveils two new broadside projects created with different visual artists to promote «harm reduction, HIV prevention and AIDS awareness» to diverse audiences.

Not exact matches

Different artists and designers will create visual representations of Bible verses and passages.

This album features 11 tracks from 14 different artists and was created to help promote «video game music, video games, all the original composers» compositions, and the talented musical and visual artists that contributed to this project.»

Two - time Oscar winner Cate Blanchett plays 13 different characters in a series of vignettes embodying the artistic and political manifestos of Communism, Dadaism, Futurism, Minimalism, Surrealism, and other movements in this film by German visual artist Julian Rosefldt.

The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard - Visual examples of final outcomes - What to look for in taking good quality primary resource photographs There is also a designers catalogue of contemporary artists / designers to allow students to look at different materials and how they have been manipulated.

Learn how to rephrase the performance objectives of college and career ready standards for the visual, performing, and media arts into good questions that will engage students to create, perform, respond to, and connect works presented in various formats and mediums, by various artists, in different contexts, and from different cultures.

God has a sense of humor, since I'm in a long - term creative collaboration with a visual artist, Julia Busko, who has a very different perspective.

Graphic novels Noah director Darren Aronofsky and artist Nico Henrichon discuss their graphic novel of the same name, which is based on the screenplay of the film but has very different visuals.

The mission of Art & Theology is to help the church rediscover its rich heritage in the visual, literary, and musical arts and to open it up to the activity of contemporary artists, whose giftings can enable us to see God in new and different ways.

The only thing better than MadWorld «s über - violent gameplay and trichromatic visuals is its music, a striking blend of 20 original tracks from several different artists.

Our visual artists, composer, and audio engineer spent a lot of time together exploring different possibilities.

Many painters (and visual artists) express themselves through art because because it's a different language on itself and there's things that can't be communicated through words.

The unconscious aura of titillation that arises from a visual representation of an aspiring woman artist in the mid-19th century, Emily Mary Osborne's heartfelt painting, Nameless and Friendless, 1857, a canvas representing a poor but lovely and respectable young girl at a London art dealer, nervously awaiting the verdict of the pompous proprietor about the worth of her canvases while two ogling «art lovers» look on, is really not too different in its underlying assumptions from an overtly salacious work like Bompard's Debut of the Model.

«As a visual artist, Toyin will bring an entirely different perspective to campus.

This exhibition proposes what has never been done and that is to understand and re-examine the work of artists to whom vastly different philosophies have been ascribed and yet whose works resonate together in visual conversation.

«This exhibit presents the work of 20 very different female artists, each with their own visual aesthetic.

This display encompasses many artists taking different political positions and of differing identities and backgrounds, but a lot of the work on display is looking at how social and political experience is reflected in broader visual culture, including pop culture.

Jan Fabre, born in Antwerpen 1958, occupies different media and multifaceted practices as an artist; theatre director, film maker, choreographer, author and visual artist.

Through our programme we work predominantly with British - born and British - based visual artists of African and Asian descent supporting them at different stages in their careers.

The exhibition considers drawing in Europe and the United States throughout time, observing how artists advanced the role of drawing in artist's creative processes — from a primary tool to record the visual world to a medium distinguished for its expressive qualities and immediacy in the advent of photography and subsequent technological advances in the digital age, ultimatelyunderscoring what makes drawing different from other forms of notation.

The book features photographs of each artist's performance by acclaimed photographer Paula Court, storyboards, sketches and scripts documenting the artists» creative processes, and ten newly commissioned essays on different themes from the biennial, including language, Russian Constructivism, Fluxus, comedy and the relationship between visual art and theater.

Two Reflections draws thematic connections and contrasts between the visual languages of these artists, each of whom portrays a common sense of anguish brought about by different fundamental and inescapable forces in life: nature and humanity.

Few contemporary artists have developed a visual vocabulary as immediately recognizable as the Chicago - born artist Christopher Wool's — and what's remarkable is that he was able to achieve this distinction across a number of different series, from his influential text paintings to his elegantly minimal canvases marked by fences and other repetitive forms to his dynamic gestural abstractions that borrow from graffiti culture.

The internationally renowned visual artist and Royal Academician, Tacita Dean, responds to a different classical genre in each of the three venues.

Contemporary artist Ryan McGinness offers a visual essay that explores and contrasts two vastly different artistic processes while Red Hot Chili Peppers front man Anthony Kiedis provides a dynamic interview exchange between artist and musician.

With «Remnant Recomposition» (2014), artist Cayetano Ferrer has created a site - specific installation composed of dozens of different carpets specifically manufactured for casinos, where frenetic visual stimuli are designed to both obscure the wear and tear of 24 - hour gambling palaces and to brighten up the cold mechanics of adverse probability.

A poet, visual artist and performance artist who lives in New York, Christopher Knowles (born 1959) produces works in many different mediums that revolve principally around language, to which he relates in an unusually concrete way.

«Modernity» focuses on the development of ink art in the 20th century; «abstraction» recognises artists who create their own visual language; «emerging» promotes new concepts by galleries and their new artists; «salon» examines the effect that new media is having on the genre in the 21st century; and «co-curation» unites different participants in the art industry with dynamic programmes promoting ink art.

From these beginnings, geometric abstraction endured throughout the 20th century as a visual and theoretical counterpoint to gestural movements like Abstract Expressionism, rendered by different artists in many different ways.

Renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, will explore the qualities that define a new generation of female artists and leaders in art, as well as the many different ways in which they have achieved success, despite obstacles and prevailing inequalities.

We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows.

If the 1970s ended with a unprecedented maturation in the visual arts spectrum and the foundations for increasing infrastructural support, the 1990s ended with increased visual and intellectual traffic between mediums: painting was informed by issues and innovations in photography, video and digital technologies, and in return, artists working in technological mediums addressed painting in many different and unexpected ways.

Contemporary artist Ryan McGinness offers a visual essay that explores and contrasts two vastly different artistic processes while Red Hot Chili Peppers front man Anthony Kiedisprovides a dynamic interview exchange between artist and musician.

The exhibition will feature historical works, contemporary works, and work by younger artists that present different visual representations of solitary pleasures.

Throughout these two weeks, artists will examine different perspectives of what this can mean in our ever - changing world through written and spoken words, visual arts and performance.

The exhibition will bring together a group of artists who deal with these kinds of dilemmas as praxis and will produce a collaborative project integrating different techniques — design, visual art, craft — , into one cohesive ambient.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.

The participating artists all have different approaches toward the visual language of documentary.

The exhibition juxtaposes artists from different nationalities and time periods in the hope that visitors will enjoy both the extraordinary quality of the art and experience the repeated visual delight that Paul Mellon felt.

Likewise, the cover of a preferred book will be either copied or created anew to give a wholly different interpretation of the visual essence of the book, as well as to associate the spirit and cultural capital of the book towards the artist.

The show creates visual surprises and harmonies between the artists» two different approaches to art making: sculptures by Ernesto Burgos and painted fabric works by Chris Duncan.

Though the visual and performance artist seemed to have taken some artistic liberties in interpreting the project («peace» and «piece» are obviously two completely different words), it sure is looking peacefully Zen in there.

For this open call exhibition, UFORGE Gallery asked artists to challenge themselves to make something different than their usual work, either by switching materials, tackling new visual themes, and / or experimenting with styles.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

Works by four pioneering artists who, though active in different places and periods, developed similar visual languages, are brought together...

Coinciding with the gallery's announcement for joint - representation of the artist's estate with Andrea Rosen Gallery, this selection of works from the artist's different bodies of works once again manifested the timelessness and universality of Gonzales - Torres» silent and poetic visual language that resists any art historical classification.